Catalog created on 2/17/2008 with Ant Movie Catalog.
| Number | Original Title | Year | Director | Category | Length | |
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28 Days | 2000 | Betty Thomas | Comedy Drama | 103 min. | |
| Plot Synopsis by Mark Deming In this romantic comedy, a journalist who's become too much the life of the party finds a new lease on life in a drug and alcohol treatment center. New York newspaper columnist Gwen Cummings (Sandra Bullock) has a fondness for liquor, a boyfriend (Dominic West) with a similar taste for the bottle, and a party girl image that camouflages plenty of emotional baggage. At the wedding of her sister (Elizabeth Perkins), Gwen's pursuit of a good time goes a bit too far when she topples the wedding cake and steals the bridal party's limousine. The result is a court-ordered, 28-day stay in a rehabilitation facility for drug and alcohol abusers. Gwen's failure to get with the program causes her to butt heads with the clinic's director (Steve Buscemi), but her attitude begins to change when she meets Eddie Boone (Viggo Mortensen), a baseball player trying to deal with his substance abuse problems. Diane Ladd, Marianne Jean-Baptiste, and Azura Skye play Gwen's fellow rehab inmates, and legendary roots rock band NRBQ performs at the wedding reception. More info... | ||||||
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8 Mile | 2002 | Curtis Hanson | Drama, Urban Drama, Musical Drama | 110 min. | |
| AMG SYNOPSIS: Controversial rap star Eminem makes his acting debut in this hard-edged urban drama, inspired in part by incidents from the musician's own life. Jimmy Smith (Eminem), known to his friends as Rabbit, is a young man trying to make his way out of the burned-out shell of inner-city Detroit. Rabbit's entire life has been a hard climb, and it certainly hasn't gotten any easier lately; Rabbit has just been dumped by his girlfriend, forcing him to move back in with his emotionally unstable mother, Stephanie (Kim Basinger), and he's getting along especially poorly with Stephanie's new boyfriend. Rabbit has a factory job that's tough, demeaning, and doesn't pay especially well, and he's convinced his skills as a rapper are his only real hope at a better life. Rabbit makes music with a crew of DJ's and MC's who call themselves Three One Third, among them his close friend Future (Mekhi Phifer), but his status as a white kid making music in a predominantly African-American community and culture is extremely intimidating, and after Rabbit freezes up in the midst of an MC battle, he's convinced he's missed his chance and that he's doomed to lead a marginal life as a factory rat for the rest of his days. With the help of his friends, and his new girlfriend Alex (Brittany Murphy), Rabbit struggles to work up the courage and the confidence to take one more shot at making his dream a reality. 8 Mile was shot on location in Detroit; the name refers to 8 Mile Road, a thoroughfare along the city's perimeter which effectively separates the middle-class suburban neighborhoods from the lower-class inner-city. -- Mark Deming More info... | ||||||
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Addicted to Love | 1997 | Griffin Dunne | Comedy | 100 min. | |
| Plot Synopsis by Mark Deming In this slightly dark comedy about romantic obsession, Sam (Matthew Broderick) is an astronomer who likes his life in the small New England town he calls home and loves his fiancée, Linda (Kelly Preston). But one day, Linda tells Sam that she's moving to New York because she has found a new job -- and a new boyfriend. Sam is shocked and doesn't want to give Linda up, so when she moves to Manhattan, Sam follows her. Moving into an empty loft across the street from Linda's new apartment, Sam constructs a camera obscura that allows him to watch what she and her new beau, a French restaurateur named Anton (Tcheky Karyo), are up to. Sam's convinced that Linda is just going through a phase, and when she gets tired of Anton, he'll be there to pick up the pieces. But Sam soon has company in his obsessive watch over Linda's new flat: Anton's former girlfriend, Maggie (Meg Ryan), crashes Sam's hideout and joins him in his spy mission. While Sam just wants Linda back, Maggie is seething with rage against Anton after he dumped her and now she's out for revenge. Addicted to Love was the directorial debut of actor and producer Griffin Dunne; he cast his father, noted author Dominick Dunne, in a small role as a food writer. More info... | ||||||
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Along Came Polly | 2004 | John Hamburg | Romance, Comedy, Gross-Out Comedy, Romantic Comedy | 90 min. | |
| AMG SYNOPSIS: Screenwriter John Hamburg directs his second film (since his 1998 debut Safe Men) with the romantic comedy Along Came Polly. Ben Stiller plays Reuben Feffer, a professional risk assessor who never takes chances in any aspect of his life. When his new bride Lisa (Debra Messing) leaves him for a European scuba instructor named Claude (Hank Azaria), he finally decides to a risk of his own. At a party, he meets free-spirited Polly Prince (Jennifer Aniston), whom he remembers from his seventh-grade Model U.N. Unlike the control-freak Reuben, she's spent her life living on the edge. They reluctantly begin a romance and Polly introduces him to a new world of spicy food and suggestive dances. Along Came Polly also stars Philip Seymour Hoffman as Reuben's washed-up best friend Sandy Lyle and Alec Baldwin as the obnoxious insurance company boss Stan Indursky. -- Andrea LeVasseur More info... | ||||||
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American Dreamz | 2006 | Paul Weitz | Comedy | 107 min. | |
| Plot Synopsis by Jason Buchanan The President of the United States (Dennis Quaid) seems to be having a nervous breakdown after picking up a newspaper for the first time in four years, and when his Chief of Staff (Willem Dafoe) determines to get the Commander in Chief out of his pajamas and back into the spotlight, the stage is set for a talent contest that the nation will never forget. To President Staton, the world is a fairly black-and-white place, but a glance at the daily headlines on the eve of his reelection leaves the most powerful man in the free world shaken to the very core. Now determined to read as much as possible in order to best assess the opinions of the general public, President Staton locks himself away and obsessively begins taking in as much information as humanly possible. With concern about the President's mental health soon taking precedence over all other issues in the White House, his nervous Chief of Staff attempts to get the Commander in Chief back in the public eye by booking him as a guest judge on television's top-rated talent show, "American Dreamz." A weekly ratings juggernaut hosted by self-loathing celebrity Martin Tweed (Hugh Grant), "American Dreamz" cashes in on the dominant culture of celebrity by affording everyday Americans the opportunity to be catapulted into stardom. As "American Dreamz" hopefuls Sally (Mandy Moore) and Omer (Sam Golzari) progress to the final round and the President takes his seat on the panel, an unexpected revelation about one of the finalists promises to make this season finale the biggest ratings grabber in television history. More info... | ||||||
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American Graffiti | 1973 | George Lucas | Comedy Drama | 109 min. | |
| Plot Synopsis by Lucia Bozzola It's the last night of summer 1962, and the teenagers of Modesto, California, want to have some fun before adult responsibilities close in. Among them are Steve (Ron Howard) and Curt (Richard Dreyfuss), college-bound with mixed feelings about leaving home; nerdy Terry "The Toad" (Charles Martin Smith), who scores a dream date with blonde Debbie (Candy Clark); and John (Paul Le Mat ), a 22-year-old drag racer who wonders how much longer he can stay champion and how he got stuck with 13-year-old Carol (Mackenzie Phillips) in his deuce coupe. As D. J. Wolfman Jack spins 41 vintage tunes on the radio throughout the night, Steve ponders a future with girlfriend Laurie (Cindy Williams), Curt chases a mystery blonde, Terry tries to act cool, and Paul prepares for a race against Bob Falfa (Harrison Ford), but nothing can stop the next day from coming, and with it the vastly different future ushered in by the 1960s. Fresh off The Godfather (1972), producer Francis Ford Coppola had the clout to get his friend George Lucas's project made, but only for $750,000 on a 28-day shooting schedule. Despite technical obstacles, and having to shoot at night, cinematographer Haskell Wexler gave the film the neon-lit aura that Lucas wanted, evoking the authentic look of a suburban strip to go with the authentic sound of rock-n-roll. Universal, which wanted to call the film Another Slow Night in Modesto, thought it was unreleasable. But Lucas' period detail, co-writers Willard Huyck's and Gloria Katz's realistic dialogue, and the film's nostalgia for the pre-Vietnam years apparently appealed to a 1973 audience embroiled in cultural chaos: American Graffiti became the third most popular movie of 1973 (after The Exorcist and The Sting), establishing the reputations of Lucas (whose next film would be Star Wars) and his young cast, and furthering the onset of soundtrack-driven, youth-oriented movies. Although the film helped spark 1970s nostalgia for the 1950s, nothing else would capture the flavor of the era with the same humorous candor and latent sense of foreboding. More info... | ||||||
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American History X | 1998 | Tony Kaye | Drama, Urban Drama, Message Movie, Crime Drama | 118 min. | |
| AMG SYNOPSIS: Tony Kaye made his feature directorial debut with this dramatic exploration into the roots of race hatred in America. In a shocking opening scene, teen Danny Vinyard (Edward Furlong) races to tell his older brother, neo-Nazi Derek (Edward Norton), about the young blacks breaking into his car in front of the house, whereupon Derek gets his gun and with no forethought shoots the youths in their tracks. Tried and convicted, Derek is sent away for three years in prison, where he acquires a different outlook as he contrasts white-power prisoners with black Lamont (Guy Torry), his prison laundry co-worker and eventual pal. Meanwhile, Danny, with a shaved head and a rebellious attitude, seems destined to follow in his big brother's footsteps. After Danny writes a favorable review of Hitler's Mein Kampf, black high-school principal Sweeney (Avery Brooks) puts Danny in his private "American History X" course and assigns him to do a paper about his older brother, who was a former student of Sweeney's. This serves to introduce flashbacks, with the film backtracking to illustrate Danny's account of Derek's life prior to the night of the shooting. Monochrome sequences of Derek leading a Venice, California gang are intercut with color footage of the mature Derek ending his past neo-Nazi associations and attempting to detour Danny away from the group led by white supremacist, Cameron (Stacy Keach), who once influenced Derek. Director Tony Kaye, with a background in TV commercials and music videos, filmed in L.A. beach communities. Rated R "for graphic brutal violence including rape, pervasive language, strong sexuality and nudity." -- Bhob Stewart More info... | ||||||
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The American President | 1995 | Rob Reiner | Romance, Comedy, Romantic Comedy | 113 min. | |
| AMG SYNOPSIS: This earnest, intelligent, and well-written romantic comedy is enjoyable and optimistic in classic Hollywood style, even if its idealism doesn't seem quite so credible against the cynical political backdrop of the Nineties. President Andrew Shepherd (Michael Douglas), an unabashedly liberal Democrat, is just gearing up for re-election when he meets an attractive and sharp environmental lobbyist named Sydney Wade (Annette Bening). The two fall in love and the President must soon deal with the political repercussions (Sydney is trying to get legislation through Congress), as well as the cynical machinations of Republican opponent Senator Bob Rumson (Richard Dreyfuss), who attempts to paint Sydney as a radical and use "family values" rhetoric to smear Shepherd. With the attacks affecting his standings in the all-important polls, and his love's legislation causing him headaches in the Capitol, Shepherd must decide whether he can risk continuing his relationship. A rich supporting cast, solid characterizations by Douglas and Bening, and an articulate approach make this an appealing, if not particularly weighty, study of the tensions between public and private life. -- Don Kaye More info... | ||||||
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An Unfinished Life | 2005 | Lasse Hallström | Drama | 107 min. | |
| Plot Synopsis by Mark Deming Two generations of a damaged family are brought together in this emotional drama. Einar Gilkyson (Robert Redford) was a once successful rancher whose spread went to seed after he developed a serious drinking problem. Now on the wagon, Einar looks after what's left of his spread with his friend Mitch (Morgan Freeman), a one-time cowhand who never fully recovered after being mauled by a bear. Einar once had a son named Griffin, but he died in a car wreck while Griffin's wife, Jean (Jennifer Lopez), was driving; Einar never forgave her for the death, and he had never met the granddaughter she was carrying until she arrived at his doorstep 11 years later. Jean has become involved with a violent man named Gary (Damian Lewis), and seeks refuge on Einar's ranch for the safety of her daughter, Griff (Becca Gardner). Einar reluctantly takes in Jean and Griff, giving them a place to stay as Jean looks for work and tries to put her life back together. But old trouble makes its way back to town in two ways -- Gary tracks down Jean and wants to make her pay for leaving him, while the bear who attacked Mitch comes down from the mountains looking for new prey. An Unfinished Life was adapted from the novel of the same name by Mark Spragg. More info... | ||||||
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Angels in the Outfield | 1994 | William Dear | Children's/Family | 102 min. | |
| Plot Synopsis by Don Kaye Updated from the 1951 film of the same name, Angels In The Outfield takes liberties with the original to bring sentimental values to a modern setting. Roger (Joseph Gordon-Levitt) is a foster child whose irresponsible father promises to get his act together when Roger's favorite baseball team, the California Angels, wins the pennant. The problem is that the Angels are in last place, so Roger prays for help to turn the team around. Sure enough, his prayers are answered in the form of angel Al (Christopher Lloyd), and, before you know it, the Angels' bitter manager (Danny Glover) is watching in amazement as his team starts making the plays -- with the help of angels visible to the audience only as glowing special effects. More info... | ||||||
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Anger Management | 2003 | Peter Segal | Comedy, Comedy of Errors, Odd Couple Film | 106 min. | |
| AMG SYNOPSIS: A man comes face to face with the rage he didn't know he had in this comedy. Dave Buznick (Adam Sandler) is an even-tempered businessman who, after a series of strange misunderstandings on an airline flight, finds himself accused of air rage. A judge sentences Dave to undergo anger management therapy, and he soon finds himself in the care of Dr. Buddy Rydell (Jack Nicholson), a celebrated therapist. However, Dave's group therapy sessions with a handful of truly disturbed individuals -- among them jumpy ex-con Chuck (John Turturro), obsessive sports fan Nate (Jonathan Loughran), slow-burning Lou (Luis Guzman), egocentric Andrew (Allen Covert), and bisexual porn stars Gina and Stacy (Krista Allen and January Jones) -- leave him far more unsettled than when he arrived. Later, when Buddy decides to move into Dave's home for intensive therapy, he soon discovers Buddy has more than a bit of his own anger to resolve, and that no one brings out Dave's deeply buried inner rage quite like Buddy. Anger Management also stars Marisa Tomei as Dave's girlfriend, Linda; in addition, the film features a number of notable actors in cameos, including Woody Harrelson, John C. Reilly, Ray Liotta, Heather Graham, and Harry Dean Stanton. -- Mark Deming More info... | ||||||
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Apollo 13 | 1995 | Ron Howard | Drama, Historical Film, Space Adventure, Docudrama | 140 min. | |
| AMG SYNOPSIS: "Houston, we have a problem." Those words were immortalized during the tense days of the Apollo 13 lunar mission crisis, and the suspense, fear, and excitement of those days are captured in Ron Howard's epic recreation of the 1970 crisis. When the commander of the original mission Ken Mattingly (Gary Sinise), bows out due to possible exposure to measles, astronaut Jim Lovell (Tom Hanks) leads command module pilot Jack Swigert (Kevin Bacon) and lunar module driver Fred Haise (Bill Paxton) on what is slated as NASA's third lunar landing mission. All goes smoothly until the craft is halfway through its mission, when an exploding oxygen tank threatens the crew's oxygen and power supplies. As the courageous astronauts face the dilemma of either suffocating or freezing to death, Mattingly and Mission Control leader Gene Kranz (Ed Harris) struggle to find a way to bring the crew back home, all the while knowing that the spacemen face probable death once the battered ship reenters the Earth's atmosphere. Even though the outcome, in which all three astronauts miraculously survived, is historical fact, the film derives suspense from the situation itself and from the actions of the heroic astronauts and the men on the ground. Howard's taut direction, a solid ensemble of players, and eye-opening special effects all add to the overall impact of the film, which has been hailed as one of Hollywood's best historical dramas. In 2002, the movie was released in IMAX theaters as Apollo 13: The IMAX Experience, with a pared-down running time of 116 minutes in order to meet the technical requirements of the large-screen format. -- Don Kaye More info... | ||||||
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Army of Darkness | 1992 | Sam Raimi | Horror, Comedy, Horror Comedy | 77 min. | |
| AMG SYNOPSIS: The third in director Sam Raimi's stylish, comic book-like horror trilogy that began with The Evil Dead (1982), this tongue-in-cheek sequel offers equal parts sword-and-sorcery-style action, gore, and comedy. Bruce Campbell returns as the one-armed Ash, now a supermarket employee ("Shop Smart...Shop S-Mart") who is transported by the powers of a mysterious book back in time with his Oldsmobile '88 to the 14th century medieval era. Armed only with a shotgun, his high school chemistry textbook, and a chainsaw that mounts where his missing appendage once resided, the square-jawed, brutally competent Ash quickly establishes himself as a besieged kingdom's best hope against an "army of darkness" currently plaguing the land. Since the skeleton warriors have been resurrected with the aid of the Necronomicon (the same tome that can send Ash back to his own time) he agrees to face the enemy in battle. Ash also finds romance of a sort along the way with a beautiful damsel in distress, Sheila (Embeth Davidtz), and contends with his own doppelganger after mangling an important incantation. -- Karl Williams More info... | ||||||
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The Bachelor | 1999 | Gary Sinyor | Comedy, Romance, Romantic Comedy, Farce | 101 min. | |
| AMG SYNOPSIS: In this romantic comedy, Chris O'Donnell plays Jimmie, the grandson of an eccentric millionaire. At the reading of his grandfather's will, Jimmie learns that he stands to inherit $100 million on his 30th birthday. There's only one stipulation: Jimmie has to be married to get the money. And he is going to turn 30 in 24 hours. Jimmie and his sweetheart (Renee Zellweger) have already been talking about marriage, but she thinks it's wrong to marry for the money. The Bachelor co-stars James Cromwell, Brooke Shields, and singer Mariah Carey in her acting debut. This story was filmed before in Buster Keaton's silent classic, Seven Chances. -- Mark Deming More info... | ||||||
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Barcelona | 1994 | Whit Stillman | Comedy Drama | 100 min. | |
| Plot Synopsis by Jason Ankeny The second film from writer/director Whit Stillman, Barcelona is a smart, urbane comedy of manners set in Spain at the tail end of the Cold War. Taylor Nichols stars as Ted, an American salesman living in Barcelona. Out of the blue, he is visited by his acidic cousin Fred (Chris Eigeman), a U.S. Navy officer sent abroad to work damage control on rising anti-American sentiment. The textbook "Ugly American," Fred travels through the city in full military regalia, impervious to the constant taunts of "Fascist!" Like the similarly self-absorbed Ted, who has become involved with political activist Monsterrat (Tushka Bergen), Fred also finds romance, with a party girl played by Mira Sorvino. A brittle fish-out-of-water comedy, Barcelona is literate and sophisticated, a knowing essay on cultural identity and perception. More info... | ||||||
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Barefoot in the Park | 1967 | Gene Saks | Comedy | 106 min. | |
| Plot Synopsis by Don Kaye Based on the hit Broadway play by Neil Simon, who made his screenwriting debut with this adaptation, Barefoot In The Park follows the lives of newlyweds Paul (Robert Redford) and Corie Bratter (Jane Fonda) as they adjust to married life in a tiny Greenwich Village apartment. Paul is a buttoned-down, straight-arrow lawyer who's wound a little too tight, while Corie is an effervescent free spirit who won't let anything disturb her romantic bliss. Aside from the five-flight climb and the hole in their skylight, the Bratters must also contend with eccentric upstairs neighbor Victor Velasco (Charles Boyer), who must go through their apartment to get to his. Corie hatches a plot to get her mother (Mildred Natwick) together with Mr. Velasco, but the entire evening goes awry and even casts doubt on the viability of the Bratters' new marriage, as Corie tries unsuccessfully to loosen Paul up. All ends well, however, and Fonda and Redford are full of youthful appeal in this light domestic comedy. More info... | ||||||
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Basic Instinct | 1992 | Paul Verhoeven | Thriller | 123 min. | |
| Plot Synopsis by Robert Firsching This cold, stylish erotic-thriller grossed over $100 million at the box-office despite vigorous protests at its depiction of gays and women. The shocking opening sequence features a graphic sexual encounter involving a rock-star bound with a white Hermes scarf by an unidentified blond woman. Despite the fact that the scene ends with a bloody icepick murder (horrifyingly realized by makeup artist Rob Bottin), Hermes scarves quickly sold out at stores nationwide. This seeming paradox is at the heart of the film's appeal, as it mixes perverse sexuality and erotic bloodshed in a manner common to European thrillers (director Paul Verhoeven had done it himself in 1979's marvelous De Vierde Man) but mostly taboo in America. The plot concerns Catherine Tramell (Sharon Stone), a successful bisexual mystery writer who may also be a ruthless murderer. Everyone close to Catherine dies, and troubled policeman Nick Curran (Michael Douglas) must find out why. In the process, Nick becomes sexually involved with both Catherine and police psychiatrist Beth Gardner (Jeanne Tripplehorn), while the bodies begin piling up and Catherine turns the cat-and-mouse game around on Nick. Verhoeven and screenwriter Joe Eszterhas -- who was paid $3 million for the script -- keep the tension ratcheted up throughout, even during the frequent sex scenes, which carry a violent edge reminiscent of the Italian thrillers of Dario Argento. The film's most notorious scene, a police interrogation in which Catherine makes drooling idiots out of her captors by revealing that she is not wearing underwear, became a cultural touchstone and was widely imitated and parodied. Sharon Stone, meanwhile, was embarrassed to the point that she claimed Verhoeven had aimed lights on strategic locations without her knowledge. George Dzundza and Dorothy Malone co-star. More info... | ||||||
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The Baxter | 2005 | Michael Showalter | Comedy, Satire, Romantic Comedy | 91 min. | |
| AMG SYNOPSIS: A man with a "doormat" personality tries standing up for himself for a change in this comedy. Mild mannered tax accountant Elliot Sherman (Michael Showalter) is what he calls a "Baxter": the kind of calm, unexciting fellow who "wears sock garters" and "enjoys raking leaves." Loved by bosses and parents, Elliot is a perfectly nice guy. And that's his problem -- he's safe and pleasant, but not very interesting, so as a consequence he hasn't had much luck with long-term relationships, and more than one woman has abandoned him for someone more exciting. Elliot believes his luck has finally changed for the better when he becomes engaged to Caroline Swann (Elizabeth Banks), a smart and attractive editor at a successful magazine. However, a few weeks before the wedding, who should come back into Caroline's life but Bradley Lake (Justin Theroux), her high school sweetheart and, according to many, the great love of her life. Bradley quickly makes it clear that he wants to win Caroline back, and generally in such circumstances Elliot would politely step aside, but just this once Elliot decides to fight for the woman he loves. Elliot gains an unexpected champion in Cecil Mills (Michelle Williams), a frumpy but adorable temp employee at his office who encourages Elliot to develop a take-charge attitude, though the results aren't quite what he expects. The Baxter was written and directed by Michael Showalter, who also plays Elliot; Showalter was a member of the sketch comedy troupe the State, and also works with the comedy performance trio Stella, whose other members, Michael Ian Black and David Wain, also appear in the movie. -- Mark Deming More info... | ||||||
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Before and After | 1996 | Barbet Schroeder | Drama | 107 min. | |
| Plot Synopsis by Karl Williams Director Barbet Schroeder and screenwriter Ted Tally adapted the novel by Rosellen Brown into this intriguing drama that, while heavily criticized for a third-act revelation that is something of a cop-out, nevertheless features -- typically of Schroeder's work -- compelling performances, domestic discord, and a search for the truth. Meryl Streep stars as Carolyn Ryan, a rural Massachusetts pediatrician married to Ben (Liam Neeson), a handsome, rugged sculptor. Although theirs is not a picture-perfect marriage, the Ryans consider themselves happy, until police arrive at their home one morning to inform them that their son Jacob (Edward Furlong) was the last person seen the night before with a teenage girl who has been murdered. Jacob is missing, and the Ryans frantically search for him, but when the boy returns, it is obvious that he's not being completely truthful about the night's events. While Carolyn wants the truth, Ben is willing to go to whatever lengths are necessary to defend Jacob, hiring an expensive lawyer (Alfred Molina), destroying evidence, and encouraging Jacob to be deceitful. Carolyn and Ben's opposing views of their son's legal trouble cause serious turmoil in the Ryans' marriage, which may be irreparably harmed in spite of the 11th hour appearance of the truth. More info... | ||||||
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Besieged | 1998 | Bernardo Bertolucci | Drama, Romance, Political Drama, Erotic Drama | 94 min. | |
| AMG SYNOPSIS: Bernardo Bertolucci directed this Italian drama co-scripted by Bertolucci and Clare Peploe from a story by British-born writer James Lasdun (co-scripter of Jonathan Nossiter's Sunday). In Rome, reclusive British composer Jason Kinsky (David Thewlis) lives in the building he inherited from his aunt, while his cleaning woman Shandurai (Thandie Newton) resides in the basement, studying medicine. One day, Kinsky tells Shandurai that he loves her and will do anything for her, so she asks him to free her husband, a political prisoner back in Africa. To acquire funds for the man's release, Kinsky begins selling his possessions, including his piano, while Shandurai hangs out with her friend Agostino (Claudio Santamaria), a man angling to get her into bed. Location filming took place in Italy and Kenya. Shown at the 1998 Toronto Film Festival and the 1998 San Sebastian Film Festival. -- Bhob Stewart More info... | ||||||
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Beverly Hills Cop | 1984 | Martin Brest | Comedy, Action, Action Comedy, Police Comedy | 105 min. | |
| AMG SYNOPSIS: What's that wisecracking young black guy (Eddie Murphy) in that beat-up Chevy Nova doing in lily-white Beverly Hills? He's Axel Foley, a Detroit detective who's been sent on involuntary vacation because he refuses to drop his intention of avenging his friend's murder. Warned by Beverly Hills police chief Ronny Cox to stay out of trouble, Foley nonetheless dogs the trail of above-the-law Steven Berkoff, the British crime czar who was responsible for the murder of Foley's friend. With the help of sympathetic local cops Judge Reinhold and John Ashton and lady friend Lisa Eilbacher, Foley attempts to corner Berkoff in his mansion, which leads to a wild slapsticky shootout. -- Hal Erickson More info... | ||||||
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Big | 1988 | Penny Marshall | Comedy | 98 min. | |
| Plot Synopsis by Hal Erickson More than anything else, 13-year old New Jerseyite Josh (David Moscow) wants to be "big". That's the wish he makes at an odd-looking amusement pier fortunetelling machine. The next morning, Josh wakes up-only to discover that he's grown to manhood overnight! (At this point, the part is taken over by Tom Hanks). Still a 13-year-old mentally and emotionally, Josh decides to hide out in New York City until he can figure out what to do next. He lucks into a job with a major toy company run by kid-at-heart McMillan (Robert Loggia). By cannily bringing a child's eye view to McMillan's business, Josh rises to the top-and in process, he falls in love with fellow employee Susan (Elizabeth Perkins). But he's still a kid, and he'd like to go back to his own world and own body. Written by Gary Ross and Anne Spielberg, Big proved a crucial success for budding director Penny Marshall, who'd work harmoniously with Hanks again on the radically different A League of Their Own. The cinematography was by Barry Sonenfeld, who went on to become a director himself with The Addams Family. That Big was heavily reliant upon the input of Tom Hanks and Penny Marshall was proven by the failed attempt to turn the property into a Broadway musical. More info... | ||||||
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The Big Lebowski | 1998 | Joel Coen | Comedy | 127 min. | |
| Plot Synopsis by Bhob Stewart The plot of this Raymond Chandler-esque comedy crime caper from the Coen Brothers (Joel Coen and Ethan Coen) pivots around a case of mistaken identity complicated by extortion, double-crosses, deception, embezzlement, sex, pot, and gallons of White Russians (made with fresh cream, please). In 1991, unemployed '60s refugee Jeff "The Dude" Lebowski (Jeff Bridges) grooves into his laid-back Los Angeles lifestyle. One of the laziest men in LA, he enjoys hanging with his bowling buddies, pompous security-store owner Walter Sobchak (John Goodman) and mild-mannered ex-surfer Donny (Steve Buscemi). However, the Dude's life takes an alternate route the afternoon two goons break into his threadbare Venice, California, bungalow, rough him up, and urinate on his living room rug. Why? Because Jackie Treehorn (Ben Gazzara) is owed money by the wife of a certain Jeff Lebowski. However, the goons grabbed the wrong Jeff Lebowski. With the right info, they would have invaded the home of philanthropic Pasadena millionaire Jeffrey Lebowski (David Huddleston). The Dude looks up his wealthy namesake, manages to get a replacement for his rug, and meets the millionaire's sexy young wife Bunny (Tara Reid). Later, Jeffrey ("The Big") Lebowski calls in the Dude to deliver a $1 million ransom for the return of his kidnapped wife. Fine -- except that Walter intrudes and botches the ransom drop. As events unravel, the Dude gets caught up in the schemes of Lebowski's daughter, erotic artist Maude (Julianne Moore), encounters both cops and bad guys, and drifts through an elaborate bowling fantasy sequence titled Gutterballs. The soundtrack includes Bob Dylan, Yma Sumac, Moondog, Captain Beefheart, and the Sons of the Pioneers. More info... | ||||||
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Blackboard Jungle | 1955 | Richard Brooks | Drama | 101 min. | |
| Plot Synopsis by Mark Deming In this gritty urban drama, war veteran Richard Dadier (Glenn Ford) wants to begin his career as a teacher and is given an assignment at a boys high school in inner-city New York. However, he soon discovers the school is overrun by delinquents, led by Artie West (Vic Morrow), an insolent hood who likes to call Richard "Mr. Daddy-O." Artie and his gang steal, destroy property, refuse to respect authority, and threaten the female teachers with rape. While most of the faculty have given up and meekly let the delinquents do what they want, Dadier is determined to bring order back to his classroom, even after Artie's thugs threaten Richard's pregnant wife. Keep your eyes peeled for a bit part by Jameel Farah, years before he would change his name to Jamie Farr. Blackboard Jungle was also the first major studio film to use rock & roll on the soundtrack; the film's success kick-started sales of "Rock Around the Clock" by Bill Haley & His Comets, which helped to spark the rock & roll boom of the 1950s. More info... | ||||||
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Blast from the Past | 1999 | Hugh Wilson | Comedy | 111 min. | |
| Plot Synopsis by Ron Wells In 1962, Calvin Webber (Christopher Walken) was a brilliant but somewhat paranoid scientist living with his Donna Reed-esque wife, Helen (Sissy Spacek), in Los Angeles. In the midst of the Cuban Missile Crisis, a plane crashed into the Webber's yard. Mistaking the blast for "the big one," the Webbers moved into their elaborate bomb shelter to wait out the half-life of radioactive fallout. In the shelter, now a sort of time capsule, Calvin and Helen conceived and raised their son Adam (played as an adult by Brendan Fraser). For 35 years, Adam was raised on Jackie Gleason, Perry Como, and stories about life on the surface. Calvin taught his son about science, baseball, and communists while Mom taught Adam about dancing, good manners, and charming young ladies. Just in time, too, as Adam is sent to the surface to gather supplies and find a wife, preferably a nice, non-mutant girl from Pasadena with which to repopulate the world. Once this "fish out of water" story is set up, the fish, Adam, is set adrift in a sea of supermarkets and adult bookstores, but is soon caught by Eve Rustikov (Alicia Silverstone). Completely lost above ground, Adam enlists Eve's help to navigate his new world and find the supplies on his list. The literally sheltered Adam falls for this bitter, cynical, street-smart woman who grew up in a bleak Los Angeles with little use for love. Living with her gay roommate, Troy (Dave Foley), Eve has had her hopes chipped away by a long line of dead-end jobs and loser boyfriends. When the throwback Adam enters her life with his sunny disposition, seersucker jacket, and joy at seeing the sky, she can't help but fall in love. More info... | ||||||
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Blood Work | 2002 | Clint Eastwood | Thriller, Crime, Crime Thriller, Detective Film | 108 min. | |
| AMG SYNOPSIS: A retired detective must battle former colleagues and his own failing health in order to bring a murderer to justice in this action drama produced and directed by its star, Clint Eastwood. Terry McCaleb (Eastwood) was one of the best and most thorough detectives at the FBI's Southern California office, until a massive heart attack sidelined him from police work for good. Following a heart transplant which saved his life, McCaleb has resigned himself to living quietly on a houseboat for the rest of his days, observing a strict health regimen prescribed by his cardiologist, Dr. Bonnie Fox (Anjelica Huston). However, McCaleb is persuaded to take on one last case through the insistence of a woman named Graciela Rivers (Wanda De Jesus). Rivers's sister was murdered in cold blood by a mugger, and her heart was used for McCaleb's transplant; now, Rivers wants McCaleb to find her sister's killer. McCaleb agrees to take on the case, but he quickly discovers his weakened physical condition makes the rigors of handling an investigation far harder and more difficult than its ever been before; he also can no longer drive a car, and must persuade his oddball friend from the marina,Buddy Noone (Jeff Daniels), to ferry him around town. Before long, despite these drawbacks, McCaleb discovers evidence which suggests the murderer may be a serial who uses random street robberies as a cover, but he finds that Ronaldo Arrango (Paul Rodriguez) and John Waller (Dylan Walsh), the police detectives assigned to the case, are not especially interested in sharing the glory (or their legwork) with the former FBI point man. Blood Work was adapted from the novel by Michael Connelly; Brian Helgeland wrote the screenplay. -- Mark Deming More info... | ||||||
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Blue Crush | 2002 | John Stockwell | Romance, Drama, Teen Movie, Sports Drama, Coming-of-Age | 104 min. | |
| AMG SYNOPSIS: Move over, Gidget -- a new breed of female surfers with style, guts and attitude hit the screen in this feature, which combines romance with a sports drama. Anne Marie (Kate Bosworth) is a young woman living in Hawaii who has been surfing since she was a little girl, and over the past year has been training for the prestigious Pipe Masters surfing competition. But Anne Marie is still dealing with emotional baggage that's holding her back -- her mother abandoned her years ago, leaving her to raise her younger sister Penny (Mika Boorem) while having to guide herself through adolescence, and Anne Marie nearly drowned while trying to surf the famous Maui Pipeline three years ago, and has yet to shake the anxieties of this traumatic event. Anne Marie and Penny share a house with Anne Marie's friends Lena (Sanoe Lake) and Eden (Michelle Rodriguez), both fellow surf enthusiasts, and the three friends work as maids at a hotel, a job which offers them flexible hours for riding the waves. When a pro football team checks into the hotel, Anne Marie meets Matt (Matthew Davis), a promising quarterback who has his eye on her. Anne Marie is just as attracted to Matt as he is to her, but will Anne Marie have to choose between the man of her dreams and the recognition as a surfer she's worked for years to receive? Kate Bosworth, Michelle Rodriguez, and Sanoe Lake did all their own surfing in Blue Crush; Bosworth and Rodriguez went into training to learn the sport before shooting began, while Lake, a native Hawaiian, was already a confirmed surf enthusiast. -- Mark Deming More info... | ||||||
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Blue Sky | 1994 | Tony Richardson | Drama, Marriage Drama | 101 min. | |
| AMG SYNOPSIS: Blue Sky was the last film directed by Tony Richardson (Tom Jones) before his death in 1991 and one of the last releases from once-thriving Orion Films, whose bankruptcy kept the picture on the shelf for several years. It also features two career-high performances by Tommy Lee Jones and Jessica Lange, who won the Best Actress Oscar for this role, as Hank and Carly Marshall, a military couple whose marriage unravels under the pressure of his job and her mental instability. Hank is an Army captain at odds with his superiors over the wisdom of nuclear testing. Carly is a free spirit spiralling into a dangerous depression after the family's move from Hawaii to a nowhere base in Alabama alarms the couple's older daughter (Amy Locane) and sends Carly into an affair with the base commander (Powers Boothe). -- Don Kaye More info... | ||||||
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Boomerang | 1992 | Reginald Hudlin | Romance | 118 min. | |
| Plot Synopsis by Hal Erickson Eddie Murphy plays Marcus Graham, a hotshot ad exec who's also an insatiable womanizer. He is thus hardly prepared for his new boss, Jacqueline, played by Robin Givens. In terms of things romantic, Jacqueline is nothing more or less than a female version of Marcus -- and now, for the first time, he's getting the runaround. Boomerang boasts supporting-cast contributions from Halle Berry, David Alan Grier, Martin Lawrence, Grace Jones, Eartha Kitt, Geoffrey Holder, and Melvin Van Peebles. Watch closely and you'll see director Reginald Hudlin in a bit role. More info... | ||||||
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Born on the Fourth of July | 1989 | Oliver Stone | Drama, War, Message Movie, Biography [feature], Political Drama, Anti-War Film | 145 min. | |
| AMG SYNOPSIS: The second of three films by co-writer/director Oliver Stone to explore the effects of the Vietnam War (Platoon and Heaven and Earth are the others), Born On The Fourth Of July tells the true story of Ron Kovic (Tom Cruise), a patriotic, All-American small town athlete who shocks his family by enlisting with the Marines to fight in the Vietnam War. Once he is overseas, however, Kovic's gung-ho enthusiasm turns to horror and confusion when he accidentally kills one of his own men in a firefight. His downfall is furthered by a bullet wound that leaves him paralyzed from the chest down. He returns home, spends an appalling, nightmarish stint in a veterans' hospital, and follows an increasingly disillusioned and fragmented path that ultimately leaves him drunk and dissolute in Mexico. However, Kovic somehow turns himself around and pulls his life together, becoming an outspoken anti-war activist in the process. The film is long but emotionally powerful; many consider it Stone's best work and Cruise's best performance. Both were nominated for Oscars, as was the film itself, but only Stone, who co-wrote the film with Kovic from the latter's book, won for Best Director. -- Don Kaye More info... | ||||||
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Bossa Nova | 2000 | Bruno Barreto | Comedy, Romance, Drama | 95 min. | |
| "The difference between "amor" and "love"." Rio lawyer Pedro Paulo is recently separated from his travel agent wife Tania. His office has taken on an energetic new intern... more More info... | ||||||
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Bound | 1996 | Andy Wachowski, Larry Wachowski | Crime, Post-Noir (Modern Noir), Crime Drama, Gay & Lesbian Films, Erotic Thriller | 107 min. | |
| AMG SYNOPSIS: Gina Gershon and Jennifer Tilly nearly set the screen on fire in this clever, female-powered twist on the standard Mob caper film. Gershon is Corky, an ex-con renovating the apartment next door to where Tilly's Violet lives. Violet is the moll of psychotic gangster Caesar (Joe Pantoliano), who uses the apartment as an occasional location for meetings and beatings, and also uses Violet as an occasional plaything for his Mob cronies. Violet is attracted to the super-sexy Corky, and the two begin an intense affair. Corky hatches a plot to escape with $2 million that Caesar is planning to give to a Mob boss, and the mayhem escalates from there. -- Don Kaye More info... | ||||||
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The Bourne Identity | 2002 | Doug Liman | Spy Film, Action, Action Thriller, Paranoid Thriller | 118 min. | |
| AMG SYNOPSIS: The best-selling suspense novel by late author Robert Ludlum comes to the screen for a second time, following a 1988 made-for-TV movie. Matt Damon stars as Jason Bourne, a barely alive amnesiac with a pair of bullet wounds in his back, pulled from the Mediterranean by Italian fishermen. Bourne's only clue to his own identity is a bank account number etched on a capsule implanted in his body. He quickly finds the Zurich bank where money, a gun, and a few identification documents await, but after he's pursued by security goons at the American consulate, Bourne realizes he can trust no one and offers a German gypsy named Marie (Franka Potente) ten thousand dollars for a ride to Paris. Encountering more professional killers bent on his destruction, Bourne discovers that he possesses a surprising degree of skill in combat, martial arts, and linguistics -- handy talents that clearly indicate his past includes work as a spy and assassin, but for whom? With Marie's reluctant help, Bourne edges closer to the truth, something CIA officials want concealed at all costs. The Bourne Identity co-stars Chris Cooper, Clive Owen, Brian Cox, and Julia Stiles. -- Karl Williams More info... | ||||||
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The Bourne Supremacy | 2004 | Paul Greengrass | Action, Spy Film, Paranoid Thriller, Action Thriller | 120 min. | |
| AMG SYNOPSIS: The second chapter in the "Bourne Trilogy," based on Robert Ludlum's best-selling espionage novels, reaches the screen in this sequel to the 2002 thriller The Bourne Identity. Jason Bourne (Matt Damon) has abandoned his life as a CIA assassin and has been traveling beneath the agency's radar, eventually reconnecting with Marie Kreutz (Franka Potente), the woman he loves. But Bourne is haunted by vivid dreams and troubling memories of his days as a killer, and he's not certain how much really happened and how much is a product of his imagination. When Bourne is led out of hiding by circumstances beyond his control, he must reconcile his past and present as he struggles to keep Marie out of harm's way and foil an international incident with dangerous consequences. The Bourne Supremacy also features Joan Allen as one of Bourne's superiors, while Julia Stiles and Brian Cox reprise their roles as intelligence agents from the first film. -- Mark Deming More info... | ||||||
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Breakfast at Tiffany's | 1961 | Blake Edwards | Comedy Drama | 114 min. | |
| Plot Synopsis by Andrea LeVasseur In an idealized New York City during the early '60s, Holly Golightly (Audrey Hepburn) is a charming socialite with a youthful zest for life who lives alone in a nearly bare apartment. She has such a flippant lifestyle that she won't even give her cat a name, because that would be too much of a commitment to a relationship. Maintaining a childlike innocence yet wearing the most perfect of designer clothes and accessories from Givenchy, she spends her time on expensive dates and at high-class parties. She escorts various wealthy men, yet fails to return their affections after they have given her gifts and money. Holly's carefree independence is changed when she meets her neighbor, aspiring writer Paul (George Peppard), who is suffering from writer's block while being kept by a wealthy woman (Patricia Neal). Just when Holly and Paul are developing their sweet romance, Doc (Buddy Ebsen) appears on the scene and complicates matters, revealing the truth about Holly's past. Breakfast at Tiffany's was nominated for several Academy awards, winning Best Score for Henry Mancini and Best Song for Johnny Mercer's classic tune "Moon River". More info... | ||||||
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Breaking In | 1989 | Bill Forsyth | Comedy | 95 min. | |
| Plot Synopsis by Mark Deming In this comedy (which claims a strong pedigree -- it was written by John Sayles and directed by Bill Forsyth), Burt Reynolds plays Ernie, an aging career burglar who knows just about everything there is to know about breaking and entering. One night, Ernie has stealthily slipped into a home only to discover someone else is already there -- Mike (Casey Siemaszko), a guy in his early 20's who likes to sneak into other people's houses so he can raid their refrigerators and watch their televisions. Ernie is taken aback by Mike's recklessness, but is impressed by his skills; he's convinced the kids has the makings of a first-class thief, and offers to make him his protege. Mike agrees, and soon the two are working together, with Ernie trying to explain the importance of playing it as safe as possible while Casey follows every youthful impulse to make some fast money and throw it away just as quickly. Breaking In marked a change-of-pace role for Burt Reynolds, in which he acknowledged his age and played a character role instead of an action hero; the results garnered him some of the best notices of his career. More info... | ||||||
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The Buddy System | 1983 | Glenn Jordan | Romance | 110 min. | |
| Plot Synopsis by Brian J. Dillard A cautious single mom and a frustrated writer dance around the prospect of getting together in this romantic comedy. Caustic, difficult Emily (Susan Sarandon) lives with her potty-mouthed son, Tim (Wil Wheaton), and her obnoxiously bossy mother (Jean Stapleton). Her social life consists of afternoon dalliances with a total cad. When part-time writer/inventor and full-time school security guard Joe (Richard Dreyfuss) passes up the chance to turn Tim in for not meeting the school's residency requirements, a paranoid Emily accuses him of masterminding a blackmail scheme. Unbeknownst to Emily, though, the friendless, fatherless Tim strikes up an unlikely friendship with Joe. Eventually, against her better judgement, so does Emily herself. But when one of Joe's inventions begins to take off, his sadistic ex-girlfriend, Carrie (Nancy Allen), shows up to spoil things. Directed by TV vet Glenn Jordan, The Buddy System was written by future Beaches scribe Mary Agnes Donohue. The film marked the feature debut of future Stand By Me and Star Trek: The Next Generation star Wheaton. More info... | ||||||
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Carlito's Way: Rise to Power | 2005 | Michael S. Bregman | Crime, Crime Drama, Period Film, Gangster Film | 93 min. | |
| AMG SYNOPSIS: In this belated prequel to director Brian De Palma's 1993 crime drama, gangster Carlito Brigante (Jay Hernandez) rises through the ranks of the New York underworld to establish himself as Spanish Harlem's most powerful kingpin. As the intoxication of ultimate power tightens its firm grip on the rising heroin czar, he soon learns that greed and deception are the unspoken laws of the street. With no one to trust except for his two brothers in crime, Carlito begins building an empire founded on supplying the city's addicts with the one product that is always in demand. His dreams of ruling the city finally becoming a reality, Carlito soon learns that the only way to sustain his power is through loyalty and respect. Adapted from author Edwin Torres' acclaimed novel, Carlito's Way: Rise to Power also stars Mario Van Peebles, Luis Guzmán, and Sean Combs. -- Jason Buchanan More info... | ||||||
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Cast Away | 2000 | Robert Zemeckis | Drama, Adventure, Adventure Drama | 143 min. | |
| AMG SYNOPSIS: An exploration of human survival and the ability of fate to alter even the tidiest of lives with one major event, Cast Away tells the story of Chuck Noland (Tom Hanks), a Federal Express engineer who devotes most of his life to his troubleshooting job. His girlfriend Kelly (Helen Hunt) is often neglected by his dedication to work, and his compulsive personality suggests a conflicted man. But on Christmas Eve, Chuck proposes marriage to Kelly right before embarking on a large assignment. On the assignment, a plane crash strands Chuck on a remote island, and his fast-paced life is slowed to a crawl, as he is miles removed from any human contact. Finding solace only in a volleyball that he befriends, Chuck must now learn to endure the emotional and physical stress of his new life, unsure of when he may return to the civilization he knew before. Cast Away reunites star Hanks with director Robert Zemeckis, their first film together since 1994's Oscar-winning Forrest Gump. -- Jason Clark More info... | ||||||
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Catch Me If You Can | 2002 | Steven Spielberg | Crime | 140 min. | |
| Plot Synopsis by Mark Deming A gifted forger and confidence man attempts to stay one step ahead of the lawman determined to bring him to justice in this comedy-drama from Steven Spielberg, based on a true story. Frank W. Abagnale Jr. (Leonardo DiCaprio) is a 16-year-old high school student who finds himself emotionally cut adrift when his mother, Paula (Nathalie Baye), leaves his father, Frank Abagnale Sr. (Christopher Walken), after Frank Sr. falls into arrears with the Internal Revenue Service. One day at school, Frank Jr. attempts to pass himself off as a substitute teacher, and easily makes the subterfuge work. His small-scale success gives Frank some ideas, and he soon discovers bigger and more profitable ways of hoaxing others, passing himself off as an airline pilot, a doctor, and an attorney. Along the way, Frank learns how to become a master forger, and uses his talent and charm to pass over 2.5 million dollars in phony checks. Frank's increasingly audacious work soon attracts the attention of Carl Hanratty (Tom Hanks), an FBI agent who is determined to put Frank behind bars. Frank seems to enjoy being pursued by Carl, and even goes so far as to call Carl on the phone to chat every once in a while. While posing as a doctor, Frank falls in love with Brenda Strong (Amy Adams), a sweet girl working as a candy striper. When Frank asks Brenda to marry him, he decides to assume a new identity to impress her father, Roger (Martin Sheen) -- who happens to be the District Attorney of New Orleans, LA. Catch Me If You Can was based on the autobiography of the real Frank W. Abagnale Jr., who has a cameo in the film and today works on the side of the law as a top consultant on preventing forgery and designing secure checking systems. More info... | ||||||
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Chaoscamper | 2006 | Barry Sonnenfeld | Comedy | 98 min. | |
| Plot Synopsis by Jason Buchanan A white-collar workaholic deceptively persuades his family to forgo their much-anticipated Hawaiian vacation for a cross-country road trip in a fully loaded RV, during which they discover the true meaning of family bonding, in Men in Black director Barry Sonnenfeld's family-friendly road comedy starring Robin Williams, Jeff Daniels, and Cheryl Hines. Bob Munro (Williams) is overworked and overstressed, and though his proposal to hit the road with his wife and two children at first sounds like a heartfelt bid to get better acquainted with his increasingly dysfunctional family, it soon becomes obvious that he had more career-oriented goals in mind when planning the trip. The Munros have always managed to get by in the past, though, and as they slowly become immersed in RV culture with a little help from a full-time troupe of Winnebago warriors, they might just make it to the Rocky Mountains without driving each other totally insane. More info... | ||||||
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Chappelle's Show: Season 02 | 2004 | Comedy, Sketch Comedy, Variety Show | 30 min. | ||
| AMG SYNOPSIS: Season two of Chappelle's Show brings forth such guest stars as DMX, Ludacris, Jamie Foxx, Wayne Brady, Eddie Griffin, Samuel L. Jackson (hawking his own brand of beer), and Snoop Dogg (who also appears in puppet form!). In one memorable episode, Dave Chappelle reintroduces one of his season-one characters, crackhead Tyrone Biggums, in a "lost episode" of Fear Factor. This season also introduced the recurring segment "Charlie Murphy's True Hollywood Stories," in which Chappelle would reenact supposedly true incidents between Murphy and such celebrities as Rick James and Prince (with Chappelle playing those celebrities). Other highlights include the trials and tribulations of a white family named the "Niggars"; Chappelle magnanimously taking the place of such famous black courtroom defendants as R. Kelly and Michael Jackson; what the world would be like if everyone was gay; a very close encounter with Oprah Winfrey; and the saga of "Prince NegroDamus." -- All Movie Guide More info... | ||||||
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Charlie's Angels: Full Throttle | 2003 | McG | Comedy, Action, Action Comedy | 105 min. | |
| AMG SYNOPSIS: The three most glamorous and butt-kicking private detectives in the business are back and ready to take on bad guys in this sequel to the 2000 blockbuster screen adaptation of the once-popular television series. Dylan (Drew Barrymore), Natalie (Cameron Diaz), and Alex (Lucy Liu) are once again summoned to the office of their boss Charlie (voice of John Forsythe), where they're introduced to his new right-hand man Jimmy Bosley (Bernie Mac) and given their latest assignment. It seems a pair of rings have gone missing and need to be recovered, but this was no ordinary jewel heist -- the rings have been coded with special information that can be used to access a list of every person in the FBI's Witness Protection Program, and when a handful of protected informants are murdered, the Angels are brought in to help crack the case. As the women search for the culprits, they encounter Madison Lee (Demi Moore), one of Charlie's former agents who decided that the wrong side of the law pays better, and Seamus (Justin Theroux), who once dated Dylan and wants revenge for her decision to turn him over to the police. Luke Wilson and Matt LeBlanc return as (respectively) Natalie and Alex's love interests, as does Crispin Glover as the Thin Man; John Cleese, Robert Forster, and Eric Bogosian also appear in supporting roles. -- Mark Deming More info... | ||||||
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Chrystal | 2004 | Ray McKinnon | Drama | 120 min. | |
| Plot Synopsis by Matthew Tobey Actor Ray McKinnon (O Brother, Where Art Thou?) makes his debut behind the camera with Chrystal, a psychological drama written, directed, and produced by the long-time character player. The film stars Billy Bob Thornton as Joe, a man who returns home after a 16-year prison stint. Before his conviction, Joe was involved in a car wreck while being pursued by the authorities. Though he survived, Joe's wife Chrystal (Lisa Blount) suffered permanent injuries and the couple's young son was killed. While Joe seeks redemption, he must also contend with Snake (McKinnon), a drug dealer who is less than kind to the ex-con. Chrystal premiered at the 2004 Sundance Film Festival. More info... | ||||||
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A Civil Action | 1998 | Steven Zaillian | Drama, Courtroom Drama, Docudrama | 112 min. | |
| AMG SYNOPSIS: Directed by Schindler's List screenwriter Steve Zaillian, this courtroom drama is based on a true story and non-fiction book by Jonathan Harr. The case revolves around an incident in 1979 in East Woburn, MA, where two drinking wells supplying water to the town were found to be contaminated with industrial solvents. When toxic waste was discovered later that year, suspicions arose that the local factories caused the pollution. The residents felt these companies were responsible for the unusually high rate of leukemia deaths amongst the town's children. Anne Anderson (Kathleen Quinlan), a mother who lost her son Jimmy to leukemia, fronts an effort to bring a lawsuit against the major conglomerates Beatrice Foods and W. R. Grace & Co for their pollution crimes -- a heavy-duty problem, because these companies have the money to squash the less powerful citizens. Enter Jan Schlichtmann (John Travolta), a personal injury lawyer whose small law firm is hired to sue these industrial giants for millions of dollars in damages. He's up against Jerome Facher (Robert Duvall) and William Cheeseman (Bruce Norris), high-priced lawyers who represent the big companies. Most of the film takes place in the courtroom during the trial. It also features William H. Macy as Schlichtmann's accountant and John Lithgow as the judge. -- Arthur Borman More info... | ||||||
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The Client | 1994 | Joel Schumacher | Thriller, Courtroom Drama, Psychological Thriller | 120 min. | |
| AMG SYNOPSIS: A sterling cast headed by Oscar-nominated Susan Sarandon makes this slick thriller one of the better adaptations of a John Grisham bestseller. Mark Sway (Brad Renfro) witnesses the suicide of a Mafia lawyer, who confesses that the Mob was behind the murder of a U.S. senator. Mark's brother is traumatized into a coma by the incident; gangster Barry Muldano (Anthony LaPaglia) is soon on Mark's trail, and in desperation, he arrives at the office of recovering alcoholic lawyer Reggie Love (Sarandon). With the Mob after them, and a ruthless federal attorney (Tommy Lee Jones) trying to force Mark to reveal what he knows, Love battles to guarantee the safety of her client and his family. The relationship between Reggie Love and Mark Sway is the center of the film, adding considerable character development to plot's routine elements. Director Joel Schumacher helmed another Grisham adaptation, A Time To Kill, in 1996. -- Don Kaye More info... | ||||||
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Cold Mountain | 2003 | Anthony Minghella | War, Romance, War Drama, Anti-War Film, War Romance, Period Film | 155 min. | |
| AMG SYNOPSIS: Based on the novel by Charles Frazier, Anthony Minghella's star-studded Cold Mountain is a sweeping tale set in the final days of the American Civil War. Jude Law stars as Inman, a young soldier who, despite an injury, is struggling to make his way home to Cold Mountain, NC, where his beloved Ada (Nicole Kidman) awaits. In Inman's absence, Ada befriends Ruby (Renée Zellweger), who helps her keep up her late father's farm. Meanwhile, in his travels, Inman encounters a menagerie of interesting folks. Also starring Natalie Portman, Giovanni Ribisi, Donald Sutherland, and Philip Seymore Hoffman, Cold Mountain features original music by Jack White of the White Stripes. -- Matthew Tobey More info... | ||||||
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Collateral | 2004 | Michael Mann | Crime, Thriller, Crime Thriller | 120 min. | |
| AMG SYNOPSIS: A taxi driver is unexpectedly taken on the ride of his life in this stylish thriller from acclaimed director Michael Mann. Max (Jamie Foxx) is a cab driver who hopes to some day open his own limo company; one night behind the wheel begins promisingly when he picks up Annie (Jada Pinkett Smith), an attorney working with the federal government who is attractive, friendly, and gives him her business card after paying her fare. Max thinks his luck is getting even better when his next fare, Vincent (Tom Cruise), offers him several hundred dollars in cash if he'll be willing to drop him off, wait, and pick him up at five different spots over the course of the evening. Max agrees, but he soon realizes Vincent isn't just another guy with errands to run -- Vincent is an assassin who has been paid to murder five people who could put the leaders of a powerful drug trafficking ring behind bars in an upcoming trial. As circumstances force Max to do Vincent's bidding, the cabbie has to find a way to prevent Vincent from killing again and save his own skin, a task that becomes especially crucial when he discovers Annie is one of the names on Vincent's hit list. Collateral also stars Mark Ruffalo, Peter Berg, and Bruce McGill as police detectives hot on Vincent's trail. -- Mark Deming More info... | ||||||
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Conspiracy Theory | 1997 | Richard Donner | Thriller, Action, Paranoid Thriller, Action Thriller, Chase Movie | 135 min. | |
| AMG SYNOPSIS: Jerry Fletcher (Mel Gibson) is a New York City cab driver who seems to have absorbed every bit of crackpot information passed along as "suppressed news" that's surfaced on talk radio or the Internet in the past 20 years. Anti-United Nations militia men who are actually U.N. operatives? NASA scientists engineering earthquakes? Oliver Stone's secret life as a government agent discrediting conspiracy theorists? Jerry's heard 'em all and believes most of them, and even publishes his own journal of forbidden information, with a subscription list that now totals five people. In short, Jerry seems like just another New York City lunatic, and while he spends a fair amount of his spare time following Alice Sutton (Julia Roberts), a government attorney, Alice regards him as harmless; he once intervened while she was being mugged, and he's been acting like her benign if whacked-out protector ever since. However, one day Jerry is kidnapped and worked over by CIA operatives; he is convinced that one of the theories he uncovered must be for real -- but he has no idea which one. He tries to get Alice to help him, and before long both are drawn into a dangerous web that leads to a startling revelation of just how Jerry got this way. Mel Gibson gives a fine comic performance, and those with a taste for alternative media will have fun dissecting which of the theories Jerry spouts are "real" (or at least appeared before this film was made) and which were the invention of the screenwriters. -- Mark Deming More info... | ||||||
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The Constant Gardener | 2005 | Fernando Meirelles | Thriller, Drama, Political Thriller, Psychological Drama | 128 min. | |
| AMG SYNOPSIS: A man discovers a deadly secret when he tries to find out who killed the woman he loves in this suspense drama based on a novel by John Le Carré. Justin Quale (Ralph Fiennes) is a low-level British diplomat who has been given a new assignment in Kenya. Justin's wife, Tessa (Rachel Weisz), is an activist with a keen interest in issues of poverty and social justice; Justin urges her to avoid getting too deeply involved in the people living in Kenya, who are constantly dogged by poverty, but she shows little interest in obeying these instructions. This isn't the only area where Tessa has disregarded her husband, who suspects that she may have had an affair - for she started spending time with a handsome doctor once they settled in Kenya. One day, Tessa disappears, and is found brutally murdered; officials believe that she was murdered by the doctor after some sort of argument. However, before long Justin becomes convinced that there was a larger scheme that led to Tessa's death, and he begins digging into areas where he's not especially welcome, given his reputation as a man willing to let the wealthy and powerful do as they will. The Constant Gardener was the first English-speaking feature from Brazilian filmmaker Fernando Meirelles, who directed the international success City of God. -- Mark Deming More info... | ||||||
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Conversations With Other Women | 2005 | Hans Canosa | Comedy Drama | 84 min. | |
| Plot Synopsis by Mark Deming An encounter between two people with a shared past and conflicting futures is played out on a split-image screen in this offbeat drama. An unnamed man (Aaron Eckhart) and woman (Helena Bonham Carter) are enjoying drinks and cigarettes in a hotel room after attending a wedding reception. At first, the two seem to be playing a flirtatious game, as he cheerfully but confidently advances toward her, and she seems at once attracted and put off by his bravado. Their pas de deux is shot and edited in split screen, with his image appearing in one half of the divided frame and hers appearing in the other. As time wears on, the man and woman begin crossing their appointed boundaries, and in some sequences one half of the frame represents the present while the other shows us events in the past. We learn that the man and woman had a tempestuous affair when they were in their late teens, and both are now committed to other people -- she has a husband, while he has a steady girl. How will the experiences of their past affect their present, and are they willing to betray their lovers for an evening's pleasure? Conversations With Other Women was the first feature film from director Hans Canosa. More info... | ||||||
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D.O.A. | 1949 | Rudolph Maté | Mystery, Film Noir, Psychological Thriller, Romantic Mystery | 83 min. | |
| AMG SYNOPSIS: "I want to report a murder...mine." So begins D.O.A. Told in flashback, the story tells of how vacationing CPA Frank Bigelow (Edmond O'Brien) becomes the recipient of a deadly poison known as iridium. Told by a doctor that he only has a few hours to live, Bigelow desperately retraces his movements of the previous 24 hours, trying to locate his murderer. Through the aid of his secretary Paula Gibson (Pamela Britton) (who doesn't know of her boss' imminent demise), Bigelow traces a shipment of iridium to a gang of criminals who've used the poison in the commission of a crime. Bigelow had been targeted because he'd notarized the shipment, which came from the chemical firm where he works. Though we know from the outset that Bigelow isn't long for this world, the film builds up an incredible amount of suspense towards the end, when master crook Holiday (William Ching) orders his crazed henchman (Neville Brand) to take Bigelow for "a ride." DOA was remade in 1988 with Dennis Quaid and Meg Ryan. -- Hal Erickson More info... | ||||||
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Dances with Wolves | 1990 | Kevin Costner | Western, Epic Western, Revisionist Western, Indian Western | 181 min. | |
| AMG SYNOPSIS: A historical drama about the relationship between a Civil War soldier and a band of Sioux Indians, Kevin Costner's directorial debut was also a surprisingly popular hit, considering its length, period setting, and often somber tone. The film opens on a particularly dark note, as melancholy Union lieutenant John W. Dunbar attempts to kill himself on a suicide mission, but instead becomes an unintentional hero. His actions lead to his reassignment to a remote post in remote South Dakota, where he encounters the Sioux. Attracted by the natural simplicity of their lifestyle, he chooses to leave his former life behind to join them, taking on the name Dances with Wolves. Soon, Dances with Wolves has become a welcome member of the tribe and fallen in love with a white woman who has been raised amongst the tribe. His peaceful existence is threatened, however, when Union soldiers arrive with designs on the Sioux land. Some detractors have criticized the film's depiction of the tribes as simplistic; such objections did not dissuade audiences or the Hollywood establishment, however, which awarded the film seven Academy Awards, including Best Picture. -- Judd Blaise More info... | ||||||
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Dave Chappelle's Block Party | 2005 | Michel Gondry | Music, Comedy, Concerts [nf], Vocal Music, Standup Comedy | 102 min. | |
| AMG SYNOPSIS: In September 2004, comedian Dave Chappelle took a break from his immensely successful Comedy Central show to stage a free, unpublicized, all-star hip-hop concert in the Clinton Hill neighborhood of Brooklyn, NY. Inviting fans over the Internet, on the street, and even in his family's hometown of Yellow Springs, OH, Chappelle asked filmmaker Michel Gondry to document the event from its inception on through to the performances themselves. The result is Dave Chappelle's Block Party, a concert film that provides not only a sampling of the music on display that September, but also an intimate look at the comedian himself. Gondry's cameras tag along with Chappelle as he visits Ohio, recruits a university marching band to play at the show, and surveys the opinions of Clinton Hill on the show that's about to take place. Along the way, we're introduced to some the comedian's favorite acts, in rehearsals and on-stage: Dead Prez, Jill Scott, Mos Def, the Roots, Erykah Badu, Kanye West, and the surprise reuniting of the Fugees. -- Michael Hastings More info... | ||||||
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Dear Brigitte | 1965 | Henry Koster | Comedy | 100 min. | |
| Plot Synopsis by Mark Deming This family comedy stars James Stewart as Dr. Robert Leaf, a college professor who dislikes science and tries to instill in his children a love of art and music. So Robert and his wife Vina (Glynis Johns) are dismayed to discover that their eight-year-old son Erasmus (Billy Mumy) is tone-deaf and color-blind; what's worse, he has a genius-level talent for mathematics. Robert isn't sure what to do about Erasmus, but while his older sister Pandora (Cindy Carol) puts his skills to work by getting him to do her homework, his older friend Kenneth (Fabian) has a better idea. Kenneth and Erasmus come up with a foolproof plan for picking the winners in horse racing -- so foolproof that it draws the attention of two con men, Upjohn (John Williams) and Argyle (Jesse White), who want to use Erasmus's skills to clean up at the track. Robert at first refuses, and then relents only when they agree to use a cut of the proceeds to endow a humanities scholarship, though Robert is about the only one surprised when the men prove not to be good to their word. Meanwhile, Erasmus is head over heels in love with French screen siren Brigitte Bardot -- so much so that he's been writing her love letters. In return, the lucky boy has received an invitation to come meet her, and Robert and Erasmus use some of their racetrack winnings to fly to Paris and take her up on her offer. Nunnally Johnson, who received no credit, contributed to the screenplay; Miss Bardot, of course, plays herself (who else could?). More info... | ||||||
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De-Lovely | 2004 | Irwin Winkler | Drama | 125 min. | |
| Plot Synopsis by Mark Deming The public and private lives of famed songwriter Cole Porter are both explored in this musical drama, in which the aging Porter (played by Kevin Kline) looks back on his life while watching a rehearsal of a stage musical based on his story. As Porter compares notes on the play with director Gabe (Jonathan Pryce), he shares thoughts on his rise to fame in the mid-'20s, writing witty and sophisticated tunes for a string of successful Broadway musicals. Porter seemed to be living a charmed life when he met Linda Thomas (Ashley Judd), a beautiful American woman who, like Porter, was enjoying a sojourn in Paris following the collapse of her first marriage. Thomas is immediately taken with Porter, whose intelligence and charm is a welcome change after her brutal first husband, and the two discover they share a remarkable understanding of one another. Porter and Thomas marry, even though she's aware that her new husband is gay; Thomas is willing to forgive Porter's indiscretions with other men in favor of the emotional support he brings her. However, as the years wear on and the couple takes up residence in Hollywood as Porter begins writing tunes for motion pictures, Thomas finds Porter drifting away from her as his liaisons become more frequent and more serious. Then tragedy enters their life when Porter loses the use of his legs in a riding accident and Thomas is diagnosed with cancer. De-Lovely features a number of noted pop singers interpreting classic songs from Porter's catalog, including Diana Krall, Sheryl Crow, Alanis Morissette, Elvis Costello, Robbie Williams, Mick Hucknall, and others. More info... | ||||||
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Detour | 1946 | Edgar G. Ulmer | Crime, Film Noir, Crime Drama | 67 min. | |
| AMG SYNOPSIS: Edgar G. Ulmer's Detour begins when hitchhiker Al Roberts (Tom Neal) accepts a ride from affable gambler Charles Haskell Jr. (Edmund MacDonald). When Haskell suffers a fatal heart attack, Roberts, afraid that he'll be accused of murder, disposes of the body, takes the man's clothes and wallet, and begins driving the car himself. He picks up beautiful but sullen Vera (Ann Savage), who suddenly breaks the silence by asking, "What did you do with the body?" It turns out that Vera had earlier accepted a ride from Haskell and has immediately spotted Roberts as a ringer. Holding the threat of summoning the police over his head, Vera forces Roberts to continue his pose so that he can collect a legacy from Haskell's millionaire father, who hasn't seen his son in years. -- Hal Erickson More info... | ||||||
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Die Hard | 1988 | John McTiernan | Action, Action Thriller | 114 min. | |
| AMG SYNOPSIS: It's Christmas time in L.A., and there's an employee party in progress on the 30th floor of the Nakatomi Corporation building. The revelry comes to a violent end when the partygoers are taken hostage by a group of terrorists headed by Hans Gruber (Alan Rickman), who plan to steal the 600 million dollars locked in Nakatomi's high-tech safe. In truth, Gruber and his henchmen are only pretending to be politically motivated to throw the authorities off track; also in truth, Gruber has no intention of allowing anyone to get out of the building alive. Meanwhile, New York cop John McClane (Bruce Willis) has come to L.A. to visit his estranged wife, Holly (Bonnie Bedelia), who happens to be one of the hostages. Disregarding the orders of the authorities surrounding the building, McClane, who fears nothing (except heights), takes on the villains, armed with one handgun and plenty of chutzpah. Until Die Hard came along, Bruce Willis was merely that wisecracking guy on Moonlighting. After the film's profits started rolling in, Willis found himself one of the highest-paid and most sought-after leading men in Hollywood. -- Hal Erickson More info... | ||||||
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Die Hard 2 | 1990 | Renny Harlin | Action, Action Thriller | 124 min. | |
| AMG SYNOPSIS: "Another basement, another elevator...how can the same thing happen to the same guy twice?" asks John McClane (Bruce Willis), in what is doubtless the key question of this film. A year after foiling the terrorist takeover of a high-rise office building in the first movie, McClane is waiting to pick up his wife, Holly (Bonnie Bedelia), at Dulles International Airport just outside Washington, D.C., on Christmas Eve. Scheduled to arrive the same evening is Ramon Esperanza (Franco Nero), a South American political figure who is being brought to the United States to stand trial for his role in a drug-smuggling ring. However, a group of terrorists, led by renegade American military officer Col. Stuart (William Sadler), take control of the airport, scuttling radio transmissions and placing their own men in the control tower. Stuart and his men ensure that Esperanza's plane lands safely, and then demand that Stuart and his men be given a fully-fueled 747 and free passage wherever they choose to go. Otherwise, they will guide the many circling jets waiting for landing instructions into definite crash landings, killing the many passengers on board. Not willing to stand aside as terrorists once again threaten his wife's life, the wise-cracking McClane once again leaps into action to foil Stuart's plans and bring the passenger jets safely to the ground. William Atherton, John Amos, Dennis Franz, and John Leguizamo highlight the supporting cast. -- Mark Deming More info... | ||||||
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Dievu Miškas | 2005 | Algimantas Puipa | Drama | 110 min. | |
| Filmas, sukurtas remiantis Balio Sruogos romanu “Dievu miškas”, pasakoja apie žmogu, menininka, mastytoja, kuriam buvo lemta likti nepalužusiu dvieju totalitariniu – naciu ir sovietinio – režimu kaliniu. …Filmo herojus Profesorius – išskirtine asmenybe, gyvenanti pagal savo Dekaloga, savus tiesos ir morales principus. Ikalintas vokieciu koncentracijos stovykloje Profesorius tampa myriop pasmerktu žmoniu dramos dalimi. Išgyventi šioje ekstremalioje situacijoje, atsiriboti nuo saves ir žiaurios realybes jam padeda ironija. Grižes iš konclagerio, Profesorius parašo prisiminimu knyga, kurioje sarkastiškomis spalvomis nupiešia mirties "Babeli" – Štuthofa, taciau sovietu valdžiai toks kurinys nepriimtinas. Tariamoji sovietine laisve jam tampa ne mažesniu išbandymu nei vokieciu konclageris. More info... | ||||||
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Disney's The Kid | 2000 | Jon Turteltaub | Comedy, Fantasy, Fantasy Comedy, Melodrama | 104 min. | |
| AMG SYNOPSIS: If you could talk to the child that you used to be, what advice would you give him? That question forms the basis of this comic fantasy. Forty-year-old Russ Duritz (Bruce Willis) is a wealthy and powerful "image consultant" who has made a career out of telling people how to present themselves. But while he's a success in business, he's a failure in life; he's vain, mean-spirited, and hasn't been able to hold onto a marriage (or even a pet dog). One day, Russ is startled to meet Rusty (Spencer Breslin), a stocky kid whom he soon realizes is himself at the age of eight, having passed through a wrinkle in time. Young Rusty doesn't seem much happier than the grown-up Russ, so the older man takes his younger self under his wing and tries to teach him how to avoid the mistakes he's made, while Rusty encourages Russ to be a more caring human being. Along the way, Russ and Rusty become friends, and realize how much they can learn from each other. Disney's The Kid also stars Jean Smart as one of Russ' clients, Lily Tomlin as his assistant, and Daniel Von Bargen as his father. -- Mark Deming More info... | ||||||
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Educating Rita | 1983 | Lewis Gilbert | Romance, Comedy Drama, Romantic Comedy | 110 min. | |
| AMG SYNOPSIS: A trio of Oscar nominations and a pair of Golden Globes went to this acclaimed romantic comedy-drama based on the play by Willy Russell. Julie Walters stars as Rita, a witty, 26-year-old working class British hairdresser who decides to seek an education at Open University. Rita needs a tutor, and she selects Dr. Frank Bryant (Michael Caine), an alcoholic college literature professor whose life is a shambles. Divorced, Bryant's new lover is now having an affair with his best friend and he's increasingly depressed, seeking solace in whisky. Bryant's domestic turmoil is mirrored by Rita's, as she has opted for college over motherhood, a source of friction between her and her husband. As Rita blooms intellectually under the tutelage of Bryant, she realizes that what she really lacks is self-confidence, not education, and a gentle romance blossoms between her and Bryant. At home, however, Rita's newfound self-respect and intelligence cause her even greater pain. Director Lewis Gilbert and writer Russell teamed again six years later on the similarly-themed Shirley Valentine (1989). -- Karl Williams More info... | ||||||
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Elf | 2003 | Jon Favreau | Children's/Family | 97 min. | |
| Plot Synopsis by Matthew Tobey For his sophomore stab at directing, actor/writer/director Jon Favreau (Swingers, Made), took on this holiday comedy starring Saturday Night Live-alum Will Ferrell. Ferrell stars as Buddy, a regular-sized man who was raised as an elf by Santa Claus (Edward Asner). When the news is finally broken to Buddy that he's not a real elf, he decides to head back to his place of birth, New York City, in search of his biological family. Elf also stars James Caan, Mary Steenburgen, Zooey Deschanel, and Bob Newhart. More info... | ||||||
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Elizabeth I | 2006 | Tom Hooper | Epic, Historical Epic | 240 min. | |
| AMG SYNOPSIS: Elizabeth I stars Helen Mirren as the famous monarch who often frightened her subjects with he ability to change emotions on a dime. In addition to facing a variety of political problems, the film charts some of the major relationships in her life. Jeremy Irons stars as the Earl of Leicester, the queen's longtime companion. Hugh Dancy portrays the flighty but ambitious Earl of Essex, who carries on a relationship with the monarch even though there was a substantial difference in their age. -- Perry Seibert More info... | ||||||
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Empire of the Sun | 1987 | Steven Spielberg | Drama, War, POW Drama, War Drama, Childhood Drama | 160 min. | |
| AMG SYNOPSIS: Based on J.G. Ballard's autobiographical novel, Empire of the Sun stars Christian Bale as a spoiled young British boy, living with his wealthy family in pre-World War II Shanghai. During the Japanese invasion, Bale is separated from his parents. With the help of soldier-of-fortune John Malkovich, Bale learns to survive without a retinue of servants at his beck and call. By the time Malkovich and Bale are tossed into a Japanese prison camp, the boy has picked up enough street-smarts and developed enough intestinal fortitude to regard his imprisonment as an exciting adventure. The story ends during the 1945 liberation: on the verge of manhood, the 13-year-old Bale will never again be the pampered, privileged brat whom we met in the early scenes. -- Hal Erickson More info... | ||||||
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The Englishman Who Went up a Hill But Came Down A Mountain | 1995 | Christopher Monger | Comedy | 100 min. | |
| Plot Synopsis by Mark Deming A proud Welsh community finds their civic pride and sense of community threatened by a team of surveyors in this charmingly eccentric comedy. Reginald Anson (Hugh Grant) and George Garrard (Ian McNeice) are a pair of British cartographers with Her Majesty's Ordnance Survey Office, who arrive in the small Welsh town of Ffynnon Garw, where, thanks to a linguistic quirk stemming from the British domination of Wales, many of the citizens in this town lack proper surnames and instead are identified by occupations or personal characteristics, such as Ivor the Grocer (Robert Blythe) or Johnny Shellshocked (Ian Hart). The town's greatest pride and most prominent landmark is a mountain (named, like the town, Ffynnon Garw), which they claim is the first mountain in Wales, and which helped protect the village from any number of Romans, Saxons, Norsemen, and other foreign invaders over the centuries. However, Reginald and George have some bad news for the townsfolk: under British law, a land mass must be at least 1,000 feet tall to qualify as a mountain, and according to their measurements, Ffynnon Garw comes in at only 930 feet, making it just a big hill. The citizens are shocked, insulted, and angry, and after much debate and careful measuring, Anson and Garrard conclude that they did shortchange Ffynnon Garw, but the most generous estimate still puts it at only 984 feet. Convinced that the town's honor and reputation is at stake thanks to these meddling Englishmen, the good people of Ffynnon Garw hatch a plan by which they will add fifteen feet to their "hill;" meanwhile, the easily befuddled Anson finds himself falling under the romantic spell of a beautiful but firm-willed local woman, Betty of Cardiff (Tara Fitzgerald). Believe it or not, this seemingly fanciful comedy was actually based on a true story. More info... | ||||||
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Evil Woman | 2001 | Dennis Dugan | Comedy | 90 min. | |
| Plot Synopsis by Karl Williams This romantic comedy is from director, former actor, and regular Adam Sandler collaborator Dennis Dugan. Darren Silverman (Jason Biggs) is a loser at love, so his best friends J.D. (Jack Black) and Wayne (Steve Zahn) set him up on a date with his dream girl, Judith (Amanda Peet). A serious relationship develops and threatens to become a marriage, but J.D. and Wayne come to the conclusion that Judith is totally wrong for Darren. In an effort to reunite their pal with Sandy (Amanda Detmer), his long-lost love from school, they kidnap Judith. However, the wily bride to be is at least one step ahead of her captors in the wits department. Saving Silverman also stars R. Lee Ermey and Neil Diamond in a cameo role as himself. More info... | ||||||
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Evita | 1996 | Alan Parker | Musical | 134 min. | |
| Plot Synopsis by Clarke Fountain Evita is based on the musical by Andrew Lloyd Webber and Tim Rice. Actually, the film is more of an opera, with only short moments devoted to dialogue. "Evita" is the friendly, family version of the proper name "Eva," and this film tells the story of Eva Peron (1921-52), a woman whose name evokes powerful feelings in her native Argentina. Throughout this film, as in the musical, the story is explained and commented on by a character known as "Che," played here by Antonio Banderas. The film begins with the news of Evita's death, and then turns to a much earlier scene at her father's funeral. Eva (Madonna) was an illegitimate child (one of many) of a rural landowner and her seamstress mother. Hers is not a wealthy childhood by any means, and she is constantly discriminated against because of her lowly birth. She is refused admission to her father's funeral for this reason. This scene is contrasted with her own funeral, a spectacular affair, not different from the funeral of a beloved head of state. Eva Peron leaves her village at age 15, in the arms her lover Agustin Magaldi (Jimmy Nail), a traveling singer. With his help, she goes to Buenos Aires and begins her campaign to become a performer, actress, and public figure. Many men help her during these years, and she is reported to have given her favors freely. That changes when she becomes involved with Juan Peron (Jonathan Pryce). In 1944, when they meet, Peron is an ambitious young army officer, serving in the right-wing government of the time. When he falls afoul of the government and is imprisoned, Eva uses her position as a celebrity and radio performer to get him released. Peron marries his feisty mistress when he is freed from prison. Eva is a formidable supporter, and her help is crucial to his later becoming head of state. Once Juan Peron becomes the President of Argentina, Eva expects better treatment from Argentina's high society, but they snub her brutally. She, in response, diverts government money from society-led charities, and starts the Eva Peron Foundation. As its president, she works tirelessly to directly better the lot of Argentina's poor. For this work, and for having risen from poor origins to glory, she is beloved by huge masses of her fellow citizens, if not by those in high society. She also arranges for the enfranchisement of women in Argentina. Thus, her death of uterine cancer at age 33, while she was at the height of her power and influence, strikes the whole world as tragic. More info... | ||||||
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The Fabulous Baker Boys | 1989 | Steve Kloves | Romance | 116 min. | |
| Plot Synopsis by Hal Erickson Real-life siblings Beau and Jeff Bridges star as the eponymous Fabulous Baker Boys. Musical prodigies both, the Bakers have long been teamed as a twin-piano act, with the less talented Frank (Beau Bridges) coasting on the skills of his brilliant younger brother Jack (Jeff Bridges). Their career dwindling to nickel-and-dime dates in second-rate clubs, the Bakers decide that they need a female vocalist to boost their popularity. They select auditioner Susie Diamond (Michelle Pfeiffer), who in addition to being a gifted songstress is drop-dead gorgeous. The newly renovated Baker Boys act scores a success, which is inevitably threatened by Susie's growing popularity and by Jack's insistence upon pursuing an affair with the girl. More info... | ||||||
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Face the Music | 1992 | Carol Wiseman | Romance, Drama | 93 min. | |
| AMG SYNOPSIS: Tensions run high when a recently-divorced couple are given an offer they can't refuse. Once well-established movie songwriters, Dempsey and Ringwald are thrown together again when a movie producer offers them a rewarding contract to compose a new song. However, old wounds and new love interests guarantee that this job will be anything but easy money. -- Iotis Erlewine More info... | ||||||
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Fair Game | 1995 | Andrew Sipes | Action, Action Thriller, Chase Movie | 90 min. | |
| AMG SYNOPSIS: Supermodel and sex symbol Cindy Crawford made her acting debut in this high-decibel thriller. Kate McQuean (Crawford) is a lawyer who -- in the course of a divorce proceeding -- attempts to seize a 157-foot freighter docked off the Florida coast in lieu of unpaid alimony. It turns out that the freighter is the current base of operations of Kazak (Steven Berkoff), a former KGB agent who has become an international money laundering expert and leader of a crack terrorist team. As one might imagine, Kazak is not especially happy about possible eviction, and soon Kate has a hefty price on her head. Kate, however, doesn't know the nature of Kazak's business and isn't sure why someone is trying to kill her. Loose cannon police detective Max Kilpatric (William Baldwin) is assigned to protect Kate, and romance begins to bloom as they dodge a remarkable number of bullets and explosions. Fair Game was originally slated to star Sylvester Stallone alongside Crawford (the film's location was moved to Florida at his request); when he dropped out, Crawford found herself co-starring with Baldwin, another model-turned-thespian. -- Mark Deming More info... | ||||||
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Fargo | 1996 | Joel Coen | Crime, Crime Comedy, Black Comedy, Americana | 97 min. | |
| AMG SYNOPSIS: Filmmaking siblings Joel Coen and Ethan Coen both embraced and poked satirical fun at their rural Minnesota roots with this comedy-drama-thriller that earned seven Oscar nominations, winning for Best Actress and Best Original Screenplay. Frances McDormand stars as Marge Gunderson, a pregnant police chief whose affable, folksy demeanor masks a whip-smart mind. When a pair of motorists are found slain not far from the corpse of a state trooper, Marge begins piecing together a case involving a pair of dopey would-be kidnappers, Carl (Steve Buscemi) and Gaear (Bergman stock player Peter Stormare). They've been hired by Jerry Lundegaard (William H. Macy), a car salesman under the thumb of his wealthy, overbearing boss and father-in-law, Wade (Harve Presnell). Jerry's raised some money illegally through a petty scam he's run on General Motors and he's about to get caught. When Wade sours a business deal that could save his son-in-law's hide, the desperate Jerry hires Carl and Gaear to kidnap his wife and hold her for ransom. Things go predictably wrong and a series of murders occur, with Marge, waddling along behind her enormous belly and ever-hungering for an all-you-can-eat buffet, hot on the trail of the killers. Although the credits for Fargo state that the film is loosely based on real events, the story is entirely fictional, the claim being just an ironic jibe on the part of the Coens. -- Karl Williams More info... | ||||||
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Father of the Bride | 1950 | Vincente Minnelli | Comedy | 94 min. | |
| Plot Synopsis by Mark Deming Spencer Tracy received an Oscar nomination for his performance in this classic comedy. Stanley T. Banks (Tracy) is a securely middle-class lawyer whose daughter Kay (Elizabeth Taylor) announces that she's going to marry her beau Buckley Dunstan (Don Taylor). From that point on, everything in Stanley's life is turned upside down. His wife Ellie (Joan Bennett) wants Kay to have the kind of formal wedding that she and Stanley never had, and between meeting his soon-to-be in-laws, the socially prominent Herbert and Doris Dunstan (Moroni Olsen and Billie Burke), his man-to-man talk with the groom, hosting the engagement party, financing the increasingly lavish wedding, and wondering if Kay and Buckley will resolve their differences before arriving at the altar, Stanley barely has time to deal with his own considerable anxieties about his advancing age and how his "little girl" became a grown woman. Director Vincente Minnelli reunited with the principal cast a year later for a sequel, Father's Little Dividend; and the movie was remade in 1991 with Steve Martin and Diane Keaton. More info... | ||||||
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A Few Good Men | 1992 | Rob Reiner | Drama, Courtroom Drama | 138 min. | |
| AMG SYNOPSIS: In this military courtroom drama based on the play by Aaron Sorkin, Navy lawyer Lt. Daniel Kaffee (Tom Cruise) is assigned to defend two Marines, Pfc. Louden Downey (James Marshall) and Lance Cpl. Harold Dawson (Wolfgang Bodison), who are accused of the murder of fellow leatherneck Pfc. William Santiago (Michael de Lorenzo) at the U.S. Navy base at Guantanamo Bay, Cuba. Kaffee generally plea bargains for his clients rather than bring them to trial, which is probably why he was assigned this potentially embarassing case, but when Lt. Commander JoAnne Galloway (Demi Moore) is assigned to assist Kaffee, she is convinced that there's more to the matter than they've been led to believe and convinces her colleague that the case should go to court. Under questioning, Downey and Dawson reveal that Santiago died in the midst of a hazing ritual known as "Code Red" after he threatened to inform higher authorities that Dawson opened fire on a Cuban watchtower. They also state that the "Code Red" was performed under the orders of Lt. Jonathan Kendrick (Kiefer Sutherland). Kendrick's superior, tough-as-nails Col. Nathan Jessup (Jack Nicholson), denies any knowledge of the order to torture Santiago, but when Lt. Col. Matthew Markinson (J.T. Walsh) confides to Kaffee that Jessup demanded the "Code Red" for violating his order of silence, Kaffee and Galloway have to find a way to prove this in court. A Few Good Men also features Kevin Bacon as prosecuting attorney Capt. Jack Ross and Kevin Pollak as Kaffee and Galloway's research assistant, Lt. Sam Weinberg. -- Mark Deming More info... | ||||||
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La fille sur le pont | 1999 | Patrice Leconte | Comedy Drama | 90 min. | |
| Plot Synopsis by Mark Deming A woman's long history of bad luck starts to change when she puts her life on the line in this romantic drama. Adèle (Vanessa Paradis) is a 22-year-old woman whose life seems to have been a long series of miscalculations; she's never had much luck with love, life, or career, and is standing on a bridge overlooking the Seine one night, contemplating suicide, when she's approached by a man named Gabor (Daniel Auteuil). Gabor announces he's a knife-thrower who needs a new human target for his act. Would Adèle be interested? Adèle's immediate answer is to jump into the water, but after Gabor fishes her out and gets her to a hospital, she has a change of heart and the pair are soon on their way to Monaco, where Gabor gets a spot at a circus. Adèle and Gabor make a great team; he's good with knives, she's young and beautiful, and suddenly Adèle's luck starts to change. She visits a casino one night and comes home with a fortune, and even when Gabor throws blindfolded, she walks away without so much as a scratch. However, an obvious chemistry is brewing between the two, which leads to a dilemma: Gabor has a strict policy of never getting romantically involved with his partners. Will he make an exception, or is Adèle's new run of luck coming to an end? More info... | ||||||
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Finding Neverland | 2004 | Marc Forster | Drama, Period Film, Biography [feature] | 106 min. | |
| AMG SYNOPSIS: Following up his critically acclaimed Monster's Ball, director Marc Forster took on this biography of playwright James Matthew Barrie, the scribe who penned the children's classic Peter Pan. Johnny Depp stars as the turn-of-the-century writer as the film follows Barrie as he struggles to write and have his play produced while he cares for his down-on-their-luck neighbors who inspired the story in the first place. J.M. Barrie's Neverland also stars Dustin Hoffman, Kate Winslet, and Julie Christie. -- Matthew Tobey More info... | ||||||
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Forces of Nature | 1999 | Bronwen Hughes | Romance | 104 min. | |
| Plot Synopsis by Ron Wells Ben (Ben Affleck) has two days to get from New York to Savannah, Georgia for his wedding to Bridget Cahill (Maura Tierney). Everything is running smoothly until his plane skids off the runway. Ben inadvertently saves the life of his seatmate, Sarah (Sandra Bullock), who becomes his companion for the longest two days of his life. As fate begins to repeat itself through a series of disasters involving a rental car, a train, and a bus (not to mention a hurricane), Ben has to wonder if someone's trying to give him a message. Inevitably, he also finds himself falling in love with Sarah. Meanwhile, Bridget wonders where, exactly, Ben is, and her old boyfriend Steve (David Strickland) attempts to take advantage of the situation. Not that Bridget's dad (Ronny Cox) really minds, since Steve is much more successful than Ben. En route, Ben and Sarah collide with Ben's best man, Alan (Steve Zahn) and his girlfriend, the maid of honor (Meredith Scott Lynn), which further adds to the series of cosmic tests that Ben must try to answer. More info... | ||||||
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Formula 51 | 2002 | Ronny Yu | Action, Action Comedy, Buddy Film, Crime Thriller | 93 min. | |
| AMG SYNOPSIS: First-time screenwriter Stelios Pavlou enjoyed a major success with this script that he wrote while working in an English liquor store by sending it to actor Samuel L. Jackson, who signed on for one of the lead roles. Jackson is Elmo McElroy, a kilt-wearing, golf club-wielding Los Angeles native who has invented an illegal drug formula that he hopes will provide him with a last major score of 20 million dollars before he retires from a life of crime. He travels to Liverpool, England, where he hopes to find a buyer for his creation among the denizens of the city's rave scene, but his plans go awry when those who are in on the deal start turning up dead. Elmo's only protector is a chain-smoking, Yank-hating local hood named Felix De Souza (Robert Carlyle), who reluctantly partners with the violence-prone American to finish the deal and cash in, sparking a gang war between Elmo's vengeful one-time employer, The Lizard (Meat Loaf); Felix's boss, Durant (Ricky Tomlinson); crooked cop Virgil Kane (Sean Pertwee); a beautiful assassin, who also happens to be Felix's ex-girlfriend (Emily Mortimer); and an offbeat, yoga-practicing nightclub owner and mobster named Iki (Rhys Ifans). For its U.S. release, the title of The 51st State was changed to Formula 51. -- Karl Williams More info... | ||||||
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Forrest Gump | 1994 | Robert Zemeckis | Comedy Drama, Period Film, Americana | 142 min. | |
| AMG SYNOPSIS: "Stupid is as stupid does," says Forrest Gump (played by Tom Hanks in an Oscar-winning performance) as he discusses his relative level of intelligence with a stranger while waiting for a bus. Despite his sub-normal IQ, Gump leads a truly charmed life, with a ringside seat for many of the most memorable events of the second half of the 20th century. Entirely without trying, Forrest teaches Elvis Presley to dance, becomes a football star, meets John F. Kennedy, serves with honor in Vietnam, meets Lyndon Johnson, speaks at an anti-war rally at the Washington Monument, hangs out with the Yippies, defeats the Chinese national team in table tennis, meets Richard Nixon, discovers the break-in at the Watergate, opens a profitable shrimping business, becomes an original investor in Apple Computers, and decides to run back and forth across the country for several years. Meanwhile, as the remarkable parade of his life goes by, Forrest never forgets Jenny (Robin Wright Penn), the girl he loved as a boy, who makes her own journey through the turbulence of the 1960s and 1970s that is far more troubled than the path Forrest happens upon. Featured alongside Tom Hanks are Sally Field as Forrest's mother; Gary Sinise as his commanding officer in Vietnam; Mykelti Williamson as his ill-fated Army buddy who is familiar with every recipe that involves shrimp; and the special effects artists whose digital magic place Forrest amidst a remarkable array of historical events and people. -- Mark Deming More info... | ||||||
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Four Weddings and a Funeral | 1994 | Mike Newell | Comedy | 116 min. | |
| Plot Synopsis by Judd Blaise This acclaimed British comedy centers on the intermittent romance between a charming (if slightly bumbling) Englishman and a beautiful American woman, who seem to always run into each other at weddings. Indeed, it is at the first of the title's four weddings that Charles (Hugh Grant) and Carrie (Andie McDowell) meet, enjoying a brief but fleeting connection. The spark is rekindled several months later, when they unexpectedly meet at another wedding. Unfortunately, however, Carrie has become engaged to another, a fact that complicates matters for them both. The story may seem simple, but the film is elevated by screenwriter Richard Curtis' ear for witty dialogue and a colorful supporting cast. Director Mike Newell's sympathetic attention to character keeps the proceedings believable, and prevents the film's more serious moments from seeming mawkish. These elements, along with Grant's star-making performance as Charles, helped the film achieve unexpected international success, including an Academy Award nomination for Best Picture. More info... | ||||||
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Frantic | 1988 | Roman Polanski | Thriller, Psychological Thriller | 120 min. | |
| AMG SYNOPSIS: Following the disastrous Pirates (1986), director Roman Polanski got back on creative track with this finely-wrought thriller that, while failing to impress at the box office, was nevertheless his most critically well-received film of the decade. Harrison Ford stars as Richard Walker, an American doctor who has come to Paris, where he's scheduled to deliver a paper to a medical conference. Richard has brought along his wife Sondra (Betty Buckley), because Paris was the site of their honeymoon 20 years earlier. Sondra picks up the wrong suitcase at the airport, which leads to her kidnapping and an ever-more complicated quest that takes Richard into the seedy and dangerous underworld of European drug smuggling and terrorist arms sales. Along the way, he is rebuffed by skeptical officials at the American Embassy and meets Michelle (Emmanuelle Seigner), a sexy courier who agrees to help him in exchange for the money she's owed for trafficking in narcotics. Playing cleverly on American fears about Europe's Byzantine politics and "decadent" society, Frantic received, from many observers, perhaps the greatest compliment possible for a thriller, comparison to the work of Alfred Hitchcock. -- Karl Williams More info... | ||||||
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Fun with Dick and Jane | 2005 | Dean Parisot | Comedy, Domestic Comedy, Crime Comedy | 90 min. | |
| AMG SYNOPSIS: A not-so-ordinary family finds a new way of paying the bills in this comedy. Dick Harper (Jim Carrey) and his wife, Jane (Téa Leoni), would seem to have it made -- Dick has a high-paying job, they live in an expensive house in the suburbs, they have two luxury cars in the driveway, and a housekeeper, Blanca (Gloria Garayua), to help look after their son, Billy. But Dick and Jane's fairy-tale life crashes head-on into reality when the firm Dick works for turns out to have been using unscrupulous accounting methods to disguise the fact they've been losing money hand over fist, and Dick has been made the fall guy for some of their dirty dealings. Suddenly flat broke, Dick and Jane must find a new way to support their lavish lifestyle, and in time they discover just the thing -- crime. A remake of Ted Kotcheff's 1977 hit (which helped re-launch Jane Fonda's screen career), Fun With Dick and Jane also stars Alec Baldwin, John Michael Higgins, and Angie Harmon. -- Mark Deming More info... | ||||||
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Gallipoli | 1981 | Peter Weir | War, Anti-War Film | 110 min. | |
| AMG SYNOPSIS: The first of two consecutive films to see director Peter Weir team with Mel Gibson (the other being The Year of Living Dangerously), Gallipoli follows two idealistic young friends, Frank (Gibson) and Archy (Mark Lee), who join the Australian army during World War I and fight the doomed Battle of Gallipoli in Turkey. The first half of the film documents the lives of the young men in Australia, detailing their personalities and beliefs. The second half of the movie chronicles the ill-fated and ill-planned battle, where the Australian and New Zealand Army Corps is hopelessly outmatched by the enemy forces. Gallipoli was the recipient of eight prizes at the 1981 Australian Film Institute Awards. -- Matthew Tobey More info... | ||||||
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The Game | 1997 | David Fincher | Thriller, Psychological Thriller, Paranoid Thriller | 128 min. | |
| AMG SYNOPSIS: Director David Fincher followed the success of his dark and atmospheric crime thriller Seven (1995) with another exercise in stylish film noir, this time lifting the pallid atmosphere a notch to indulge in a fast-paced trip through the cinematic funhouse. Michael Douglas plays Nicholas Van Orton, a Scrooge-like San Francisco investment banker following in his father's Scrooge-like footsteps. On Nicholas's 48th birthday (the age at which his father committed suicide), his younger, free-spirited brother Conrad (Sean Penn) blows into town and gives Nicholas a special gift for "the man who has everything" -- a ticket to CRS (Consumer Recreation Services), a company that constructs games custom-fit for each participant to provide, as CRS salesman Jim Feingold (James Rebhorn) cryptically puts it, "whatever is lacking." Nicholas's secure life begins a downhill slide as CRS masterminds a series of elaborate pranks, harmless at first, that quickly become malicious and life-threatening. Stripped of financial resources and convinced that he can trust no one, Nicholas begins to wonder if CRS is a front for a more covert operation, and if the game is in fact an attempt to steal his fortune and leave him for dead. Determined to fight back alone, Nicholas infiltrates CRS in order to "pull back the curtain and meet the wizard." -- Anthony Reed More info... | ||||||
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Gangs of New York | 2002 | Martin Scorsese | Epic, Crime Drama, Period Film, Historical Epic | 168 min. | |
| AMG SYNOPSIS: The violent rise of gangland power in New York City at a time of massive political corruption and the city's evolution into a cultural melting pot set the stage for this lavish historical epic, which director Martin Scorsese finally brought to the screen almost 30 years after he first began to plan the project. In 1846, as waves of Irish immigrants poured into the New York neighborhood of Five Points, a number of citizens of British and Dutch heritage who were born in the United States began making an open display of their resentment toward the new arrivals. William Cutting (Daniel Day-Lewis), better known as "Bill the Butcher" for his deadly skill with a knife, bands his fellow "Native Americans" into a gang to take on the Irish immigrants; the immigrants in turn form a gang of their own, "The Dead Rabbits," organized by Priest Vallon (Liam Neeson). After an especially bloody clash between the Natives and the Rabbits leaves Vallon dead, his son goes missing; the boy ends up in a brutal reform school before returning to the Five Points in 1862 as Amsterdam (Leonardo DiCaprio). Now a strapping adult who has learned how to fight, Amsterdam has come to seek vengeance against Bill the Butcher, whose underworld control of the Five Points through violence and intimidation dovetails with the open corruption of New York politician "Boss" Tweed (Jim Broadbent). Amsterdam gradually penetrates Bill the Butcher's inner circle, and he soon becomes his trusted assistant. Amsterdam also finds himself falling for Jenny Everdeane (Cameron Diaz), a beautiful but street-smart thief who was once involved with Bill. Amsterdam is learning a great deal from Bill, but before he can turn the tables on the man who killed his father, Amsterdam's true identity is exposed, even though he has concealed it from nearly everyone, including Jenny. Gangs Of New York was the first film in two years from actor Leonardo DiCaprio; ironically, it was at one time scheduled to open on the same day as Catch Me if You Can, the Steven Spielberg project that DiCaprio began filming immediately after Gangs wrapped. -- Mark Deming More info... | ||||||
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The General's Daughter | 1999 | Simon West | Thriller | 118 min. | |
| Plot Synopsis by Mark Deming A murder on a military base unearths a netherworld of corruption in this thriller based on the novel by Nelson DeMille. General Joe Campbell (James Cromwell) is a respected military leader with a flawless reputation; he's due to retire from the Army soon and is headed for a Vice-Presidential nomination. However, Campbell finds himself in both a personal and political crisis when his daughter is brutally murdered. Captain Elizabeth Campbell (Leslie Stefanson) was beautiful, intelligent, disciplined, and well-regarded, the very model of an ideal female officer; she was also stationed at the same base as her father. Paul Brenner (John Travolta), a warrant officer of the Army's Criminal Investigation Division, is assigned to look into the case alongside CID officer Sara Sunhill (Madeleine Stowe). Brenner and Sunhill were once romantically involved, complicating an assignment that soon offers more than enough complications of its own. Brenner and Sunhill come to realize that, for all her accomplishments, Elizabeth carried a lifetime of emotional scars from emotional abuse and sexual harassment, and that, despite the General's reputation, his relationship with his daughter was not always a happy or healthy one. It also seems possible that the General's second-in-command, General George Fowler (Clarence Williams III), a likely candidate for the Joint Chiefs of Staff, may also be implicated in the crime. The General's Daughter was the second feature film for director Simon West; his full-length debut was Con Air (1997), after a long string of successful television commercials and music videos. More info... | ||||||
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Get Shorty | 1995 | Barry Sonnenfeld | Comedy, Crime Comedy, Showbiz Comedy | 105 min. | |
| AMG SYNOPSIS: A gangster is looking to get away from crooked deals and double-crossing people but ends up in the movie business anyway in this comic crime story. Chili Palmer (John Travolta) is a Miami-based loan collector for the mob trying to collect a gambling debt. His assignment takes him to Hollywood to collect money from Harry Zimm (Gene Hackman), a mildly sleazy producer of low-budget horror movies. Although Chili intends to hurt Harry if necessary, he takes a certain liking to him and an even keener interest in Karen (Rene Russo), Harry's girlfriend, whom Chili recognizes from Harry's grade-B monster epics. It seems Harry has a script that he feels is Academy Award material, and he could get the project off the ground if he could get the right actor for the lead -- say, the well-respected but egocentric (and diminutive) Martin Weir (Danny DeVito). Chili thinks he has a feel for the movie business and decides to see what he can do to persuade Weir to get behind the project. Chili soon finds himself hip deep in the film industry, which at least puts him in contact with a higher grade of scumbags than he's used to. But Chili isn't the only criminal Harry's been dealing with; he's been obtaining financing from Bo Catlett (Delroy Lindo), a drug dealer with a highly uncertain temperament. An intelligently constructed crime story and a hilarious look at the absurdities of the film business, Get Shorty was based on the novel of the same name by Elmore Leonard; Leonard based Chili on a real-life former gangster of his acquaintance, though Chili's model never worked in Hollywood. -- Mark Deming More info... | ||||||
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Girl With a Pearl Earring | 2003 | Peter Webber | Drama, Biography [feature] | 99 min. | |
| AMG SYNOPSIS: The subject of one of Johannes Vermeer's most enduring portraits becomes the focus of this biographical period piece from director Peter Webber. Girl With a Pearl Earring is told from the point of view of Griet (Scarlett Johansson), a teenaged girl who leaves her family's care in the country to become a servant for the Vermeer household in the comparatively bustling, canal-laden burgh of Delft. When she arrives, she finds herself at the low end of the servant totem pole, until she's allowed to clean "the master's" painting quarters. There, she quite literally catches the eye of the taciturn, reclusive Vermeer (Colin Firth), and over a period of time, he begins to craft her portrait. Of course, this does little to further his relationship with his jealous, pregnant wife, Catharina (Essie Davis), or with his most vocal benefactor, van Ruijven (Tom Wilkinson), who often dictates what portraits Vermeer should paint. Meanwhile, Griet navigates a sweet, tentative relationship with a peasant boy her age (Cillian Murphy). Girl With a Pearl Earring had its North American premiere at the 2003 Toronto Film Festival. -- Michael Hastings More info... | ||||||
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Glory | 1989 | Edward Zwick | Historical Film, Historical Epic | 122 min. | |
| AMG SYNOPSIS: Glory is a celebration of a little-known act of mass courage during the Civil War. Simply put, the heroes involved have been ignored by history due to racism. Those heroes were the all-black members of the 54th Regiment of the Massachusetts Volunteer Infantry, headed by Col. Robert Gould Shaw (Matthew Broderick), the son of an influential abolitionist (played by an uncredited Jane Alexander). Despite the fact that the Civil War is ostensibly being fought on their behalf, the black soldiers are denied virtually every privilege and amenity that is matter of course for their white counterparts; as in armies past and future, they are given the most menial and demeaning of tasks. Still, none of the soldiers quit the regiment when given the chance. The unofficial leaders of the group are gravedigger John Rawlins (Morgan Freeman) and fugitive slave Trip (Denzel Washington), respectively representing the brains and heart of the organization. The 54th acquit themselves valiantly at Fort Wagner, SC, charging a fortification manned by some 1,000 Confederates. Glory was based on Lincoln Kirstein's Lay This Laurel and Peter Burchard's One Gallant Rush; the latter book was founded on the letters of Col. Robert Gould Shaw, the real-life character played by Matthew Broderick. The film won a Best Supporting Actor Oscar for co-star Denzel Washington, and additional statuettes for Best Cinematography (Freddie Francis) and Sound Recording. -- Hal Erickson More info... | ||||||
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The Gods Must Be Crazy | 1981 | Jamie Uys | Adventure | 109 min. | |
| Plot Synopsis by Hal Erickson Kalahari bushman Xi (played by genuine bushman N!xau) is as surprised as the rest of his tibe when a Coke bottle, thrown from a passing plane, lands in the middle of their village. This "gift from the gods" proves to be a mixed blessing when the tribesmen fight over it and eventually use it for a weapon. To keep peace in the village, Xi is assigned to take the bottle to "the end of the earth" (actually a lush valley) and throw it back to the gods. Meanwhile, back in urbanized South Africa, Kate Thompson (Sandra Prinsloo) leaves her office job in the city to take a job teaching Kalahari children; once in the wilderness, she finds herself constantly bumping into clumsy microbiologist Andrew Steyn (Marius Weyers). And meanwhile, maniacal Sam Boga (Louw Verwey) is leading a military coup against the government. How do all these various and wildly divergent characters fit together? You'll have to see The Gods Must be Crazy yourself--if you haven't seen it already. This Botswanian comedy/melodrama was directed by Jamie Uys, who had helmed dozens of films before Gods and would make many more afterwards. Originally slated for limited domestic distribution in 1982, Gods Must Be Crazy was picked up for American consumption by 20th Century-Fox in 1984. Within a few weeks, "word of mouth" transformed Gods into the biggest foreign boxoffice hit ever released in the U.S. The 1989 sequel didn't do quite as well, indicating that perhaps the bloom was off the rose for N!xau and his confreres. More info... | ||||||
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The Good Girl | 2002 | Miguel Arteta | Comedy Drama | 93 min. | |
| Plot Synopsis by Perry Seibert Director Miguel Arteta and writer Mike White, who had previously collaborated on Chuck and Buck, turn an eye toward suburban boredom with the quirky comedy The Good Girl. Jennifer Aniston stars as Justine, a woman who is feeling constrained by her life. Her husband, Phil (John C. Reilly), is a house painter who spends the majority of his time smoking marijuana with his friend Bubba (Tim Blake Nelson). Longing for something more in her life, Justine becomes involved with a younger co-worker named Tom (Jake Gyllenhall), but because of his fascination with The Catcher in the Rye, he likes to be called Holden. Her new sense of freedom and release are threatened when a co-worker dies, and when Bubba learns of her infidelity. This film was screened at the 2002 Sundance Film Festival. More info... | ||||||
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Good Will Hunting | 1997 | Gus Van Sant | Drama, Coming-of-Age, Romantic Drama, Psychological Drama | 126 min. | |
| AMG SYNOPSIS: Matt Damon and Ben Affleck co-scripted and star in this drama, set in Boston and Cambridge, about rebellious 20-year-old MIT janitor Will Hunting (Damon), gifted with a photographic memory, who hangs out with his South Boston bar buddies, his best friend Chuckie (Affleck), and his affluent British girlfriend Skylar (Minnie Driver). After MIT professor Lambeau (Stellan Skarsgard) stumps students with a challenging math formula on a hallway blackboard, Will anonymously leaves the correct solution, prompting Lambeau to track the elusive young genius. As Will's problems with the police escalate, Lambeau offers an out, but with two conditions -- visits to a therapist and weekly math sessions. Will agrees to the latter but refuses to cooperate with a succession of therapists. Lambeau then contacts his former classmate, therapist Sean McGuire (Robin Williams), an instructor at Bunker Hill Community College. Both are equally stubborn, but Will is finally forced to deal with both his past and his future. -- Bhob Stewart More info... | ||||||
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Grand Canyon | 1991 | Lawrence Kasdan | Drama | 134 min. | |
| Plot Synopsis by Hal Erickson Director Lawrence Kasdan's Grand Canyon is a gathering of random events, uniting the film's wildly divergent protagonists. Driving home from an LA Lakers game, Mack (Kevin Kline), an immigration attorney, is stranded in an unsavory part of town when his car breaks down. He is rescued from a gang of hoods by Simon (Danny Glover), an African-American tow truck driver, inaugurating a friendship between these two men. Mack offers to repay Simon's kindness by helping his sister (Tina Lifford) find an apartment in a better neighborhood, and by arranging a blind date between Simon and Jane (Alfre Woodard), a friend of Mack's secretary Dee (Mary Louise Parker). Woven into this fabric are the tribulations of Mack's best friend, a pompous exploitation movie producer (Steve Martin), who is later wounded in a robbery similar to the one threatening Mack at the beginning of the film; of Mack's wife Claire (Mary McDonnell), who adopts an abandoned baby, and disenfranchised son Roberto (Jeremy Sisto); and of Simon's nephew (Patrick Malone), who is contemplating joining a street gang. The title is symbolic, referring to the class-imposed chasms which would normally separate the characters. Kasdan co-wrote the screenplay with his wife Meg. More info... | ||||||
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Gridlock'd | 1997 | Vondie Curtis-Hall | Comedy Drama | 91 min. | |
| Plot Synopsis by Mark Deming In this hard-edged drama with a strong undercurrent of dark comedy, Stretch (Tim Roth) and Spoon (Tupac Shakur) are two friends who share both a passion for music and a dependence on heroin. Stretch and Spoon play in a jazz combo with Cookie (Thandie Newton), and after a New Year's Eve gig, they score drugs and get high together. Cookie lacks her friends' experience with hard drugs and soon ends up in the hospital after a severe overdose. Cookie's brush with death turns out to be a serious reality check for Stretch and Spoon, and they decide that it's time to kick drugs and get clean and sober. But both men know that they can't get off heroin on their own, and therein lies the problem; as they try to navigate a complex maze of social service agencies (who can't help them get treatment because they aren't on welfare), drug treatment facilities (one of which turns them away because they're only equipped to handle alcoholics), and hospitals (where, in order to be admitted as emergency patients, Stretch and Spoon ponder how to go about stabbing each other) in search of a detox program. The two friends begin to wonder if it might simply be easier to stay on drugs than to get healthy. Gridlock'd marked the feature film directorial debut for actor Vondie Curtis Hall, best known for his work on the TV series Chicago Hope; Elizabeth Pena and John Sayles both appear in supporting roles. Rap musician-turned actor Tupac Shakur, who played Spoon, died in a drive-by shooting four months prior to the release of this film. More info... | ||||||
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Harvey | 1950 | Henry Koster | Comedy, Comedy of Manners, Screwball Comedy | 104 min. | |
| AMG SYNOPSIS: This whimsical fantasy about a local drunk's 6' 3 1/2" imaginary rabbit pal was a smash hit (and a Pulitzer Prize winner) on Broadway and was then adapted into this likeable farce that's also an allegory about tolerance. James Stewart stars as Elwood P. Dowd, a wealthy tippler whose sunny philosophy and inebriated antics are tolerated by most of the citizenry. That is, until Elwood begins claiming that he sees a "pooka," (a mischievous Irish spirit) which has taken the form of a man-sized bunny named Harvey. Although everyone is certain that Elwood has finally lost his mind, Harvey's presence begins to have magically positive effects on the townsfolk, with the exception of Elwood's own sister Veta (Josephine Hull), who, ironically, can also occasionally see Harvey. A snooty socialite, Veta is determined to marry off her daughter Myrtle (Victoria Horne) to somebody equally respectable, and Elwood's lunacy is interfering. When Veta attempts to have Elwood committed to an insane asylum, however, the result is that she is accidentally admitted instead of her brother. Then the institution's director, Dr. Chumley (Cecil Kellaway) begins seeing Harvey, too. Hull, who reprised her part from the stage production, won an Oscar and Golden Globe. -- Karl Williams More info... | ||||||
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Hitch | 2005 | Andy Tennant | Romance, Comedy, Urban Comedy, Romantic Comedy | 117 min. | |
| AMG SYNOPSIS: A man who teaches dateless wonders how to become irresistible to women learns just how hard it can be to do it yourself in this romantic comedy. When a guy in New York City wants to make the right impression with a certain lady, Alex "Hitch" Hitchens (Will Smith) is the man he calls. Hitch has made a career out of coordinating a man's first three dates so that they'll show him to his best advantage (for a price, of course), and more than a few have taken women to the altar they first started courting with Hitch's help. But Hitch discovers his own romantic limitations when he falls for Sara (Eva Mendes), a journalist who has her own ideas about romance, and might just expose Hitch's underground business to the world. In the midst of all this, Hitch has his hands full with Albert, a sweet but socially inept man who has enlisted Hitch's services. -- Mark Deming More info... | ||||||
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The Hitch-Hiker | 1953 | Ida Lupino | Thriller, Crime Thriller, Film Noir | 71 min. | |
| AMG SYNOPSIS: Daniel Mainwaring took this story right out of the headlines of the day, penning this true story of a mass murderer who was eventually executed in San Quentin's gas chamber. Released during McCarthy's witch-hunt, Mainwaring was not given credit because Howard R. Hughes, who produced it under RKO, refused to give credit to any "radicals." The story is that of two men on a fishing trip who pick up a hitchhiker. He turns out to be a sadistic psychopath who has committed multiple murders, a sociopath who hates humanity because of his own abuse as a child. He also has an affliction which terrifies these two men: an eye which is permanently open, thereby never allowing them to know if he is really asleep or just faking it--something which he does with regularity to scare them...letting them take off and then meeting up with them just as they feel they have escaped from him. A tense thriller skillfully directed by the only female director of the time, Ida Lupino, it is a suspenseful tale of terror on the highways. -- Tana Hobart More info... | ||||||
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Houseboat | 1958 | Melville Shavelson | Romance | 110 min. | |
| Plot Synopsis by Hal Erickson Cary Grant scored still another box-office smash with his 1958 vehicle Houseboat. Grant plays a widowed father who packs himself and his spoiled kiddies off to a ramshackle houseboat. Enter Sophia Loren, who is attempting to break loose from her tyrannical father's (Eduardo Cianelli) iron grip. She hires on as Grant's housekeeper and his children's governess. Though Grant struggles valiantly to maintain a "hands off" policy, he and Loren are billing and cooing by fadeout time--but not before plenty of reversals, recriminations and sitcom-style mishaps. As a bonus, the kids end up behaving like little angels (not surprising, since Loren has threatened from time to time to turn them into genuine angels if they don't toe the line). According to most sources, the on-screen romance between Cary Grant and Sophia Loren in Houseboat spilled over into their private lives as well, though Sophia put an end to this dalliance when she married Italian movie mogul Carlo Ponti. More info... | ||||||
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How to Lose a Guy in 10 Days | 2003 | Donald Petrie | Comedy, Romantic Comedy | 116 min. | |
| AMG SYNOPSIS: Two New Yorkers fight the battle of the sexes to a standstill (without entirely realizing it) in this romantic comedy. Andie (Kate Hudson) is a young journalist who longs to cover political stories, but in the meantime she finds herself writing for a women's magazine called Composure, where her editor Lana Jong (Bebe Neuwirth) has her writing a fluffy advice column. After hearing of the latest dating laments of her relationship-challenged friend Michelle (Kathryn Hahn), Andie sells Lana on the idea of writing a piece on the things women do to alienate the men they love, which she'll demonstrate by winning and then driving away a man in a mere ten days. Meanwhile, Ben (Matthew McConaughey) is an advertising man who wants to land a prestige diamond account at his firm. Ben is competing with his pals, Spears (Michael Michele) and Green (Shalom Harlow), for the assignment, so Ben tells his boss Phillip Warren (Robert Klein) that he's the man for the job because he understands the fair sex so well he can make any woman fall for him in less than two weeks. As fate would have it, Andie and Ben end up choosing one another for their mutual assignments, with neither knowing about each other's secret agenda as Ben strives to hold on to Andie while she does everything in her power to annoy him. How to Lose a Guy in 10 Days was loosely based on the self-help book of the same name (subtitled The Universal Don't of Dating) written by Michele Alexander and Jeannie Long. -- Mark Deming More info... | ||||||
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How to Lose Your Lover | 2004 | Jordan Hawley | Comedy | 93 min. | |
| Plot Synopsis by Josh Ralske Owen (Paul Schneider of All the Real Girls) wants to be a serious writer, but ever since moving to Los Angeles, the only work he can get is co-writing trashy autobiographies for people who'd prefer he omit the unseemly truth, like Bucky (Fred Willard) an egotistical, philandering former astronaut. Owen thinks L.A. is keeping him from achieving his romantic and professional goals, but he can't bring himself to leave. After a big earthquake inspires Owen's manipulative, unfaithful ex-girlfriend to tell him she wants nothing more to do with him, he finally decides to get out of town. He arranges to write a bio for a Princeton physicist, and he tells all his friends and acquaintances the brutal truth, so that he won't be tempted to stay or come back to L.A. He tells his friend and housemate Rob (Dorian Missick) that he can't stand his girlfriend. He admits to Stephanie (Tori Spelling) that his other housemate, Allison (Poppy Montgomery), has always found her attractive, but he neglected to tell Stephanie this because he doesn't like her. But he can't bring himself to say anything unpleasant to his promiscuous bisexual best friend, Allison. Owen is at the airport, ready to board his flight, when he runs into Val (Jennifer Westfeldt of Kissing Jessica Stein), an attractive acquaintance of his ex. She's seeing off her ex-boyfriend, and invites Owen to have coffee, causing him to miss his flight. There's an immediate attraction. Owen is still determined to leave town, and now no one wants him around, but he has to take a few days to prove to himself that things would never work out with Val. How to Lose Your Lover, the feature debut of writer/director/producer Jordan Hawley, had its world premiere at the 2004 Tribeca Film Festival. More info... | ||||||
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The Hurricane | 1999 | Norman Jewison | Drama, Prison Film, Biography [feature], Courtroom Drama, Message Movie | 146 min. | |
| AMG SYNOPSIS: In 1966, Rubin "Hurricane" Carter was a top-ranked middleweight boxer whom many fight fans expected to become world champion. When three people were shot to death in a bar in Paterson, New Jersey, Carter and his friend John Artis, driving home from another club in Paterson, were stopped and questioned by police. Although the police asserted that Carter and Artis "were never suspects," a man named Alfred Bello, himself a suspect in the killings, claimed that Carter and Artis were present at the time of the murders. On the basis of Bello's testimony, Carter and Artis were convicted of murder, and Carter was given three consecutive life sentences. Throughout the trial, Carter proclaimed his innocence, saying that his African-American race and work as a civil rights activist were the real reasons for his conviction. In 1974, Bello and Arthur Bradley, who also claimed that Carter was present at the scene of the crimes, recanted their testimony, but Carter and Artis were reconvicted. In the early 1980s, Brooklyn teenager Lesra Martin worked with a trio of Canadian activists to push the State of New Jersey to reinvestigate Carter's case; in 1985, a Federal District Court ruled that the prosecution in Carter's second trial committed "grave constitutional violations" and that his conviction was based on racism rather than facts. Carter was finally freed, and he summed up his story by saying, "Hate got me into this place, love got me out." The Hurricane is based on Carter's incredible true story and stars Denzel Washington as Carter, Vicellous Shannon as Lesra Martin, and John Hannah, Liev Schreiber and Deborah Unger as the Canadian activists. Veteran filmmaker Norman Jewison directed. -- Mark Deming More info... | ||||||
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I Am Sam | 2001 | Jessie Nelson | Drama, Melodrama, Courtroom Drama, Message Movie | 132 min. | |
| AMG SYNOPSIS: Sean Penn stars in this drama as Sam Dawson, a developmentally disabled adult who has been working at a coffee shop and raising his daughter Lucy (Dakota Fanning) for seven years. Sam receives help in his parenting duties from a circle of trusted confidantes, including his ADD-afflicted best friend Ifty (Doug Hutchison), the paranoid Robert (Stanley DeSantis), an agoraphobic neighbor (Dianne Wiest), and his other disabled pals, Brad and Joe (played by real-life developmentally challenged actors Brad Silverman and Joseph Rosenberg). Although he provides a structured and loving environment for Lucy that includes regular visits to IHOP, video nights, and karaoke, Sam's daughter is beginning to surpass him in mental acuity. When Lucy begins intentionally stunting her own growth so as not to hurt her beloved father, social worker Margaret (Loretta Devine) takes action, removing the girl from her home and placing her in the temporary care of a foster mother, Randy (Laura Dern). As the day of his hearing looms, Sam seeks out the aid of driven, obsessive lawyer Rita Harrison (Michelle Pfeiffer), who takes the case only to prove to her colleagues that she is willing to accept pro bono work. Opposed by county lawyer Turner (Richard Schiff) in court, Rita gradually comes to care for her client and his daughter, even as they force her to consider the limitations of her own abilities as a parent. The soundtrack for I Am Sam (2001) gained considerable critical attention, consisting entirely of Beatles cover songs by such contemporary artists as The Black Crowes, Eddie Vedder, the Wallflowers, and Aimee Mann, among others. -- Karl Williams More info... | ||||||
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Ice Princess | 2005 | Tim Fywell | Comedy Drama | 98 min. | |
| Plot Synopsis by Mark Deming A teenager is torn between her desire to please her mother and following her own ambitions in this family-friendly comedy drama. Casey Carlyle (Michelle Trachtenberg) is a high-school student who has a keen mind for math and looks to be on the fast track to Harvard, which is just the way her mother (Joan Cusack) wants it. However, Casey also has a dream of becoming a competitive ice skater, which is not a popular notion with either Casey's mom or her school's clique of aspiring skaters, led by the egocentric Gen (Hayden Panettiere). However, one day at the rink Casey wins the attention of Tina (Kim Cattrall), a former skating champion who now trains her daughter and is trying to live down an incident that grounded her career on the ice. Tina thinks Casey has what it takes to be a champ, but neither Gen nor Casey's mother are happy with this news, leaving Casey and Tina to go it alone, though Casey soon wins the emotional support of Teddy (Trevor Blumas), Gen's handsome older brother. Ice Princess also features champion skater Michelle Kwan in a small role as herself, doing television commentary at a skating event. More info... | ||||||
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In Good Company | 2004 | Paul Weitz | Comedy Drama | 110 min. | |
| Plot Synopsis by Mark Deming A middle-aged man finds a callow twentysomething usurping his professional life and worming his way into his family in this alternately funny and poignant comedy drama. Dan Foreman (Dennis Quaid) is a middle-aged man who has spent 20 years as the head of advertising sales for Sports America, a leading athletics magazine. Dan is happily married to Ann (Marg Helgenberger) and has a college-age daughter, Alex (Scarlett Johansson), whom he dotes on, but Dan's comfortable life is given a major shake-up when a large multimedia firm buys the magazine. Seen as a bit long in the tooth to be truly competitive, Dan is demoted to second in command of advertising, and his position is handed over to Carter Duryea (Topher Grace), a 26-year-old who talks a good game about sales but has no practical experience in the field. Dan's wounded ego makes working with the arrogant Carter an uphill battle, but when he learns that Ann is expecting another baby, Dan is in no position to quit. Before long, Dan becomes aware of Carter's intense insecurities about his new job as the younger man reaches out to him for guidance, but this doesn't make Dan any less angry when Carter begins a romance with Alex after his marriage to Kimberley (Selma Blair) crashes and burns. In Good Company marked the solo directorial debut of Paul Weitz; he previously worked in collaboration with his brother Chris Weitz, who serves as producer on this film. More info... | ||||||
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Indecent Proposal | 1993 | Adrian Lyne | Drama, Marriage Drama, Psychological Drama | 119 min. | |
| AMG SYNOPSIS: Adrian Lyne buffs the premise of Honeymoon in Vegas to a fine gloss in this yuppie melodrama that poses the conundrum of whether the loving husband of an equally loving wife will accept $1 million to allow his wife to spend one night with a billionaire who looks like Robert Redford. All the cynics please take a number and form a line at the right. Demi Moore and Woody Harrelson play Diana and David Murphy, high-school sweethearts who marry and who are doing very well -- Diana is a successful real-estate agent, and David is an idealistic architect who has built a dream house by the ocean -- until the recession hits. Suddenly, David loses his job, and they can't make the mortgage payments. Dead broke, they borrow $5000 from David's father and head to Las Vegas to try to win money to pay the mortgage on their house. At first, they get $25,000 ahead -- but inevitably the house always wins, and they end up losing it all. While Diana is in the fancy casino boutique trying to lift some candy, she is spotted by billionaire John Gage (Robert Redford), who is immediately attracted to her. John invites Diana and David to an opulent party, and it is there that John offers David $1 million for a night with his wife. David is wracked by this moral dilemma, but Diana finally makes the decision on her own, with ensuing consequences for their ideal marriage and their bank account. -- Paul Brenner More info... | ||||||
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Intolerable Cruelty | 2003 | Joel Coen | Comedy, Screwball Comedy, Romantic Comedy, Sophisticated Comedy | 100 min. | |
| AMG SYNOPSIS: Joel and Ethan Coen take on the classic battle-of-the-sexes screwball comedy with Intolerable Cruelty. George Clooney plays Miles Massey, a high-powered Los Angeles divorce lawyer nearing a midlife crisis . While representing wealthy client Rex Rexroth (Edward Herrmann), Miles meets his match in Rex's gold-digging wife, Marilyn Rexroth (Catherine Zeta-Jones). He's impressed by her similarly heartless ways of using marriage to fuel an expensive lifestyle, but he still defeats her in court. With Marilyn looking to get her revenge and Miles finding himself attracted to her, the two engage in a ruthless romantic pursuit to out-swindle each other. Billy Bob Thornton shows up in a small role as Texas oil tycoon Howard Doyle. -- Andrea LeVasseur More info... | ||||||
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Jack and Sarah | 1995 | Tim Sullivan | Comedy Drama | 110 min. | |
| Plot Synopsis by Judd Blaise A temperamental London lawyer adapts to the challenges of fatherhood when he is left with sole responsibility for his infant daughter in this well-performed British comedy-drama. Richard E. Grant stars as Jack, a high-pressure attorney who believes his life is on the right track: a successful career, a beautiful wife (Imogen Stubbs), and a baby on the way. Tragedy strikes, however, when his wife dies during labor, leaving Jack to raise his daughter Sarah, named in his wife's honor. Shocked and depressed, Jack is forced to deal with his grief for the sake of the new child. At first reluctant to turn to others, he receives help from a local derelict (Ian McKellen) who begins to act as Jack's butler, and a charming young American woman, Amy (Samantha Mathis), who becomes Sarah's nanny. The new challenges of fatherhood provide Jack with his solace and eventually lead him reevaluate his life and behavior. The debut film of writer-director Tim Sullivan, Jack and Sarah follows a well-worn path, but Grant's nuanced central performance and a strong supporting cast elevate the material above its predictable outline. More info... | ||||||
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Japanese Story | 2003 | Sue Brooks | Drama, Psychological Drama, Adventure Drama, Romantic Drama | 105 min. | |
| AMG SYNOPSIS: Following their feature debut, Road to Nhill, in 1997, screenwriter Alison Tilson and director Sue Brooks team up again for the Australian drama Japanese Story. Toni Collette stars as Sandy Edwards, an ambitious geologist who is most comfortable when working alone. She also runs a software design company with a business partner, Bill Baird (Matthew Dyktynski), and she doesn't get along very well with her mother (Lynette Curran). While trying to sell their software products, Bill asks for her help in catching a prospective client. Sandy reluctantly meets the quiet and reserved Japanese businessman Hiromitsu (Gotaro Tsunashima) in order to make a sale. After he requests that she take him on a driving tour, the odd couple find themselves stranded in the Pilbara desert for a night -- one of the most remote places in the Australian outback. During this time together, their relationship quickly escalates and both parties are changed by the experience. Japanese Story premiered at the 2003 Cannes Film Festival. -- Andrea LeVasseur More info... | ||||||
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John Q. | 2002 | Nick Cassavetes | Drama | 118 min. | |
| Plot Synopsis by Karl Williams A national health care crisis in the United States yields this tense drama from screenwriter James Kearns and director Nick Cassavetes, who experienced a real-life dilemma with his daughter's congenital heart disease that mirrors the one in this film. Denzel Washington stars as John Q. Archibald, a factory worker facing financial hardship as a result of reduced hours in his workplace. When his young son, Michael (Daniel E. Smith), is stricken during a baseball game, John and his wife, Denise (Kimberly Elise), discover that their child is in need of an emergency heart transplant. Although the Archibalds have health insurance, they are informed by hospital administrator Rebecca Payne (Anne Heche) that their policy doesn't cover such an expensive procedure. Unable to raise the money himself, John persuades the hospital's compassionate cardiac surgeon, Dr. Raymond Turner (James Woods), to waive his lofty fee, but is still left with too much of a financial burden to bear. With no recourse but to take his son home to die, John snaps and holds the staff and patients of the hospital's emergency room hostage at gunpoint. John is soon a media hero, the focus of intense news coverage, even as police chief Gus Monroe (Ray Liotta) and hostage negotiator Frank Grimes (Robert Duvall) try to resolve the situation before it leads to bloodshed. More info... | ||||||
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Kill Bill Vol. 1 | 2003 | Quentin Tarantino | Action, Action Thriller, Martial Arts | 107 min. | |
| AMG SYNOPSIS: Perhaps the most highly anticipated film of 2003, Kill Bill Vol. 1 marked the return of renowned filmmaker Quentin Tarantino after a six-year hiatus. Re-teaming the director with Uma Thurman for the first time since 1994's Pulp Fiction, the film was originally the first half of what was to be a three-hour-plus movie before being split into two films. Thurman stars as The Bride, one-fifth of a team of assassins called DiVAS. When The Bride opts to leave the outfit for a life of marital bliss, it doesn't sit well with her boss, Bill (David Carradine), so he has her former cohorts, played by Lucy Liu, Vivica A. Fox, Daryl Hannah, and Michael Madsen, show up at the nuptials, leaving behind a blood bath. Miraculously, The Bride survives a bullet to the head and, four years later, she sets out for revenge against her four assassins and their employer. The story is concluded in Kill Bill Vol. 2, released six months later. -- Matthew Tobey More info... | ||||||
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Kill Bill Vol. 2 | 2004 | Quentin Tarantino | Action, Action Thriller, Martial Arts | 137 min. | |
| AMG SYNOPSIS: Quentin Tarantino's sprawling homage to action films of both the East and the West reaches its conclusion in this continuation of 2003's ultra-violent Kill Bill Vol. 1. Having dispatched several of her arch-enemies in the first film, The Bride (Uma Thurman) continues in Kill Bill Vol. 2 on her deadly pursuit of her former partners in the Deadly Viper Assassination Squad, who, in a furious assault, attempted to murder her and her unborn child on her wedding day. As The Bride faces off against allies-turned-nemeses Budd (Michael Madsen) and Elle Driver (Daryl Hannah), she flashes back to the day of her deadly wedding, and we learn of how she was recruited to join the DiVAS, her training under unforgiving martial arts master Pai Mei (Liu Chia-hui), and her relationship with Squad leader Bill (David Carradine), which changed from love to violent hatred. Originally planned as a single film, Kill Bill grew into an epic-scale two-part project totaling more than four hours in length; as with the first film, Kill Bill Vol. 2 includes appearances by genre-film icons Sonny Chiba, Michael Parks, Larry Bishop, and Sid Haig; Wu-Tang Clan producer and turntablist RZA and filmmaker and composer Robert Rodriguez both contributed to the musical score. -- Mark Deming More info... | ||||||
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Kinsey | 2004 | Bill Condon | Drama, Biography [feature], Period Film | 118 min. | |
| AMG SYNOPSIS: Alfred Kinsey was an entomologist who taught at Indiana University and had a keen interest in an area of human behavior that had seen little scholarly research -- human sexuality. While the courtship and reproductive patterns of animals had been carefully documented, Kinsey believed that most "established facts" about human sexual behavior were a matter of conjecture rather than research and that what most people said about their sex lives was not born out by the evidence (a subject that had personal resonance for him given the troubles he and his wife Clara Kinsey had in the early days of their marriage). After introducing a course in "Marriage" at Indiana University which offered frank and factual information on sex to students, Kinsey began an exhaustive series of interviews with a wide variety of people from all walks of life in order to find out the truth about sex practices in America. When he published Sexual Behavior and the Human Male in 1948, his findings were wildly controversial, indicating that most men had a wider variety of sexual experiences than most people imagined, including a number of practices commonly thought to be dangerous or perverted (including pre-marital sex, same-sex contacts, and masturbation). An even greater outcry greeted Kinsey's next volume, Sexual Behavior and the Human Female, which contradicted common notions than most women went into marriage sexually inexperienced. Kinsey is a film biography written and directed by Bill Condon which examines Kinsey's life and work from his strict childhood until his death in 1956. Liam Neeson plays Alfred Kinsey, and Laura Linney co-stars as Kinsey's wife and colleague Clara. John Lithgow highlights the supporting cast as Kinsey's repressed and moralistic father, while Chris O'Donnell, Peter Sarsgaard, and Timothy Hutton play members of Kinsey's research team and Tim Curry appears as an IU faculty member at odds with Kinsey's teachings. -- Mark Deming More info... | ||||||
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K-PAX | 2001 | Iain Softley | Drama, Science Fiction, Psychological Drama, Psychological Sci-Fi | 123 min. | |
| AMG SYNOPSIS: The 1995 novel by Dr. Gene Brewer becomes this drama from director Iain Softley. After a mugging incident at New York's Grand Central Station, Prot (Kevin Spacey), a man who claims to be an alien from the planet K-PAX, is turned over to a public mental hospital and the care of Dr. Mark Powell (Jeff Bridges). When medication fails to alter Prot's insistence that he is visiting from another world on a fact-finding mission, Powell gets more involved with his patient, who seems to have a calming effect on the other residents of his ward. At first convinced that Prot is a delusional who can be treated, Powell begins to wonder if his bizarre patient's story is true, particularly after the hospital's doctors find that Prot possesses the baffling ability to see ultraviolet light. As the date grows nearer when Prot claims he must leave Earth (a "class BA-III planet"), Powell becomes increasingly concerned that a psychiatric breakthrough must occur by then. K-PAX (2001) co-stars Alfre Woodard and Mary McCormack. -- Karl Williams More info... | ||||||
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Legally Blonde | 2001 | Robert Luketic | Comedy | 96 min. | |
| Plot Synopsis by Karl Williams Reese Witherspoon stars in this romantic comedy, the feature film debut of award-winning Australian director Robert Luketic. As a ravishing Miss Hawaiian Tropic, sorority president, and calendar girl, Elle Woods (Witherspoon) is a big hit on the campus of her sun-drenched Los Angeles college. She's also got the perfect boyfriend in Warner Huntington III (Matthew Davis), a wealthy East Coast blue blood. Fearing that his snooty friends and family will never accept the bubble-headed Elle, however, Warner dumps her before heading off to graduate law school at Harvard University. Determined to win back her man, Elle enrolls in the same imposing institution, quickly becoming an object of scorn and ridicule, especially to Warner's old prep school flame (Selma Blair). Despite her penchant for malls, makeup, and tanning, Elle is no dummy and is soon showing elite Ivy League snobs a thing or two about class, self-confidence, and courtroom victory. More info... | ||||||
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Leon | 1994 | Luc Besson | Thriller, Action Thriller, Coming-of-Age, Buddy Film | 109 min. | |
| AMG SYNOPSIS: As visually stylish as it is graphically violent, this thriller directed by Luc Besson concerns Mathilda (Natalie Portman), a 12-year-old girl living in New York City who has been exposed to the sordid side of life from an early age: her family lives in a slum and her abusive father works for drug dealers, cutting and storing dope. Mathilda doesn't much care for her parents, but she has a close bond with her four-year-old brother. One day, she returns from running an errand to discover that most of her family, including her brother, have been killed in a raid by corrupt DEA agents, led by the psychotic Stansfield (Gary Oldman). Mathilda takes refuge in the apartment of her secretive neighbor, Leon (Jean Reno), who takes her in with a certain reluctance. She discovers that Leon is a professional assassin, working for Tony (Danny Aiello), a mob kingpin based in Little Italy. Wanting to avenge the death of her brother, Mathilda makes a deal with Leon to become his protégée in exchange for work as a domestic servant, hoping to learn the hitman's trade and take out the men who took her brother's life. However, an affection develops between Leon and Mathilda that changes his outlook on his life and career. Besson's first American film boasted a strong performance from Jean Reno, a striking debut by Natalie Portman, and a love-it-or-hate-it, over-the-top turn by Gary Oldman. Léon was originally released in the U.S. in 1994 as The Professional, with 26 minutes cut in response to audience preview tests. Those 26 minutes were restored in the director's preferred cut, released in 1996 in France as Léon: Version Intégrale and in the U.S. on DVD as Léon: The Professional in 2000. -- Mark Deming More info... | ||||||
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Le lien sacré | 1997 | William Nicholson | Drama | 103 min. | |
| Plot Synopsis by Mark Deming A woman is torn by both romantic and maternal love in this period romantic drama set in the 1830s. Elisabeth (Sophie Marceau), a Swiss governess, is the beautiful daughter of a once-prosperous landowner who has fallen deeply into debt. Charles Godwin (Stephen Dillane) is a prominent British aristocrat whose wife has suffered a crippling accident; doomed to spend the rest of her life in a semi-comatose state, she cannot bear Charles the child he so desperately needs. So Charles strikes an agreement with Elisabeth; she will conceive a child with him and hand it over after it is born in exchange for him paying off her father's debts. Elisabeth and Charles set aside three nights to make a baby, and while the matter is supposed to be purely functional and not romantic, Elisabeth finds it difficult to feel that way at the end of the third evening. She is heartbroken when she has to give up the child, and her obsession with the daughter she gave away is reflected in her journals and sketchbooks. Seven years later, Elisabeth discovers the whereabouts of Charles and their daughter, Louisa (Dominique Belcourt); when she learns they need a governess, she is hired for the position by Charles's sister-in-law Constance (Lia Williams), who is unaware that Elisabeth is Louisa's birth mother. When Charles discovers that Elisabeth is the new governess, he is furious, but he eventually takes pity on her and allows her to stay with the child for one month. However, before long, Elisabeth's attraction to Charles resurfaces, and their clandestine romance forces a number difficult questions. Firelight marked the directorial debut of noted screenwriter William Nicholson. More info... | ||||||
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The Life of Brian | 1979 | Terry Jones | Comedy, Parody/Spoof, Anarchic Comedy, Religious Comedy | 93 min. | |
| AMG SYNOPSIS: On a Midnight Clear 2000 years ago, three wise men enter a manger where a babe is wrapped in swaddling clothes. It is an infant called Brian...and the three wise men are in the wrong manger. For the rest of his life, Brian (Graham Chapman) finds himself regarded as something of a Messiah--yet he's always in the shadow of this Other Guy from Galilee. Brian is witness to the Sermon of the Mount, but his seat is in such a bad location that he can't hear any of it ("Blessed are the cheesemakers?"). Ultimately he is brought before Pontius Pilate and sentenced to crucifixion, which takes place at that crowded, non-exclusive execution site a few blocks shy of Calvary. Rather than utter the Last Six Words, Brian leads his fellow crucifixees in a spirited rendition of a British music hall cheer-up song "Always Look On The Bright Side of Life." The whole Monty Python gang (Chapman, John Cleese, Michael Palin, Eric Idle, and Terry Gilliam) are on hand in multiple roles, playing such sacred characters as Stan Called Loretta, Deadly Dirk, Casts the First Stone, and Intensely Dull Youth; also showing up are Goon Show veteran Spike Milligan and a Liverpool musician named George Harrison. -- Hal Erickson More info... | ||||||
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Life/Drawing | 1999 | Dan Bootzin | Comedy Drama, Romantic Comedy | 89 min. | |
| AMG SYNOPSIS: Can a would-be artist find happiness with a woman who has never heard of Jackson Pollock? That's the dilemma facing Alex (Mark Ruffalo), whose life is finally going just the way he'd like; he's scored a one-man show at an upscale gallery, and is sharing an apartment with a beautiful model named Yvette (Anne-Marie Johnson). A few days later, however, Alex's life is in tatters; the curator of the gallery informs him his work is soulless and cancels his show, while Yvette hands Alex his walking papers. With no money and nowhere to go, Alex takes a job at a pizza place and finds an flat in a squalid building where the super, Ray (Alan Gelfant), has a habit of walking in unannounced at any time of the day or night. Along with a colorful group of neighbors, including a desperate middle-aged woman who can do wonders with Spam and a hooker with a remarkable collection of "work clothes," Alex meets Lori (Beth Ulrich), a sweet-natured woman who has just moved to L.A. from Colorado. At first they seem to hit it off, but Alex thinks Lori lacks big-city sophistication, and she knows nothing about modern art. Alex breaks up with her, but it doesn't take long for him to realize he's made a mistake -- or for his neighbors to start reminding him of that. Life/Drawing marked the directorial debut of Dan Bootzin, who co-wrote the screenplay with his producer and spouse, Elizabeth Rivera Bootzin; the film was warmly received in its premier engagement at the 1999 Taos Film Festival, then aired on U.S. cable in 2003, retitled Apartment 12. It premiered on DVD in 2006 under the same title. -- Mark Deming More info... | ||||||
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Lock, Stock and Two Smoking Barrels | 1998 | Guy Ritchie | Crime, Crime Comedy, Caper, Buddy Film | 105 min. | |
| AMG SYNOPSIS: British writer Guy Ritchie made his feature directorial debut with this crime-caper comedy-drama set in London's East End and heavy on the Cockney dialogue (with one scene in subtitled Cockney rhyming slang). A big-bucks scheme goes awry: Cardsharp Eddy (Nick Moran) and pals Bacon (Jason Statham), Tom (Jason Flemyng), and Soap (Dexter Fletcher) scuffle to pile up enough money to put Eddy at the card table opposite gangland porn lord Hatchet Harry (P.H. Moriarty). Unfortunately, the whole plan backfires, leaving Eddy owing Harry a huge sum, payable within the week. In truth, Harry hopes to acquire the bar run by his rival, J.D. (Sting), who is Eddy's father. To raise the cash, Eddy sets out to steal from a marijuana business run by Winston (Steven Mackintosh), but the inevitable gunplay doesn't make for an easy heist. World premiere at the 1998 Edinburgh Film Festival (Focus on British Cinema). -- Bhob Stewart More info... | ||||||
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Lost in Translation | 2003 | Sofia Coppola | Comedy Drama, Psychological Drama, Comedy of Manners | 102 min. | |
| AMG SYNOPSIS: After making a striking directorial debut with her screen adaptation of The Virgin Suicides, Sofia Coppola offers a story of love and friendship blooming under unlikely circumstances in this comedy drama. Bob Harris (Bill Murray) is a well-known American actor whose career has gone into a tailspin; needing work, he takes a very large fee to appear in a commercial for Japanese whiskey to be shot in Tokyo. Feeling no small degree of culture shock in Japan, Bob spends most of his non-working hours at his hotel, where he meets Charlotte (Scarlett Johansson) at the bar. Twentysomething Charlotte is married to John (Giovanni Ribisi), a successful photographer who is in Tokyo on an assignment, leaving her to while away her time while he works. Beyond their shared bemusement and confusion with the sights and sounds of contemporary Tokyo, Bob and Charlotte share a similar dissatisfaction with their lives; the spark has gone out of Bob's marriage, and he's become disillusioned with his career. Meanwhile, Charlotte is puzzled with how much John has changed in their two years of marriage, while she's been unable to launch a creative career of her own. Bob and Charlotte become fast friends, and as they explore Tokyo, they begin to wonder if their sudden friendship might be growing into something more. -- Mark Deming More info... | ||||||
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Mallrats | 1995 | Kevin Smith | Comedy | 100 min. | |
| Plot Synopsis by Jeremy Beday Kevin Smith's follow-up to his unexpected hit Clerks details the pointless story of T.S. (Jeremy London) and Brodie (Jason Lee), two suburban New Jersey slackers who decide to head to the mall in search of solace after being dumped by their girlfriends (Shannon Doherty and Claire Forlani, respectively). There the two young men machinate to appear on a game show being staged and also manage to meet comic-book magnate Stan Lee. However, complications arise when the girls show up. More info... | ||||||
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The Man in the Moon | 1991 | Robert Mulligan | Romance | 105 min. | |
| Plot Synopsis by Paul Brenner In its elegiac nostalgia for the days of childhood innocence, Robert Mulligan's The Man in the Moon recalls another of Mulligan's earlier films, To Kill A Mockingbird. Set in a Louisiana backwater town in the 1950s, the film chronicles the coming-of-age of a young teenage girl. Dani (Reese Witherspoon) is a fourteen-year-old girl who shares a room with her seventeen-year-old sister Maureen (Emily Warfield). During hot summer nights, they sleep on the screened-in back porch of their home, talking about romance, the future, and the meaning of life. Moving into the house next door is a handsome seventeen-year-old boy, Court Foster (Jason London). Court meets Dani at the local swimming hole and they are immediately attracted to each other; through Court, Dani experiences her first true and perfect love. But when Court meets Maureen, the sparks really fly and Maureen falls in love with him too. Now Maureen is torn between holding back her love for Court or accepting his love and betraying her sister. A tragic event makes Maureen's mind up for her. More info... | ||||||
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Man of the House | 2005 | Stephen Herek | Comedy, Action, Action Comedy | 100 min. | |
| AMG SYNOPSIS: Directed by Stephen Herek, Man of the House follows hard-nosed Texas Ranger Lt. Roland Sharp (Tommy Lee Jones) in an undercover job as a cheerleading coach. Though his assignment is fairly cut-and-dried -- after witnessing the murder of a federal informant, a group of cheerleaders from the University of Texas need temporary protection -- he ends up forming a variety of unexpected and decidedly less simple relationships. Aside from his immersion into the struggles and triumphs of the UT cheerleading squad (Monica Keena, Kelli Garner, Christina Milian, Paula Garces, and Vanessa Ferlito), Roland finds himself dealing with a strong attraction to college professor Molly McCarthy (Anne Archer). Formerly titled Cheer Up, Man of the House also features supporting performances from Brian Van Holt, Shea Whigham, and Paget Brewster. -- Tracie Cooper More info... | ||||||
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The Man Who Cheated Himself | 1950 | Felix E. Feist | Crime, Film Noir, Psychological Thriller | 81 min. | |
| AMG SYNOPSIS: Lee J. Cobb stars as Ed Cullen, a San Francisco police lieutenant, embroiled in a clandestine romance with married socialite Lois Frazer (Jane Wyatt). When Lois kills her husband Howard (Harlan Warde), the flustered Cullen vows to cover for her. He arranges the evidence to suggest that Howard was shot during a robbery. Things get sticky when Cullen is assigned to investigate the case, together with his more honest younger brother Andy (John Dall). How can Cullen escape detection without destroying his brother's standing with the force? Man Who Cheated Himself is worth seeing if only to watch Jane Wyatt play against her established screen image. -- Hal Erickson More info... | ||||||
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Marilyn Hotchkiss Ballroom Dancing & Charm School | 2005 | Randall Miller | Comedy Drama | 103 min. | |
| Plot Synopsis by Perry Seibert Randall Miller's Marilyn Hotchkiss Ballroom Dancing & Charm School compiles an all-star cast to tell an unabashedly emotional story about life, love, and destiny. Robert Carlyle portrays Frank Keane, a man who has been in a deep depression ever since his wife passed away. One day while driving, Frank sees an accident. He investigates the scene to see if he can help and meets a dying stranger (John Goodman), who tells Frank that he was headed to a dance school in order to reunite with a woman he loved many years before. Frank decides to attend the dance school, and becomes involved with a variety of people. Originally beginning as a short film, Randall Miller's feature-length film was screened at the 2005 Sundance Film Festival. More info... | ||||||
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The Matrix | 1999 | Andy Wachowski, Larry Wachowski | Science Fiction, Sci-Fi Action | 136 min. | |
| AMG SYNOPSIS: What if virtual reality wasn't just for fun, but was being used to imprison you? That's the dilemma that faces mild-mannered computer jockey Thomas Anderson (Keanu Reeves) in The Matrix. It's the year 1999, and Anderson (hacker alias: Neo) works in a cubicle, manning a computer and doing a little hacking on the side. It's through this latter activity that Thomas makes the acquaintance of Morpheus (Laurence Fishburne), who has some interesting news for Mr. Anderson -- none of what's going on around him is real. The year is actually closer to 2199, and it seems Thomas, like most people, is a victim of The Matrix, a massive artificial intelligence system that has tapped into people's minds and created the illusion of a real world, while using their brains and bodies for energy, tossing them away like spent batteries when they're through. Morpheus, however, is convinced Neo is "The One" who can crack open The Matrix and bring his people to both physical and psychological freedom. The Matrix is the second feature film from the sibling writer/director team of Andy Wachowski and Larry Wachowski, who made an impressive debut with the stylish erotic crime thriller Bound. -- Mark Deming More info... | ||||||
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Me, Myself & Irene | 2000 | Bobby Farrelly, Peter Farrelly | Comedy | 117 min. | |
| Plot Synopsis by Mark Deming Six years after Dumb and Dumber, Jim Carrey reunited with Peter Farrelly and Bobby Farrelly for this anarchic comedy with a hint of romance. Charlie (Carrey) is a good-natured Rhode Island state trooper who likes helping people. But years of internalizing his frustrations about his work and his family have caused Charlie to develop an alter ego: Hank, an abusive, violent, sexually compulsive police officer. Charlie can keep Hank at bay with medication, but just barely. When Irene (Renee Zellweger) finds herself in legal trouble through a series of misunderstandings involving her ex-boyfriend, Charlie must escort her on a long drive to New York for questioning. After Charlie loses his medication, he and Hank wind up vying for her affections: Charlie wants Irene to marry him, while Hank has more brutal intentions. Me, Myself, and Irene also features Chris Cooper, Robert Forster, and Jessica Harper, as well as Anthony Anderson, Mongo Brownlee, and Jerod Mixon as Charlie's rotund, African-American sons. More info... | ||||||
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Memento | 2000 | Christopher Nolan | Thriller, Mystery, Crime Thriller, Post-Noir (Modern Noir) | 116 min. | |
| AMG SYNOPSIS: A man is determined to find justice after the loss of a loved one, even though he is incapable of fully remembering the crime, in this offbeat thriller. Leonard (Guy Pearce) is a man who is struggling to put his life back together after the brutal rape and murder of his wife. But Leonard's problems are different from those of most people in his situation; he was beaten severely by the same man who killed his wife. The most significant manifestation of Leonard's injuries is that his short-term memory has been destroyed; he is incapable of retaining any new information, and must resort to copious note-taking and Polaroid photographs in order to keep track of what happens to him over the course of a day (he's even tattooed himself with a few crucial bits of information he can't get along without). Leonard retains awareness that his wife was brutally murdered, however, and he's convinced that the culprit still walks the streets. Leonard is obsessed with the notion of taking revenge against the man who has ruined his life, and he sets out to find him, getting help from Natalie (Carrie-Anne Moss), who appears to be a sympathetic barmaid, and Teddy (Joe Pantoliano), who claims to be Leonard's friend, even though Leonard senses that he cannot be trusted. Writer/director Christopher Nolan adapted Memento from a short story by his brother Jonathan Nolan. -- Mark Deming More info... | ||||||
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Message in a Bottle | 1999 | Luis Mandoki | Romance, Drama, Romantic Drama, Melodrama | 132 min. | |
| AMG SYNOPSIS: Based on the novel by Nicholas Sparks, Message In A Bottle stars Robin Wright Penn as Theresa Osborne, a writer for the Chicago Tribune. While her son visits her cheating ex-husband, Theresa goes on a vacation by herself. One day, while running on the beach, she finds a bottle washed up on the shore. She opens it and inside finds a love letter unlike any she's ever read. Captivated by the author's words of love, she returns to her job at the Tribune where she convinces her boss to run an article about the mystery writer, known only as "G." He approves, and Theresa begins her hunt. Scrutinizing every physical detail of the letter and the path the bottle may have taken, she eventually locates Garret Blake (Kevin Costner), a North Carolina boat-restorer who has not been the same since the tragic death of his beloved wife Catherine. Since her death, Garret has written several letters to his dead wife, put them in a bottles, and let them loose in the sea. As Theresa spends time with Garret, she quickly falls in love with him, though she neglects to tell him she knows about the letters. Garret, prodded by his cantankerous, no-nonsense dad, Dodge (Paul Newman), emerges from his shell of grief and develops an interest in Theresa as well. Theresa returns to Chicago and Garret soon visits her; he meets her son, Jason (Jesse James), but also discovers her knowledge of the letters. Eventually the two, who have both lost love, must cast off their emotional baggage and decide if they will pursue love even if it can't always last. -- Ron Wells More info... | ||||||
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Mickey Blue Eyes | 1999 | Kelly Makin | Comedy, Gangster Film, Romantic Comedy, Comedy of Errors | 103 min. | |
| AMG SYNOPSIS: Would you believe Hugh Grant as a violent Mafioso from Kansas City? Don't worry if you can't: that's part of the joke in this romantic comedy. Michael Felgate (Hugh Grant) is a British expatriate living in Manhattan who runs a successful auction house dealing in rare and valuable art. When Michael meets Gina (Jeanne Tripplehorn), he's immediately smitten, and three months later he asks for her hand in marriage. Gina, however, tells Michael that she could never marry him because of her family. Crestfallen, Michael wants to find out what the trouble could be; and when he tracks down Gina's father Frank (James Caan), he discovers the nature of Gina's family problems: Frank is a Mafia kingpin, and several of Gina's previous boyfriends have met an ill fate trying to fit in with his criminal lifestyle. Frank, however, takes an immediate liking to Michael and asks him for a few small favors. Before long, Michael has inadvertently laundered mob money through his auction house and has to pass himself off to rival gangsters as Mickey Blue Eyes, a wiseguy from Kansas City. Mickey Blue Eyes was co-produced by Hugh Grant's significant other, Elizabeth Hurley, and directed by Kelly Makin, whose previous credits include the Kids in the Hall movie Brain Candy. -- Mark Deming More info... | ||||||
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The Milagro Beanfield War | 1988 | Robert Redford | Comedy Drama | 118 min. | |
| Plot Synopsis by Hal Erickson It's advisable to know from the beginning of The Milagro Beanfield War that "milagro" is the Spanish word for "miracle". The scene is a rundown Hispanic community in New Mexico, bordering a posh housing development. In full control of the local water rights, the powers-that-be are secure in the belief that they'll be able to expand their development without resistance from the locals. No one can foresee that impoverished farmer Chick Vennera, during a burst of frustrated rage, will accidentally open a heretofore hidden sluice, thereby providing free water for his beanfield. At first, the locals are against Vennera's "insurrection", reasoning that the new housing development will provide jobs. But with the help of John Heard, a burned-out 60s activist who now runs the community newspaper, Vennera becomes the hero of the hour, the spiritual leader of an ever-growing "no development" movement. The evil land developers send their minions to intimidate or coerce Vennera; each time, however, he is seemingly protected from harm by Divine intervention. When Vennera is forced to shoot a trespasser on his land, it looks as though his luck has run out. Chased into the hills by private detective Christopher Walken, Vennera is once more rescued in the nick of time by what appears to be a miracle. And there are more wonders to behold before fadeout time! Whimsical yes, but thanks to its hand-picked ensemble cast (including Sonia Braga, Ruben Blades, James Gammon, Daniel Stern, Freddy Fender, M. Emmett Walsh and Melanie Griffith) the film remains totally credible throughout. Adapted by John Nichols and David Ward from Nichols' own novel, Milagro Beanfield War may be the most likeable "liberal-tract" film of the 1980s. Robert Redford's appropriately Capraesque direction is matched by Dave Grusin's vibrant Oscar-winning musical score. More info... | ||||||
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Million Dollar Baby | 2004 | Clint Eastwood | Drama, Sports Drama, Melodrama | 132 min. | |
| AMG SYNOPSIS: Frankie Dunn (Clint Eastwood) is a veteran boxing trainer who has devoted his life to the ring and has precious little to show for it; his daughter never answers his letters, and a fighter he's groomed into contender status has paid him back by signing with another manager, leaving Frankie high and dry. His best friend and faithful employee Eddie Dupris is a former fighter who Frankie trained. In his last fight, Eddie suffered a severe injury, a fact that brings Frankie great guilt. One day, Maggie Fitzgerald (Hilary Swank) enters Frankie's life, as well as his gym, and announces she needs a trainer. Frankie regards her as a dubious prospect, and isn't afraid to tell her why: he doesn't think much of women boxing, she's too old at 31, she lacks experience, and has no technique. However, Maggie sees boxing as the one part of her life that gives her meaning and won't give up easily. Finally won over by her determination, Frankie takes on Maggie, and as she slowly grows into a viable fighter, an emotional bond develops between them. When a tragedy befalls one of the three characters, each comes to a decision that shows how the relationships in the film have changed them. Adapted from a short story by F.X. Toole, a former corner man with years of experience in the fight game, Million Dollar Baby also stars Morgan Freeman, Anthony Mackie, and Mike Colter. -- Mark Deming More info... | ||||||
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Miss Congeniality | 2000 | Donald Petrie | Comedy | 111 min. | |
| Plot Synopsis by Jason Clark Gracie Hart (Sandra Bullock) is an FBI agent with a reputation for being aggressive and hard-nosed, who has long wanted to duplicate the career of her deceased mother, also an FBI agent, who died in the line of duty. Her cantankerous nature, though, has made her few friends, excepting her trusting, sensitive partner Eric Matthews (Benjamin Bratt). However, her true abilities are put to the test when she is called upon to infiltrate a Miss United States pageant after a terrorist threatens to bomb it. Gracie, who prides herself on her toughness, must now feminize her behavior to effectively participate in the pageant with the aid of Victor Melling (Michael Caine), a pompous consultant who dreams of whisking away Gracie's past self and creating "Gracie Lou Freebush" for an appreciative, all-American audience. After her arduous conversion, Gracie must play the role of beauty queen and FBI agent, and try not to blow her undercover outfit. Miss Congeniality, which was produced by star Bullock, features television stalwarts William Shatner and Candice Bergen in supporting roles. More info... | ||||||
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A Month by the Lake | 1995 | John Irvin | Romance | 92 min. | |
| Plot Synopsis by Sandra Brennan This romantic comedy is set upon Italy's beautiful Lake Como just before WW II erupted in Europe. British, middle-aged, but still-attractive Miss Bentley has come to the lake to visit the family resort. She has not been there since her father died and since her 14-year relationship with a married man broke up. The place has changed since she was there last and there is only one other Britisher there, the single, handsome Major Winslow, a wealthy industrialist. He and she engage in a few rounds of tennis, and begin a tentative romance that is interrupted when flirtatious American-upstart Miss Beaumont shows up and begins toying catlike, with the affections of the vulnerable major. Meanwhile, Miss Bentley finds herself dallying with a handsome young Italian. More info... | ||||||
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Monty Python and the Holy Grail | 1974 | Terry Gilliam, Terry Jones | Comedy, Anarchic Comedy, Parody/Spoof, Slapstick | 89 min. | |
| AMG SYNOPSIS: From its opening multi-language titles (that sure looks like Swedish) to the closing arrest of the entire Dark Ages cast by modern-day bobbies, Monty Python & the Holy Grail has "comedy cult classic" written all over it. This time the Pythonites savage the legend of King Arthur, juxtaposing some excellently selected exterior locations with an unending stream of anachronistic one-liners, non sequiturs, and slapstick set pieces. The Knights of the Round Table set off in search of the Holy Grail on foot, as their lackeys make clippety-clop sounds with coconut shells. A plague-ridden community, ringing with the cry of "bring out your dead," offers its hale and hearty citizens to the body piles. A wedding of convenience is attacked by Arthur's minions while the pasty-faced groom continually attempts to burst into song. The good guys are nearly thwarted by the dreaded, tree-shaped "Knights who Say Ni!" A feisty enemy warrior, bloodily shorn of his arms and legs in the thick of battle, threatens to bite off his opponent's kneecap. A French military officer shouts such taunts as "I fart in your general direction" and "I wave my private parts at your aunties." Rabbits are a particular obsession of the writers this time around, ranging from the huge Trojan Rabbit to the "killer bunny" that decapitates one of the knights. Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin collaborated on the script and assumed most of the onscreen roles, while Gilliam and Jones served as co-directors. -- Hal Erickson More info... | ||||||
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Monty Python's The Meaning of Life | 1983 | Terry Gilliam, Terry Jones | Comedy, Anarchic Comedy, Satire, Parody/Spoof, Gross-Out Comedy, Farce | 107 min. | |
| AMG SYNOPSIS: The Meaning of Life is without a doubt the most tasteless of the Monty Python feature films; it also happens to be one of the funniest. Life's questions are "answered" in a series of outrageous vignettes, beginning with a pre-credits sequence at a staid London insurance company which transforms before our eyes into a pirate ship. One of our favorite bits involve the National Health doctors who try to claim a healthy liver from a still-living donor, pointing out that there's nothing in his contract preventing this. And of course, there's the scene with the world's most voracious glutton, who brings the art of vomiting to new heights before his spectacular demise. Be warned: though hilarious, this may be the grossest bit of comedy filmmaking ever conceived (there aren't enough words in the world to describe it in detail!). Loyal Pythonites Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin star in The Meaning of Life and share writing responsibilities, while Jones is in the director's chair this time out. -- Hal Erickson More info... | ||||||
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Mumford | 1999 | Lawrence Kasdan | Comedy Drama | 118 min. | |
| Plot Synopsis by Mark Deming Lawrence Kasdan wrote and directed this comedy about a young psychologist named Mumford (Loren Dean), who arrives in a small town and sets up a practice. Mumford's style is short on analytic mumbo-jumbo and long on practical advice, and he soon finds that he has a long list of satisfied clients in his new home town, including many of the city's most prominent citizens. Mumford's advice also helps love bloom among the city's single residents. However, the city already had a psychologist, Ernest Delbanco (David Paymer), who is quickly losing business to Mumford. So Ernest starts asking questions: who is this Mumford, and just what are his qualifications? Mumford's supporting cast includes Ted Danson, Martin Short, Alfre Woodard, Hope Davis, Jason Lee, and Pruitt Taylor Vince. More info... | ||||||
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My Best Friend's Wedding | 1997 | P.J. Hogan | Romance | 105 min. | |
| Plot Synopsis by Mark Deming A woman realizes that friends can be lovers, but now has to convince the friend in question in this romantic comedy. Michael O'Neal (Dermot Mulroney) and Julianne Potter (Julia Roberts) were romantically involved in college, and after breaking up, they have managed to remain close friends. For years, Julianne and Michael have had a pledge that if both were single when they turned 28, they would get married. Shortly before her 28th birthday, Julianne is lamenting the sad state of her love life when she gets a call from Michael, who announces that he has important news. Julianne is convinced that Michael is going to ask her to marry him, and she is crestfallen when he announces that he's engaged to Kimmy Wallace (Cameron Diaz). Kimmy seems like the perfect woman for Michael; she's sweet, pretty, bright, and adores Michael, and her wealthy family is just as fond of him as she is. But now that Julianne has realized how much she loves Michael, she's not about to give him up without a fight -- and isn't afraid to fight dirty. Julianne's uneasy ally in the battle for Michael's affections is her friend and editor George Downes (Rupert Everett), a cheerfully out-of-the-closet homosexual who is not prepared when Julianne asks him to pose as her boyfriend. More info... | ||||||
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My Big Fat Greek Wedding | 2002 | Joel Zwick | Comedy | 95 min. | |
| Plot Synopsis by Mark Deming One woman's rocky road to the altar gets played for laughs in this comedy, adapted from the one-woman off-Broadway show written by and starring Nia Vardalos. Toula (Vardalos) is a Greek-American woman who is in her early thirties and single, with no immediate prospects of changing that status any time soon. This bothers Toula a bit, but not half as much as it distresses her mother (Lainie Kazan) and father (Michael Constantine), who want to send her to Greece in hopes of finding a husband in the old country. Toula isn't interested in leaving the country to find a man, but since she works in the family business -- a Greek restaurant in Chicago called Dancing Zorba's -- she has to hear about it whether she likes it or not. One day, after seeing a handsome stranger in the restaurant and not having the courage to talk to him, Toula decides she needs a bit of self-improvement. Despite her dad's misgivings, Toula signs up for a night-school class studying computers, trades in her glasses for contact lenses, gets a different job at a travel agency, and spruces herself up with a new look and a new attitude. To her very pleasant surprise, she once again encounters the handsome stranger, who soon asks her out on a date. Schoolteacher Ian Miller (John Corbett) is seemingly perfect -- he's tall, handsome, smart, good-natured, and soon in love with Toula -- except for two little things: he's not Greek, and he's a vegetarian, both of which horrify Toula's family. When Ian pops the question (and Toula says yes), the bride-to-be has to negotiate a reasonably peaceful meeting between Ian's upper-class parents and her own working-class extended family. There's also the matter of the wedding, which Toula's mother is planning around the notion that quantity IS quality. My Big Fat Greek Wedding also features Ian Gomez (Vardalos' real-life husband), Louis Mandylor, Andrea Martin, and Joey Fatone (from the pop group *NSYNC). Tom Hanks and Rita Wilson helped produce the film through the auspices of their production company, Playtone. More info... | ||||||
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My Brilliant Career | 1979 | Gillian Armstrong | Drama | 101 min. | |
| Plot Synopsis by Paul Brenner Both actress Judy Davis and director Gillian Armstrong made a big splash on the international scene with this charming Australian film that examines late 19th century Australian society from the perspective of a headstrong woman who refuses to follow convention. The film charts the developing self-awareness of Sybylla Melvyn (Judy Davis) as she grows from an insecure tomboy to a self-assured woman. Sybylla wants to be a writer and stuns her family and friends by her insistence on following her dream. Despite the objections of her family acquaintances, she rejects the marriage proposal from the rich Harry Beecham (Sam Neill) to continue going her own way, in spite of the odds stacked against her in a repressive Victorian environment. More info... | ||||||
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Mystic River | 2003 | Clint Eastwood | Drama, Mystery, Psychological Thriller, Urban Drama, Police Detective Film | 137 min. | |
| AMG SYNOPSIS: Directed by Clint Eastwood, the mysterious drama Mystic River is based on the novel by Dennis Lehane and adapted by screenwriter Brian Helgeland. Set in an Irish neighborhood in Boston, Jimmy, Sean, and Dave are three childhood friends who are reunited after a brutal murder takes place. Reformed convict Jimmy Markum (Sean Penn) and his devoted wife Annabeth (Laura Linney) find out that their teenage daughter Katie (Emmy Rossum) has been beaten and killed. Jimmy's old friend Sean Devine (Kevin Bacon) is the homicide detective assigned to the case, along with partner Whitey Powers (Laurence Fishburne). Jimmy also gets his relatives, the Savage brothers (Adam Nelson and Robert Wahlberg), to conduct an investigation of their own. Jimmy and Sean both start to suspect their old pal, Dave Boyle (Tim Robbins), who lives a quiet life with his wife Celeste (Marcia Gay Harden) but harbors some disturbing secrets. Clint Eastwood won a Golden Coach for Mystic River at the 2003 Cannes Film Festival. -- Andrea LeVasseur More info... | ||||||
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The Naked Gun | 1988 | David Zucker | Comedy, Anarchic Comedy, Parody/Spoof, Slapstick, Police Comedy | 85 min. | |
| AMG SYNOPSIS: We know we're in a 1988 film when we're invited to laugh at O.J. Simpson in an opening slapstick sequence. We can also pinpoint the year of production when hardnosed cop Frank Drebin (Leslie Nielsen), during a scuffle with the world's leading dictators, wipes the wine-colored birthmark off the head of Soviet president Mikhail Gorbachev. Those wacky ZAZ boys -- David Zucker, Jim Abrahams, and Jerry Zucker -- serve up a feature-length spinoff of their cult favorite TV show Police Squad!. Seeking vengeance when his partner (Simpson) is shot full of holes by drug dealers, dead-pan and dead-brained Lt. Frank Drebin searches for the Mister Big behind it all. Drebin suspects above-reproach shipping magnate Vincent Ludwig (Ricardo Montalban), but he can't prove a thing. Bumped from the force by the mayor (Nancy Marchand), Drebin, with the unexpected assistance of Ludwig's ex-girlfriend (Priscilla Presley), manages to nab the bad guy at an Angels-Mariners baseball game, where Reggie Jackson has been programmed to assassinate Queen Elizabeth. MGM mogul Irving Thalberg once reportedly told the Marx Brothers, "You can't build jokes on top of jokes." The producers of Naked Gun prove otherwise; indeed, one could develop writer's cramp just listing the gags in the film's first 20 minutes. Naked Gun: From the Files of Police Squad was followed by two lesser but still hilarious sequels, Naked Gun 2 1/2: The Smell of Fear (1991) and Naked Gun 33 1/3: The Final Insult (1994). -- Hal Erickson More info... | ||||||
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National Lampoon's Animal House | 1978 | John Landis | Comedy | 109 min. | |
| Plot Synopsis by Bruce Eder Director John Landis put himself on the map with this low-budget, fabulously successful comedy, which made a then-astounding 62 million dollars and started a slew of careers for its cast in the process. National Lampoon's Animal House is set in 1962 on the campus of Faber College in Faber, PA. The first glimpse we get of the campus is the statue of its founder Emil Faber, on the base of which is inscribed the motto, "Knowledge Is Good." Incoming freshmen Tom Hulce and Stephen Furst find themselves rejected by the pretentious Omega fraternity, and instead pledge to Delta House. The Deltas are a motley fraternity of rejects and maladjusted undergraduates (some approaching their late twenties) whose main goal -- seemingly accomplished in part by their mere presence on campus -- is disrupting the staid, peaceful, rigidly orthodox, and totally hypocritical social order of the school, as represented by the Omegas and the college's dean, Vernon Wormer (John Vernon). Dean Wormer decides that this is the year he's going to get the Deltas expelled and their chapter decertified; he places the fraternity on "double secret probation" and, with help from Omega president Greg Marmalard (James Daughton) and hard-nosed member Doug Neidermeyer (Mark Metcalf), starts looking for any pretext on which to bring the members of the Delta fraternity up on charges. The Deltas, oblivious to the danger they're in, are having a great time, steeped in irreverence, mild debauchery, and occasional drunkenness, led by seniors Otter (Tim Matheson), Hoover (James Widdoes), D-Day (Bruce McGill), Boon (Peter Riegert), and pledge master John "Bluto" Blutarsky (John Belushi). They're given enough rope to hang themselves, but even then manage to get into comical misadventures on a road trip (where they arrange an assignation with a group of young ladies from Emily Dickinson University). Finally, they are thrown out of school, and, as a result, stripped of their student deferments (and, thus, eligible for the draft). They decide to commit one last, utterly senseless (and screamingly funny) slapstick act of rebellion, making a shambles of the university's annual homecoming parade, and, in the process, getting revenge on the dean, the Omegas, and everyone else who has ever gone against them. More info... | ||||||
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National Lampoon's Van Wilder | 2002 | Walter Becker | Comedy, Sex Comedy, Gross-Out Comedy, Coming-of-Age | 95 min. | |
| AMG SYNOPSIS: The "National Lampoon" franchise is resurrected for another politically incorrect collegiate romp with this R-rated gross-out sex comedy. National Lampoon's Van Wilder revolves around the exploits of its title character (Ryan Reynolds), a seventh-year senior who's made it his goal in life to help each and every Coolidge College undergrad succeed in life -- or at least in bed. Van's charmed life seems to have an expiration date, however; his father (Tim Matheson) has cut off his presumably vast allowance. Financial insecurity doesn't phase the big man on campus, and he soon starts up a lucrative cottage industry as a planner of high-priced campus blowouts. When an enterprising reporter from the college paper gets wind of Van's liberal interpretation of the school's code of conduct, it seems his gig is up -- unless, of course, he can charm the hard-edged Gwen (Tara Reid) into accepting his uniquely skewed world view. In addition to Matheson, Van Wilder features cameos from a number of '80s teen movie stalwarts, including Edie McClurg, Paul Gleason, and Erik Estrada. -- Michael Hastings More info... | ||||||
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Ocean's Eleven | 2001 | Steven Soderbergh | Crime, Comedy Drama, Caper, Ensemble Film | 120 min. | |
| AMG SYNOPSIS: A rag-tag group of con artists and ex-cons team up for the heist to end all heists in this high-profile remake of the 1960 Rat Pack favorite. As with its predecessor, Ocean's Eleven opens with its titular hero Danny Ocean (George Clooney stepping into the Frank Sinatra role) eager for a new challenge. The similarities to the original end there, as Ocean conspires with his old pal Rusty Ryan (Brad Pitt) to rob 150 million dollars from an underground vault that serves three of Las Vegas' biggest casinos. Between the two of them, they recruit nine other men, each with his own criminal specialty, to assist in the mission: moneyman Reuben Tishkoff (Elliot Gould), card dealer Frank (Bernie Mac), pickpocket Linus (Matt Damon), aging con artist Saul (Carl Reiner), British explosives pro Basher (Don Cheadle), techie Dell (Eddie Jemison), rude-boy brothers Virgil (Casey Affleck) and Turk (Scott Caan), and professional acrobat Yen (Shaobo Qin). What Ocean doesn't tell the group is that there's another reason he's coordinating the heist: the three casinos they're robbing are all owned by ruthless gambling mogul Terry Benedict (Andy Garcia), who just happens to be married to Ocean's former love Tess (Julia Roberts). Ocean's Eleven was updated by scribe Ted Griffin and marked the third feature shot by director Steven Soderbergh under the alias Peter Andrews. -- Michael Hastings More info... | ||||||
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Ocean's Twelve | 2004 | Steven Soderbergh | Crime, Comedy, Caper, Ensemble Film, Crime Comedy | 125 min. | |
| AMG SYNOPSIS: After pulling off the heist of their lives, Danny Ocean and his pals unexpectedly find themselves back in harness in this sequel to 2001's blockbuster hit Ocean's Eleven. After robbing a cool $160 million from the Bellaggio Hotel Casino and winning back his former wife, Tess (Julia Roberts), from Bellagio owner Terry Benedict (Andy Garcia), Danny Ocean (George Clooney) is living quietly on the lam in Connecticut when he's unexpectedly approached by Benedict. It seems Benedict has tracked down Danny and the ten men who helped him pull off the seemingly impossible robbery, and Benedict offers them a proposal -- if they can repay the $160 million in two weeks, he won't have them killed. As it turns out, both Danny and his best friend, Rusty Ryan (Brad Pitt), haven't been doing so well in terms of money management and could use some cash, so they set out to plan a robbery to recover the loot, with the same crew helping out -- Linus Caldwell (Matt Damon), Frank Catton (Bernie Mac), Basher Tarr (Don Cheadle), Saul Bloom (Carl Reiner), Reuben Tishkoff (Elliott Gould), Livingston Dell (Eddie Jemison), Yen (Shaobo Qin), Virgil Malloy (Casey Affleck), and his brother Turk (Scott Caan). Danny and Rusty discover that an incredibly rare Fabergé egg is being displayed at a museum in Rome which would fetch the price they need, but they soon discover a notorious cat burglar, François Toulour (Vincent Cassel), is also after the egg, and it turns into a race to see who can claim it first. Adding to the intrigue is Isabel Lahiri (Catherine Zeta-Jones), a woman Rusty used to be involved with who is now a top agent with Interpol and is after both Toulour and Ocean's crew. Shot on location in both the United States and Europe, Ocean's Twelve was, like its precursor, directed by the stylish Steven Soderbergh, who also photographed the picture under his nom de lens, Peter Andrews. -- Mark Deming More info... | ||||||
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One Flew Over the Cuckoo's Nest | 1975 | Milos Forman | Comedy Drama, Tragi-comedy, Psychological Drama | 133 min. | |
| AMG SYNOPSIS: With an insane asylum standing in for everyday society, Milos Forman's 1975 film adaptation of Ken Kesey's novel is a comically sharp indictment of the Establishment urge to conform. Playing crazy to avoid prison work detail, manic free spirit Randle P. McMurphy (Jack Nicholson) is sent to the state mental hospital for evaluation. There he encounters a motley crew of mostly voluntary inmates, including cowed mama's boy Billy (Brad Dourif) and silent Native American Chief Bromden (Will Sampson), presided over by the icy Nurse Ratched (Louise Fletcher). Ratched and McMurphy recognize that each is the other's worst enemy: an authority figure who equates sanity with correct behavior, and a misfit who is charismatic enough to dismantle the system simply by living as he pleases. McMurphy proceeds to instigate group insurrections large and small, ranging from a restorative basketball game to an unfettered afternoon boat trip and a tragic after-hours party with hookers and booze. Nurse Ratched, however, has the machinery of power on her side to ensure that McMurphy will not defeat her. Still, McMurphy's message to live free or die is ultimately not lost on one inmate, revealing that escape is still possible even from the most oppressive conditions. -- Lucia Bozzola More info... | ||||||
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Original Sin | 2001 | Michael Cristofer | Drama, Erotic Drama, Romantic Mystery, Period Film, Crime Drama | 112 min. | |
| AMG SYNOPSIS: A lonely man's search for companionship soon takes him to dangerous and unexpected places in this erotically charged drama. Luis Antonio Vargas (Antonio Banderas) is a successful coffee salesman living in Cuba in the 1880s. Luis has had little luck finding love among the women of his native island, and he sends away to America for a mail-order bride. To his pleasant surprise, his fiancée from the United States, Julia Russell (Angelina Jolie), turns out to be not only beautiful but passionate and devoted. But Luis' happiness proves to be short-lived when he learns that Julia is not the person he imagined her to be, and detective Walter Downs (Thomas Jane) appears, trying to get to the bottom of Julia's mysterious past and possibly deadly secrets. Original Sin is based on the novel Waltz Into Darkness by Cornell Woolrich, which Francois Truffaut previously adapted for the screen as La Sirene du Mississippi. -- Mark Deming More info... | ||||||
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Paperback Romance | 1994 | Ben Lewin | Romance | 90 min. | |
| Plot Synopsis by Sandra Brennan In this offbeat, romantic comedy, a young woman tries to conceal her paralyzed leg in order to get her man. Sophie is a young and creative writer. Her stories are quite sexual. One night, as she reads one of her erotic tales aloud she is overheard by Eddie, a jeweler known for his womanizing. Eddie is engaged to a forthright, demanding woman. Sophie falls in love with Eddie. He too, seems similarly attracted to her. But Sophie has a secret that may present an obstacle; she has a paralyzed leg and she fears that will turn Eddie off. Eddie had never seen her stand so he doesn't know this. Love-struck Sophie begins to spy on Ed. She gets a chance to win him after she accidently breaks her crippled leg. Telling him she injured it while skiing, the two begin a relationship. That Eddie is involved with stolen jewelry and a Russian policeman presents other obstacles to their happiness. More info... | ||||||
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Paskutiniai Bremeno Muzikantai | 2005 | Vaidas Lekavicius | Comedy, Musical Comedy | 128 min. | |
| Tai keistuoliška suaugusiesiems skirta broliu Grimmu pasakos „Bremeno muzikantai“ versija, iki skausmo džiuginanti populiariaja roko klasika. Keturi vyrukai, Bremeno muzikantu prototipai, – Dovydas Petuchauskas (Andrius Kaniava), Olegas Rainis (Dalius Skamarakas), Rexas (Aidas Giniotis) ir Vidas Kanopa (Aurimas Meliešius) – susiburia i grupe, tikedamiesi savo muzika nustebinti pasauli. Ju kelias i šloves olimpa kupinas netiketumu, nuopuoliu ir kuriozu. Ypac po to, kai grupei vadovauti imasi neaiškaus plauko renginiu organizatorius Leonas Pravalas, Leo (Darius Auželis). Ju gyvenimas pilnas aistros, netekties ir nusivylimu. Nes visi isimyli ta pacia muza – pakeleivinga mergina vardu Inga (Ilona Balsyte). Ju muzika sklidina „geliu vaiku“ romantikos ir prarastu laiku nostalgijos. Nes jie patys – paskutiniai „Bremeno muzikantu“ kartos mohikanai. More info... | ||||||
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Patch Adams | 1998 | Tom Shadyac | Comedy Drama, Medical Drama, Tragi-comedy, Biography [feature] | 120 min. | |
| AMG SYNOPSIS: The fact-based story of an unconventional physician who attempted to heal patients with laughter, based on his own book and mixing equal doses of scatological humor and pathos. Robin Williams stars as Hunter Adams, a troubled young man who commits himself to a mental institution in the late 1960s. His experiences there convince Adams to become a doctor, and he enrolls in medical school, where he is appalled at the cold, clinical professionalism that alienates patients from their caregivers. Determined to provide emotional and spiritual relief as well as medicine, Adams clowns around for his patients, getting to know them personally. Although his efforts seem to work wonders and the hospital nursing staff is grateful for the levity Adams provides, his methods alienate his uptight roommate Mitch (Philip Seymour Hoffman) as well as the staff and faculty of his school. Adams perseveres, however, even starting his own low-cost rural clinic called the Gesundheit Institute, and wooing a pretty fellow student, Carin (Monica Potter). Tragedy strikes, and Adams' career is put in jeopardy, forcing him to defend his style and philosophy before a board of jurists determined to bar him from practicing medicine. Patch Adams (1998) was produced by former M*A*S*H (1972-83) star Mike Farrell, who met the real-life Adams when the offbeat doctor served as an advisor to the actor's popular TV series. -- Karl Williams More info... | ||||||
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The Pelican Brief | 1993 | Alan J. Pakula | Thriller, Action Thriller, Political Thriller, Paranoid Thriller | 141 min. | |
| AMG SYNOPSIS: Embroiled in an affair with Thomas Callahan (Sam Shephard), her alcoholic professor, precocious 24-year-old Tulane University law student Darby Shaw (Julia Roberts) writes up an insightful theory about the recent murder of two Supreme Court justices, one of whom, Abraham Rosenberg (Hume Cronyn), served as Callahan's mentor. When Callahan shares this so-called "Pelican Brief" with buddy Gavin Verheek (John Heard), an FBI lawyer, the document makes its way to White House flack Fletcher Coal (Tony Goldwyn), who believes it could topple the current administration. When Callahan is murdered and the President (Robert Culp) convinces the FBI to hold off on investigating Darby's theory, the resourceful student must go into hiding, stalked by relentless assassin Khamel (Stanley Tucci). Her only hope of escaping Callahan's fate and proving her theory lies in Washington investigative reporter Gray Grantham (Denzel Washington), who's already had one confidential source back out of sharing information about the assassinations. This John Grisham adaptation is fairly faithful to the best-selling novel, but the book's interracial romance between Shaw and Grantham was left out of the script (or at least the finished product), leaving many progressive viewers annoyed at Hollywood's conservatism. Fans of HBO's Sex and the City will notice one of its future stars, Cynthia Nixon, in a small role as one of Darby's New Orleans classmates. -- Brian J. Dillard More info... | ||||||
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A Perfect World | 1993 | Clint Eastwood | Crime, Drama, Crime Drama, Americana | 137 min. | |
| AMG SYNOPSIS: Clint Eastwood, hot off of his Academy Award win for Unforgiven, directed this small character study, appearing in the guise of a cops-and-robbers action picture. The film takes place during the fall of 1963. Eight-year old Phillip Perry (T.J. Lowther), the son of a devout Jehovah's Witness mother, is staying home while all the other children are out trick-or-treating. But then prison escapee Butch Haynes (Kevin Costner) appears in his kitchen. Needing a hostage to aid him in his escape from jail, he grabs Phillip. Phillip curiously looks up to Butch and willingly accompanies him. Butch gets rid of his fellow escapee after he tries to molest the child, and Butch and Phillip take to the Texas highway, on the run from the cops. The cop in pursuit in this instance is Police Chief Red Garnett (Clint Eastwood), riding in his sleek Populux Airglide trailer -- his "mobile command headquarters." On the road with Garnett is Sally Gerber (Laura Dern), a pushy pre-feminist criminologist, along with a creepy federal agent who is an expert sharpshooter. Butch is not particularly anxious to make it to the Texas borderline, and neither is Garnett in any particular hurry to catch Butch. As Butch and Phillip form a father-son attachment, the paths of Butch and Garnett gradually come together, in time for a final confrontation, after which Garnett confesses, "I don't know nothing. I don't know a damn thing." -- Paul Brenner More info... | ||||||
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Philadelphia | 1993 | Jonathan Demme | Drama, Courtroom Drama, Message Movie, Gay & Lesbian Films, Medical Drama | 125 min. | |
| AMG SYNOPSIS: At the time of its release, Jonathan Demme's Philadelphia was the first big-budget Hollywood film to tackle the medical, political and social issues of AIDS. Tom Hanks, in his first Academy Award-winning performance, plays Andrew Beckett, a talented lawyer at a stodgy Philadelphia law firm. Andrew has contracted AIDS but fears informing his firm about the disease. The firm's senior partner, Charles Wheeler (Jason Robards), assigns Andrew a case involving their most important client. Andrew begins diligently working on the case, but soon the lesions associated with AIDS are visible on his face. Wheeler abruptly removes Andrew from the case and fires him from the firm. Andrew believes he has been fired because of his illness and plans to fight the firm in court. But because of the firm's reputation, no lawyer in Philadelphia will risk handling his case. In desperation, Andrew hires Joe Miller (Denzel Washington), a black lawyer who advertises on television, mainly handling personal injury cases. Miller dislikes homosexuals but agrees to take the case for the money and exposure. As Miller prepares for the courtroom battle against one of the law firm's key litigators, Belinda Conine (Mary Steenburgen), Miller begins to realize the discrimination practiced against Andrew is no different from the discrimination Miller himself has to battle against. -- Paul Brenner More info... | ||||||
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The Piano | 1993 | Jane Campion | Drama, Romantic Drama, Period Film, Feminist Film | 120 min. | |
| AMG SYNOPSIS: Writer/director Jane Campion's third feature unearthed emotional undercurrents and churning intensity in the story of a mute woman's rebellion in the recently colonized New Zealand wilderness of Victorian times. Ada McGrath (Holly Hunter), a mute who has willed herself not to speak, and her strong-willed young daughter Flora (Anna Paquin) find themselves in the New Zealand wilderness, with Ada the imported bride of dullard land-grabber Stewart (Sam Neill). Ada immediately takes a dislike to Stewart when he refuses to carry her beloved piano home with them. But Stewart makes a deal with his overseer George Baines (Harvey Keitel) to take the piano off his hands. Attracted to Ada, Baines agrees to return the piano in exchange for a series of piano lessons that become a series of increasingly charged sexual encounters. As pent-up emotions of rage and desire swirl around all three characters, the savage wilderness begins to consume the tiny European enclave. Campion imbues her tale with an over-ripe tactility and a murky, poetic undertow that betray the characters' confined yet overpowering emotions: Ada's buried sensuality, Baines' hidden tenderness, and Stewart's suppressed anger and violence. The story unfolds like a Greek tragedy of the Outback, complete with a Greek chorus of Maori tribesmen and a blithely uncaring natural environment that envelops the characters like an additional player. Campion directs with discreet detachment, observing one character through the glances and squints of another as they peer through wooden slats, airy curtains, and the spaces between a character's fingers. She makes the film immediate and urgent by implicating the audience in characters' gazes. And she guides Hunter to a revelatory performance of silent film majesty. Relying on expressive glances and using body language to convey her soulful depths, Hunter became a modern Lillian Gish and won an Oscar for her performance, as did Paquin and Campion for her screenplay. Campion achieved something rare in contemporary cinema: a poetry of expression told in the form of an off-center melodrama. -- Paul Brenner More info... | ||||||
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Picture Perfect | 1997 | Glenn Gordon Caron | Comedy, Romantic Comedy, Workplace Comedy | 100 min. | |
| AMG SYNOPSIS: Friends star Jennifer Aniston made her debut as the leading lady of a feature film in this romantic comedy. Kate (Aniston) is an art director with an advertising agency whose personal and professional life is stuck in neutral; while her work is good, her boss Mr. Mercer (Kevin Dunn) won't give her a promotion, and while Kate is attracted to co-worker Sam (Kevin Bacon), he's not interested in her. Kate learns that Mercer is loath to promote single people, because without permanent attachments they're free to leave whenever they wish. Kate's friend Darcy (Illeana Douglas) comes up with a possible solution: use a photo of Kate with handsome stranger Nick (Jay Mohr) to convince Mercer that she's engaged to be married. The ruse works -- Kate gets her promotion, and Sam, who's attracted to women who are already spoken for, starts showing her some attention. But soon Mercer wants to meet Kate's husband-to-be; Kate tracks down Nick and persuades him to pose as her intended for an evening, but Nick decides at the end of the night that he's in love with her. Picture Perfect was written and directed by Glenn Gordon Caron, who created the TV series Moonlighting. -- Mark Deming More info... | ||||||
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Platoon | 1986 | Oliver Stone | War, Combat Films, Anti-War Film, War Drama | 113 min. | |
| AMG SYNOPSIS: Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a 1968 college student who quits school to volunteer for the Army. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks "in country," Taylor begins to see the naïveté of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood's first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films. -- Mark Deming More info... | ||||||
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Playing by Heart | 1998 | Willard Carroll | Drama | 120 min. | |
| Plot Synopsis by Ron Wells Sophomore writer/director Willard Carroll weaves together an all-star cast in interlocking stories about finding love in Los Angeles. The film's theme is spoken by young club-hopper Joan (Angelina Jolie). Taken by the mysterious Keenan (Ryan Phillippe), she tells him that "talking about love" is like "dancing about architecture" (the original title until the studio thought it would be confused with Dancing at Lughnasa), meaning speech is not the medium to adequately express the details of love. They all try, anyway. Others up for the dance include a TV cooking-show hostess (Gena Rowlands) and her husband (Sean Connery) who still fight over his one brief infidelity 25 years earlier; two lovers (Madeline Stowe, Anthony Edwards) who discuss their unhappy marriages; and a theater director (Gillian Anderson) and her architect, Mr. Right (Jon Stewart). Also searching are Dennis Quaid, Nastassja Kinski and Patricia Clarkson. For a familial sort of love, there's Ellen Burstyn as the estranged mother to her son (Jay Mohr) dying of AIDS. More info... | ||||||
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Pleasantville | 1998 | Gary Ross | Comedy, Americana, Fantasy Comedy | 123 min. | |
| AMG SYNOPSIS: Gary Ross, Oscar nominated for his Dave and Big screenplays, made his directorial debut with this comedy. The cheerful '50s TV sitcom "Pleasantville" is revived in the '90s for a loyal cable audience. One devoted fan is shy suburban teen David Wagner (Tobey Maguire), who has an almost obsessive interest in the series. Living with his divorced mother (Jane Kaczmarek), David sometimes has disputes with his ultra-hip twin sister Jennifer (Reese Witherspoon). She wants to watch MTV just when a Pleasantville marathon is about to begin. They struggle over the remote control, and it breaks. A strange TV repairman (Don Knotts) supplies their new remote, a potent high-tech device which zaps David and Jennifer inside Pleasantville, where their new sitcom parents are businessman George Parker (William H. Macy) and wife Betty (Joan Allen). As "Bud" and "Mary Sue," the teens take up residence in a black-and-white suburbia where sex does not exist and the temperature is always 72 degrees. Life is always pleasant, books have no words, bathrooms have no toilets, married couples sleep in twin beds, the high school basketball team always wins, and nobody ever questions "The Good Life." David revels in Pleasantville's Prozac-styled peacefulness. He fits right in, but Jennifer's 1990s attitude upsets the blandness balance, painting parts of Pleasantville in "living color." Repressed desires surface, cracks appear in the '50s lifestyles, and the Pleasantville populace finds their lives changing in strange, wonderful ways. It's liberating -- but there's also a darker side. This film breaks an all-time record with more than 1700 special effects shots. Shown at the 1998 Toronto Film Festival. -- Bhob Stewart More info... | ||||||
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Poltergeist | 1982 | Tobe Hooper | Horror, Haunted House Film | 114 min. | |
| AMG SYNOPSIS: With Poltergeist, directed by Tobe Hopper, Steven Spielberg had his first great success as a producer. Released around the same time as Spielberg's E.T., the film presents the dark side of Spielberg's California suburban track homes. The film centers on the Freeling family, a typical middle class family living in the peaceful Cuesta Verde Estates. The father, Steve (Craig T. Nelson), has fallen asleep in front of the television, and the dog saunters around the house revealing the other family members -- Steve's wife Diane (JoBeth Williams), sixteen-year-old daughter Dana (Dominique Dunne), eight-year-old son Robbie (Oliver Robins), and five-year-old Carol Ann (Heather O'Rourke). Soon strange things begin to happen around the house; the pet canary dies, mysterious storms occur, and Carol Ann is summoned to the TV set, where a strange shaft of green light hits her and causes the room to shake ("They're he-e-ere!"). As curious events continue, Carol Ann is repeatedly drawn to the television, where she begins to talk to "the TV people." Soon Carol Ann is sucked into a closet, disappearing from this reality plane. Unable to find his daughter, Steve consults Dr. Lesh (Beatrice Straight), a para-psychologist from a nearby college. Lesh finds that paranormal phenomena is so strong in the Freelong household she is unable to deal with it and sends for clairvoyant and professional exorcist Tangina (Zelda Rubinstein) to examine the house in hopes of finding Carol Ann. Tangina makes a horrifying discovery: Carol Ann is alive and in the house, but is being held on another spectral plane. -- Paul Brenner More info... | ||||||
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Pretty Woman | 1990 | Garry Marshall | Comedy | 117 min. | |
| Plot Synopsis by Hal Erickson Self-involved corporate raider Edward Lewis (Richard Gere) has recently split up with his girlfriend. Seeking directions to the Beverly Hills Hotel, he makes the acquaintance of free-spirited hooker Vivian Ward (Julia Roberts) and decides to put her on a 3,000-dollar retainer as his "date." He Cinderellarizes her by bankrolling a full wardrobe and cosmetic makeover. Of course, the setup will be strictly platonic. A disarming modern-day fairy tale, Pretty Woman was the picture that made Julia Roberts a superstar. As charming as she is in her "giggling" sequences, Roberts' best scene is her triumphant return to a posh Rodeo Drive shop where she'd been previously snubbed. Keeping Pretty Woman afloat throughout is the buoyant direction of Garry Marshall and the always welcome presence of Marshall's stock company of actors, including Hector Elizondo as a stuffy but golden-hearted concierge. Pretty Woman began its life as a much darker story of prostitutes and homicidal drug dealers, but more box-office-savvy heads ultimately prevailed. More info... | ||||||
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Quicksand | 1950 | Irving Pichel | Drama, Crime, Film Noir | 79 min. | |
| AMG SYNOPSIS: Mickey Rooney, with his kid roles and musicals behind him, went for a major change of image in this harrowing film noir. He gives what many consider to be the best performance of his career as Danny Brady, a well-meaning grease monkey whose life is destroyed in less than a week. Danny finds himself short of cash when he's supposed to take out Vera (Jeanne Cagney), a waitress whom he's just met who works at a hash-house. He borrows 20 dollars from the cash register, planning on paying it back with 20 dollars that a buddy owes him the next day, but the friend doesn't turn up. To get the 20 dollars, he buys a 100-dollar watch on a payment plan and then hocks it for the 20 dollars, but a detective picks up on the purchase and threatens to have him jailed if he doesn't pay the full 100 dollars immediately; desperate to raise the money, he robs a drunken bar patron of his bill-fold. His money problems seemingly behind him, Danny takes Vera out with the extra cash, but gets into a fight with her former boss, Nick (Peter Lorre), who picks up a clue that Danny did the robbery. Nick pressures Danny to provide him with a new car (a hard-to-get commodity in 1950) from the garage where he works, in return for keeping quiet. Danny steals the car and turns it over to Nick, but he and Vera decide to get even by robbing Nick's safe that night -- now they've got 3,600 dollars, which they split. But Danny's boss, Mackey, tells him he knows who stole the car, and wants either the car back or the full value, or he'll turn Danny in to the police. Vera has already blown her share on a mink coat, and he goes back to Mackey with what he has, 1,800 dollars. Mackey takes it and proceeds to call the police. Danny attacks him and leaves him for dead. Danny goes on the run, convinced he's wanted for Mackey's murder. Danny runs into Helen (Barbara Bates), a nice girl that he was dating and then dumped, and they end up fleeing together, hijacking a car and holding an innocent man at gunpoint. Impending tragedy seems to loom up even larger when they cross paths with police officers on a manhunt. Realizing that Helen has been good to him, he ends up on the run alone, with a gun in hand, as the law closes in. -- Bruce Eder More info... | ||||||
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Rain Man | 1988 | Barry Levinson | Drama, Road Movie, Family Drama, Melodrama | 128 min. | |
| AMG SYNOPSIS: Self-centered, avaricious Californian Charlie Babbitt (Tom Cruise) is informed that his long-estranged father has died. Expecting at least a portion of the elder Babbitt's $3 million estate, Charlie learns that all he's inherited is his dad's prize roses and a 1949 Buick Roadmaster. Discovering that the $3 million is being held in trust for an unidentified party, Charlie heads to his home town of Cincinnati to ascertain who that party is. It turns out that the beneficiary is Raymond Babbitt (Dustin Hoffman), the autistic-savant older brother that Charlie never knew he had. Able to memorize reams of trivia and add, subtract, multiply, and divide without a second's hesitation, Raymond is otherwise incapable of functioning as a normal human being. Aghast that Raymond is to receive his father's entire legacy, Charlie tries to cut a deal with Raymond's guardian. When this fails, Charlie "borrows" Raymond from the institution where he lives, hoping to use his brother as leverage to claim half the fortune. During their subsequent cross-country odyssey, Charlie is forced to accommodate Raymond's various autistic idiosyncracies, not the least of which is his insistence on adhering to a rigid daily schedule: he must, for example, watch People's Court and Jeopardy every day at the same time, no matter what. On hitting Las Vegas, Charlie hopes to harness Raymond's finely-honed mathematical skills to win big at the gaming tables; but this exploitation of his brother's affliction compels Charlie to reassess his own values, or lack thereof. A longtime pet project of star Dustin Hoffman, Rain Man was turned down by several high-profile directors before Barry Levinson took on the challenge of bringing Ronald Bass' screenplay to fruition (Levinson also appears in the film as a psychiatrist). All three men won Oscars, and the movie won Best Picture. -- Hal Erickson More info... | ||||||
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Raising Arizona | 1987 | Joel Coen | Comedy, Crime Comedy, Domestic Comedy | 94 min. | |
| AMG SYNOPSIS: Combining influences from Tex Avery cartoons to Sam Raimi horror movies to 1940s B-movies, Joel Coen and Ethan Coen followed up the stylish film noir of their debut, Blood Simple (1984), with this frantic screwball comedy. H.I. "Hi" McDonnough (Nicholas Cage) is a philosophical but slightly dim career criminal who has been arrested so often that he gets to know "Ed," short for Edwina (Holly Hunter), the officer who takes his mug shots. Hi takes a shine to Ed and promises to go straight if she marries him. She accepts, and they move to the Arizona desert, where Hi holds down a factory job and blissfully watches the sunsets with Ed. Their serenity is shattered when the couple decides that they want a child and discover that, as Hi puts it, "Ed's womb was a rocky place where my seed could find no purchase." (One of the film's many delights is Hi's unexpectedly flowery dime-novel narration.) Ed goes into a severe depression until she sees an item in the news: Nathan Arizona (Trey Wilson), owner of a chain of unpainted furniture stores, has become the father of quintuplets, and he and his wife joke that they now have more children than they know what to do with. In what seems like a perfect "helps you, helps me" situation, Hi and Ed kidnap one of the Arizona infants, figuring that they'll have a baby and the Arizonas will have less of a burden. -- Mark Deming More info... | ||||||
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Rat Race | 2001 | Jerry Zucker | Comedy | 112 min. | |
| Plot Synopsis by Karl Williams A very loose remake of the classic multi-star comedy It's a Mad Mad Mad Mad World (1963), this madcap comedy is directed by Jerry Zucker, one third of the Zucker-Abrahams-Zucker comedy team and director of Ghost (1990). John Cleese stars as an eccentric casino owner who devises a contest pitting six teams against each other in a race to claim two million dollars from a locker in New Mexico. The competitors are Owen (Cuba Gooding Jr., who ends up driving a bus full of Lucille Ball imitators, a foreigner (Rowan Atkinson) who hitches a ride in an organ donor vehicle, and a recently reunited mother and daughter (Whoopi Goldberg and Lanei Chapman) who anger a "squirrel lady" (Kathy Bates) -- much to their regret. There are also two con artist brothers (Seth Green and Vince Vieluf), the upright Nick (Breckin Meyer), who gets a lift from cute but psychotic pilot Tracy (Amy Smart), and the eccentric Pear family, headed up by Jon Lovitz. Rat Race also stars Dave Thomas, Kathy Najimy, Wayne Knight, Dean Cain, and Paul Rodriguez. More info... | ||||||
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The Recruit | 2003 | Roger Donaldson | Spy Film, Thriller, Psychological Thriller, Unglamorized Spy Film | 115 min. | |
| AMG SYNOPSIS: A brilliant young man is tapped to join the elite branch of American intelligence, only to discover how complex and dangerous the job can really be in this suspense-drama. James Clayton (Colin Farrell) recently completed his studies at MIT, where he graduated at the top of his class and is pondering his next move while he works as a bartender at an upscale nightspot. One evening, Clayton is approached by Walter Burke (Al Pacino), a recruiter for the Central Intelligence Agency, who describes himself as "a scary judge of talent" and believes Clayton is just the sort of man the CIA is looking for. Clayton, who has little interest in an ordinary nine-to-five career and suspects his father (whom Burke claims to have known) worked for the Agency, accepts the offer and is soon sent to the CIA's secret training camp. It soon becomes obvious that Burke's intuition has not failed him; Clayton is smart, fast on his feet, a crack shot, and possesses a very agile mind. In training, Clayton notices a few things, most notably one of his fellow students, Layla (Bridget Moynahan), a beautiful woman whose skills equal his own. Clayton becomes quite infatuated with Layla, and after a fashion the attraction appears to be mutual, but Clayton has to keep in mind Burke's dictum that "nothing is as it seems," especially when Clayton is given a special assignment -- find the mole within the Agency's training program who is actually feeding information to America's enemies. -- Mark Deming More info... | ||||||
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Red Heat | 1988 | Walter Hill | Action, Action Thriller, Police Detective Film, Odd Couple Film, Comedy Thriller | 106 min. | |
| AMG SYNOPSIS: Arnold Schwarzenegger plays a taciturn law-enforcement officer from Russia. James Belushi co-stars as a wise-lipped Chicago cop. Though they go together like caviar and White Castles, they are forced to team up to collar the Soviet Union's most notorious drug lord. Thus does director Walter Hill recycle his 48 Hours formula for another unlikely star team. Unfortunately, Red Heat isn't half as enjoyable as the earlier film, owing to a lack of rapport between the two leading men and an overall lack of inspiration infecting the whole project. The one notable aspect of Red Heat is that it was the first commercial American film to stage scenes in Moscow's Red Square. Watch for Laurence Fishburne (still billed as "Larry") in a secondary role. -- Hal Erickson More info... | ||||||
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Return of the Secaucus 7 | 1980 | John Sayles | Comedy Drama | 114 min. | |
| Plot Synopsis by Norm Schrager College friends reunite for a New England summer weekend in this low-budget first feature by accomplished independent filmmaker John Sayles. A predecessor of the well-paced, character-driven films in Sayles' future, Secaucus Seven also looks ahead to the 1980s ensemble movies that it inspired, most notably Lawrence Kasdan's The Big Chill, which arrived in theaters three years later. As each friend arrives at the house (or travels to the house), characterizations build, dialogue expands, and the house (and film) are full of people getting reacquainted and re-examining themselves and each other. Sayles builds the plot by testing the characters' connections: Will these former radicals accept the uptight boyfriend of the well-loved politico? What happens when a couple splits up? How does the educated set treat the local blue-collars? Many critics cited Secaucus Seven in their decade-end list of the best films of the 1980s. More info... | ||||||
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Risky Business | 1983 | Paul Brickman | Comedy, Sex Comedy, Coming-of-Age | 99 min. | |
| AMG SYNOPSIS: Risky Business is the film in which 19-year-old Tom Cruise dances around his living room in his underwear. He does this to celebrate the fact that his parents have left him alone while they go on vacation. Somewhere along the line, hooker Rebecca De Mornay, fleeing her vicious pimp, hides out in the Cruise manse. Things go from bad to worse to as Cruise inadvertently drives his father's Porsche into Lake Michigan and nearly scuttles his college recruitment interview. -- Hal Erickson More info... | ||||||
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Robots | 2005 | Chris Wedge, Carlos Saldanha | Children's/Family, Sci-Fi Comedy, Family-Oriented Adventure | 90 min. | |
| AMG SYNOPSIS: For this follow-up to their mega-hit Ice Age, directors Carlos Saldanha and Chris Wedge team with the screenwriting duo behind Parenthood and City Slickers, Lowell Ganz and Babaloo Mandel. Robots stars Ewan McGregor as the voice of Rodney Copperbottom, an idealistic robot who wants to convince his electronic brethren to come together and work toward making the world a better place. As the story unfolds, Rodney faces opposition from an evil corporation headed by Big Weld (Mel Brooks) and finds some unlikely allies in the form of a ragtag group of misfit robots called the Rusties and voiced by the likes of Drew Carey and Amanda Bynes. Stanley Tucci and Dianne Wiest provide the voices of Rodney's parents, and Halle Berry portrays his love interest, Cappy. -- Matthew Tobey More info... | ||||||
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Ronin | 1998 | John Frankenheimer | Action, Spy Film, Action Thriller, Chase Movie, Unglamorized Spy Film | 118 min. | |
| AMG SYNOPSIS: John Frankenheimer directed this $20 million international action thriller from a screenplay by Richard Weisz (pseudonym for David Mamet) and J.D. Zeik. In Paris, Irish organizer Deidre (Natascha McElhone) assembles a team to grab a mysterious briefcase from criminals. They are never told who hired them or the true identity of their targets. The hired specialists: Former CIA officer Sam (Robert De Niro), former Euro intelligence agent Vincent (Jean Reno), German electronics expert Gregor (Stellan Skarsgard), driver Larry (Skip Sudduth), and British weapons wrangler Spence (Sean Bean). After a Seine shootout, the action moves to the South of France, with a recon mission in Cannes, and a chase that brings everyone to Nice. Inevitable betrayals ensue, along with more pursuits. -- Bhob Stewart More info... | ||||||
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The Rookie | 1990 | Clint Eastwood | Crime, Action, Police Detective Film, Buddy Film, Odd Couple Film | 121 min. | |
| AMG SYNOPSIS: In return for Warner Bros. greenlighting his pet project White Hunter, Black Heart (1990), Clint Eastwood directed and starred in this more commercial film, an action caper about a mismatched pair of auto theft cops. Eastwood is grizzled veteran detective Nick Pulovski, who's determined to bring down the chop-shop operation being run by a pair of German crooks, Strom (Raul Julia) and Liesl (Sonia Braga). Although he's been officially removed from the case and partnered with a green, recently promoted detective, David Ackerman (Charlie Sheen), the hard-drinking Nick's not about to let the car thieves get away with murder. David, in the meanwhile, is dealing with his own issues, including the death of his brother (for which he was responsible), his unhappy girlfriend Sarah (Lara Flynn Boyle) and his estrangement from his wealthy father Eugene (Tom Skerritt). -- Karl Williams More info... | ||||||
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Roommates | 1995 | Peter Yates | Comedy Drama | 108 min. | |
| Plot Synopsis by Karl Williams In the film Happy New Year (1987), actor Peter Falk donned old-age makeup to play a senior citizen. Eight years later, he did it again, twice, in the TV movie remake of The Sunshine Boys (1995) and this film, a comedy-drama. Falk stars as Rocky Holzcek, a cantankerous 76-year-old Polish-American baker who insists, despite relatives' protests, upon adopting his young grandson Michael when the boy's parents pass away. Twenty years later, Michael (D.B. Sweeney) is a medical student who's forced to take in his still-spry grandfather when the old man is evicted from his apartment building. Although the crusty, outspoken Rocky gets along fine with Michael's Chinese college roommates, he is less enthused about his grandson's girlfriend Beth (Julianne Moore). Eventually, Michael and Beth marry, move away and have children, while Rocky continues working as a baker, passing the age of 100. When a tragedy befalls Michael and his kids, the old man once again comes to his grandson's rescue, but even a force of nature like Rocky can't last forever. Roommates was loosely based on the real-life experiences of screenwriter Max Apple and his grandfather. More info... | ||||||
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Rumor Has It... | 2005 | Rob Reiner | Comedy, Screwball Comedy, Romantic Comedy | 97 min. | |
| AMG SYNOPSIS: A woman discovers that a part of her family history may be more complicated -- and more famous -- than she ever imagined in this comedy. Thirtysomething Sarah Huttinger (Jennifer Aniston), who has spent most of her adult life in New York City, is flying home to California with her long time boyfriend, Jeff Daly (Mark Ruffalo), for the wedding of her annoyingly perky younger sister, Annie (Mena Suvari). While Sarah and Jeff have recently announced they're engaged to be married, Sarah has been having second thoughts, and she isn't excited about the prospect of spending time with the family where she's always felt like the odd duck. As Sarah tries to decide what she should do with her personal and professional lives, she turns to her sharp-tongued and still youthful grandmother, Katharine (Shirley MacLaine), for advice, and Katharine shares a little-known bit of family history -- that Sarah's now-deceased mother left her father, Earl (Richard Jenkins), a few days before their wedding and ran off with another man for several days before coming back and marrying Earl. However, after hearing this Sarah is also treated to some long-simmering local gossip about a young man who ran off with a bride-to-be after he was seduced by her mother...and that the story became the basis for the hit movie The Graduate. Sarah begins to wonder, was Katharine the real-life Mrs. Robinson of this story? And if it's true, who was the man who had affairs with Sarah's mother and grandmother? Was it dashing and wealthy family friend Beau Burroughs (Kevin Costner), who has also turned Sarah's head? Rumor Has It... was produced from an original screenplay by Ted Griffin; Griffin was originally set to direct the film, but shortly after production began he was replaced, with Rob Reiner taking over the project. -- Mark Deming More info... | ||||||
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Sabah | 2005 | Ruba Nadda | Drama | 90 min. | |
| Plot Synopsis by Jason Buchanan When a devout, forty year old Muslim woman from a traditional family falls in love with a handsome Canadian man, the stress of balancing her secret romance with her highly demanding family life gradually begins to take a heavy emotional toll. As a young girl, Sabah (Arsinée Khanjan) was always passionate an independent. When her family moved to Toronto and her father died shortly thereafter though, the once spirited young girl gradually found her independence stifled by two decades of duty to her loving yet high-maintenance family. It was around that time that Sabah's family became much more conservative, but a gift from Sabah's brother is about to change everything. Upon being bestowed with a picture of herself and her late father frolicking together in the ocean, Sabah longs for the days when familial obligations didn't weight on every aspect of her life. For as long as she can remember Sabah has had to answer to her tyrannical brother Majid - who controls not only the family finances but the actions of each member as well. But it was Majid who gave Sabah that powerful photograph, and who, despite his objection to westernization, inadvertently acted as the catalyst for his sister's life-altering journey. Longing to reconnect with the carefree memories of her childhood, Sabah stealthily sneaks of to celebrate her fortieth birthday with a secret swim. While the feel of the water and the thrill of rebellion immediately reinvigorate Sabah, it is a chance meeting with a man named Stephen that will truly change her life forever. Later, when Sabah's clandestine trips to the pool become a regular occurrence and Stephen invites her out to lunch, the differences between the unlikely couple seem to draw them together rather than pushing them apart. Before long Sabah has fallen in love with Stephen. In breaking the news to her disapproving family, however, Sabah attempts to explain how they must reconsider the rules of their culture if they are ever to find happiness in a foreign land. More info... | ||||||
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Saving Face | 2004 | Alice Wu | Romance, Comedy, Romantic Comedy, Gay & Lesbian Films | 96 min. | |
| AMG SYNOPSIS: An Asian-American woman and her mother both find their private lives are becoming a family matter in this romantic comedy-drama. Wilhelmina Pang (Michelle Krusiec) is a surgeon living in Manhattan whose mother (Joan Chen) is eager for her to settle down with a nice man and get married. What Ma doesn't know is that Wilhelmina happens to be a lesbian -- or rather, Ma prefers not to acknowledge it, since she once walked in on Wilhelmina and her girlfriend several years before. As it happens, Wilhelmina is looking for someone special in her life, and thinks she may have found her in Vivian (Lynn Chen), a beautiful dancer, but a fear of commitment and a desire to keep her medical career on track is making their relationship problematic. As Wilhelmina tries to get her love life in order, her mother's shifts into crisis mode. Ma, a 48-year-old widow, has just discovered she's pregnant, and her staunchly traditional father (Li Zhiyu) will not allow her back into the home they share until she's married someone respectable. Unwilling to name the father of her baby, Ma is forced to move in with Wilhelmina, and while enduring the emotional roller coaster of pregnancy she is being pressured by friends and relatives to marry Cho (Nathaniel Geng), a sweet but boring man she doesn't especially like. Saving Face was the first feature film from writer and director Alice Wu. -- Mark Deming More info... | ||||||
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The Scar | 1948 | Steve Sekely | Crime, Film Noir, Crime Thriller | 83 min. | |
| AMG SYNOPSIS: John Muller (Paul Henreid), an intelligent, arrogant criminal who has been a medical student and a phony psychoanalyst, believes that people are only interested in themselves and do not notice what is happening around them. Paroled from prison to a boring job, Muller is more interested in a big score, and along with his old cronies robs a crooked gambling joint owned by Rocky Stansyck (Thomas Brown Henry). Although he gets away with the money, some of his men are caught by Stansyck and identify John as the ringleader. On the run from Stansyck's gang, he is mistaken for Dr. Bartok, a psychiatrist also played by Henreid. Curious, Muller goes to the doctor's office, and meets Bartok's secretary and lover, Evelyn Nash (Joan Bennett). Needing to avoid capture, he assumes Bartok's identity, but first must scar his face like the doctor's. Working from a photograph printed from a reversed negative, he applies the scar to the wrong side. Though fooled at first, when Evelyn discovers the truth, she decides to leave, although she is in love with Muller/Bartok. Steve Sekely's Hollow Triumph (aka The Scar) is a film that requires an exceptionally hefty suspension of disbelief in its reliance on coincidence and the literal acceptance of Muller's cynical view of human blindness. -- Steve Press More info... | ||||||
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Scent of a Woman | 1992 | Martin Brest | Drama, Coming-of-Age | 149 min. | |
| AMG SYNOPSIS: Driven by an extravagant, tour-de-force performance by Al Pacino, Scent of a Woman is the story of Frank Slade (Pacino), a blind, retired army colonel who hires Charlie Simms (Chris O'Donnell), a poor college student on the verge of expulsion, to take care of him over Thanksgiving weekend. At the beginning of the weekend, Frank takes Charlie to New York, where he reveals to the student that he intends to visit his family, have a few terrific meals, sleep with a beautiful woman and, finally, commit suicide. The film follows the mis-matched pair over the course of the weekend, as they learn about life through their series of adventures. Though the story is a little contrived and predictable, it pulls all the right strings, thanks to O'Donnell's sympathetic supporting role and Pacino's powerful lead performance, for which he won his first Academy Award. Scent of a Woman is based on the 1975 Italian film Profumo Di Donna. -- Stephen Thomas Erlewine More info... | ||||||
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School Daze | 1988 | Spike Lee | Comedy | 114 min. | |
| Plot Synopsis by Brian J. Dillard Fraternity and sorority members clash with the other students at a historically black university in this politically charged musical, which marked the sophomore feature from director Spike Lee. Dap (Laurence Fishburne) is a politically conscious brother who leads anti-apartheid demonstrations and eschews the social climbing of the Greek system. But Half-Pint (Lee), his craven young cousin, is willing to endure any humiliation to join the manly Gamma fraternity. As Half-Pint tries unsuccessfully to impress the Gammas with his inept womanizing, Dap engages in philosophical debates with Rachel (Kyme), his girlfriend. Meanwhile, the light-skinned, straight-haired sisters of the Gamma Ray sorority battle it out in a beauty parlor with their darker-skinned, Afro-headed fellow co-eds. Eventually, Half-Pint gets the chance to join the frat, but only after a degrading episode with Jane (Tisha Campbell), the soon-to-be ex-girlfriend of his house president, causes Dap to lose all respect for him. Based in part on the director's experiences at Atlanta's Morehouse College, School Daze was also written and produced by Lee. Despite production numbers that included "Straight and Nappy", a dis-fest between the "wannabes" and "jigaboos" on campus, the biggest hit on the film's soundtrack was the go-go anthem "Da Butt", E.U.'s ode to shaking one's backside. Supporting players Kadeem Hardison and Jasmine Guy also co-starred on the TV comedy A Different World, another look at life on a primarily African-American campus. More info... | ||||||
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School of Rock | 2003 | Richard Linklater | Comedy, Musical Comedy | 108 min. | |
| AMG SYNOPSIS: The world's least-employable heavy metal guitarist is entrusted with the minds of upstate New York's best and brightest in this fish-out-of-water comedy. Jack Black plays Dewey Finn, axe-bearer for a fitfully successful bar band determined to win a regional battle-of-the-bands competition. There's only one thing standing in their way: the self-indulgent solos and crowd-diving antics of their "embarrassing" lead guitarist. When his band votes him out in favor of a would-be rock god, Dewey has to make the rent somehow, and after intercepting a call for his substitute-teacher roomie Ned (Mike White), the pot-bellied slacker finds himself in front of a class of elite elementary school students. At a loss for a lesson plan, Dewey takes offense at the pre-teen prodigies' staid musical regimen and makes it his goal to preach them the gospel of the Who, Led Zeppelin, and AC/DC -- with the ulterior motive of getting them to compete against his former band for a cash prize. But no matter how willing his pupils, Dewey runs up against the consternation of the school's stern headmistress Principal Mullins (Joan Cusack), the battle-of-the-bands' promoter (Frank Whaley), and not least, his identity-deprived roomie Ned. -- Michael Hastings More info... | ||||||
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The Score | 2001 | Frank Oz | Crime, Caper, Crime Thriller | 123 min. | |
| AMG SYNOPSIS: Three generations of method acting giants unite for this crime thriller written by Kario Salem and directed by Frank Oz. Robert De Niro stars as Nick Wells, an aging thief whose specialty is safecracking and who is on the verge of retiring to a life of ease, running his jazz club and romancing his girlfriend Diane (Angela Bassett). But before he can ride off into the sunset, Nick is pressured to do one last job by his mentor and business partner, a flamboyant and extravagant upscale fence named Max (Marlon Brando). Max is plotting the heist of the Montreal Customs House, and he's got a man on the inside, Jackie Teller (Edward Norton), a talented but volatile crook who has managed to ingratiate himself with the facility's staff as a fellow employee suffering from cerebral palsy. Jackie bristles at Nick's interference in "his" score, however, and threatens violence when it seems he's going to be cut out of the action. In the meantime, Nick grows increasingly ill at ease about the operation, as it violates his two most important dictums in thievery: always work alone and never pull a job in your own city. The part of Max in The Score was written specifically for Brando by screenwriter Salem, although the improvisational star and his director Oz reportedly clashed during filming. -- Karl Williams More info... | ||||||
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Searching For Paradise | 2002 | Myra Paci | Drama, Psychological Drama, Road Movie | 88 min. | |
| AMG SYNOPSIS: Gilda (Susan May Pratt of Center Stage) is a confused young woman, obsessed with iconoclastic actor Michael De Santis (Chris Noth). She repeatedly watches a tape of De Santis being interviewed by an unctuous, James Lipton-type talk show host (played by legendary indie producer's rep John Pierson). After the death of Gilda's beloved Italian papa (Michele Placido), she learns, much to her dismay, that he had a longtime mistress back in Italy. Using the excuse of her grandfather's (Josef Sommer) upcoming birthday, Gilda travels to New York City, planning to find a way to get close to De Santis. Video camera in hand, Gilda explores the city and runs into Adam (Jeremy Davies), a geology student. Sparks fly until Gilda's newfound cynicism turns Adam off. She decides to pose as a reporter for an Italian newspaper, and arranges to interview De Santis. She takes a bus down to Virginia and goes to the set. Everything goes according to plan, but De Santis quickly sees through her ruse. Intrigued by his pretty, spirited young fan, De Santis invites Gilda back to his hotel room, where neither of them finds what they expected. Searching for Paradise, written and directed by Myra Paci, was developed at the Sundance Institute. The film was a minor hit on the festival circuit and was eventually picked up for home video distribution under the Sundance imprint. -- Josh Ralske More info... | ||||||
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Seven | 1995 | David Fincher | Thriller, Police Detective Film, Crime Thriller | 125 min. | |
| AMG SYNOPSIS: Director David Fincher's dark, stylish thriller ranks as one of the decade's most influential box-office successes. Set in a hellish vision of a New York-like city, where it is always raining and the air crackles with impending death, the film concerns Det. William Somerset (Morgan Freeman), a homicide specialist just one week from a well-deserved retirement. Every minute of his 32 years on the job is evident in Somerset's worn, exhausted face, and his soul aches with the pain that can only come from having seen and felt far too much. But Somerset's retirement must wait for one last case, for which he is teamed with young hotshot David Mills (Brad Pitt), the fiery detective set to replace him at the end of the week. Mills has talked his reluctant wife, Tracy (Gwyneth Paltrow), into moving to the big city so that he can tackle important cases, but his first and Somerset's last are more than either man has bargained for. A diabolical serial killer is staging grisly murders, choosing victims representing the seven deadly sins. First, an obese man is forced to eat until his stomach ruptures to represent gluttony, then a wealthy defense lawyer is made to cut off a pound of his own flesh as penance for greed. Somerset initially refuses to take the case, realizing that there will be five more murders, ghastly sermons about lust, sloth, pride, wrath, and envy presented by a madman to a sinful world. Somerset is correct, and something within him cannot let the case go, forcing the weary detective to team with Mills and see the case to its almost unspeakably horrible conclusion. The moody photography is by Darius Khondji; the nauseatingly vivid special effects are by makeup artist Rob Bottin, best known for more fantasy-oriented work in films like The Howling (1981). -- Robert Firsching More info... | ||||||
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She's the One | 1996 | Edward Burns | Romance | 96 min. | |
| Plot Synopsis by Clarke Fountain This is the second film by actor/director Ed Burns, his first being The Brothers McMullen. The two Fitzpatrick brothers, Mickey (Ed Burns) and Francis (Mike McGlone), would appear to have little in common, as the older is a rather volatile cab driver, the younger is a very settled stockbroker. Just prior to the time of the film, Mickey, after a whirlwind romance, married Hope (Maxine Bahns), one of his passengers. Francis has been married to his lifelong sweetheart (Jennifer Aniston) for some time. However, they are both very competitive about Heather (Cameron Diaz), an old flame of Mickey's. Mickey, who was once her fiance, left her when he found out she was sleeping with someone else. At the time of the story, Heather just happens to become a passenger in Mickey's cab, and they decide to finish exchanging belongings left over from their break-up. When Heather gives Francis (her current lover) the watch Mickey just returned to her, complications multiply. More info... | ||||||
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Six Days, Seven Nights | 1998 | Ivan Reitman | Comedy, Romance, Romantic Comedy, Romantic Adventure, Adventure Comedy | 101 min. | |
| AMG SYNOPSIS: Ivan Reitman directed this romantic comedy-adventure that opens in New York where fast-paced magazine associate editor Robin Monroe (Anne Heche) and her boyfriend, Frank (David Schwimmer), leave for a week's vacation on a remote island. They've already been together for three years, so when Frank asks her to marry him, she says yes. For a one-day Tahiti photo shoot, Robin engages the services of South Pacific cargo pilot Quinn Harris (Harrison Ford). Robin and Quinn head off to do the shoot, but a squall forces Quinn to land his DeHavilland Beaver on the beach of a remote, unknown island. With broken landing gear, they're trapped there. Search parties set forth. Robin and Quinn cope with each other. Survival skills surface. Sexual tensions escalate. Meanwhile, back at the hotel, Frank and Quinn's girlfriend, Angelica (Jacqueline Obradors), compare concerns at the hotel bar. Several days later, the search is called off. Quinn and Robin are left to their own devices, including removing pontoons from a convenient Japanese war plane and attempting a take off. Filmed on the Hawaiian island of Kauai. -- Bhob Stewart More info... | ||||||
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Sleeping with the Enemy | 1991 | Joseph Ruben | Thriller, Psychological Thriller | 99 min. | |
| AMG SYNOPSIS: Hot off her success in Pretty Woman, Julia Roberts starred in this thriller about a battered wife stalked by her abusive husband. Roberts plays Laura Burney, the wife of a rich investment counselor, Martin (Patrick Bergin). Martin appreciates his wife as a trophy, but at home he abuses her for not keeping the house as clean as he would like it. The verbal abuse descends into physical violence --so much so that Laura decides to disappear rather than live a life under Martin as a brutalized slave. Laura fakes her own death by drowning, and relocates to Cedar Falls, Iowa, where she changes her name to Sara Waters. She starts a relationship with her friendly Iowa neighbor Ben Woodward (Kevin Anderson), but her happiness is short-lived. Martin has discovered that Laura has staged her drowning and is coming to Iowa to reclaim his possession. -- Paul Brenner More info... | ||||||
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Smoke | 1995 | Wayne Wang | Comedy Drama | 108 min. | |
| Plot Synopsis by Karl Williams A Brooklyn cigar shop is the setting for this drama from director Wayne Wang that interweaves the stories of several characters that have fractured family relationships in common. Harvey Keitel is Auggie Wren, poetic owner of the Brooklyn Cigar Company, a store that he considers the center of the world -- a place where all of humanity eventually parades through. One of his regular customers is Paul Benjamin (William Hurt), a writer and a broken shell of a man whose pregnant wife was shot and killed near the store. When Paul's life is saved one day by a young black man named Rashid (Harold Perrineau, Jr., the writer and his rescuer strike up a friendship and begin searching for Rashid's long-lost father (Forest Whitaker). At the store, Auggie is surprised by the appearance of Ruby (Stockard Channing), an ex-girlfriend who informs him that her pregnant, drug-addicted daughter Felicity (Ashley Judd) may also be his -- and is in dire need of help. Screenwriter Paul Auster based the script for Smoke on a 1990 short story he wrote for "The New York Times." He also wrote and directed the film's sequel (of sorts), Blue in the Face (1995). More info... | ||||||
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Snakes on a Plane | 2006 | David R. Ellis | Horror, Natural Horror, Action Thriller | 105 min. | |
| AMG SYNOPSIS: Forget terrorists or hijackers -- there's a handful of deadly assassins aboard a jet liner and they don't even have arms or legs in this airborne thriller. Neville Flynn (Samuel L. Jackson) is an FBI agent handling what seems like a routine assignment -- serving as bodyguard for Sean Jones (Nathan Phillips), a Hawaiian surfer dude who is flying to California to testify in a high-profile criminal trial after witnessing mobster Eddie Kim (Byron Lawson) murdering one of his underlings. However, Flynn's job gets a lot more challenging when he discovers Kim's associates don't want Jones to talk, and have devised a unique way to ensure his silence. A cache of highly dangerous poisonous snakes has been hidden on board the jet, and is released using a timed mechanism once the flight is well underway. The snakes quickly attack several members of the flight crew and are eagerly eying the passengers when Flynn decides its time to get medieval on the reptiles. Also starring Rachel Blanchard, Benjamin McKenzie, and Mark Houghton, Snakes on a Plane was produced under the title of Pacific Air Flight 121, but in several interviews Samuel L. Jackson expressed his enthusiasm for the script's original title, Snakes on a Plane, and the high-concept moniker quickly made the film's title and theme a favorite with bloggers and on Internet fan sites all over the world. -- Mark Deming More info... | ||||||
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Snatch | 2000 | Guy Ritchie | Crime, Crime Comedy, Caper | 102 min. | |
| AMG SYNOPSIS: Guy Ritchie's sophomore follow-up to his 1998 sleeper hit Lock, Stock, and Two Smoking Barrels, Snatch revisits the previous film's territory of London's crime-ridden underbelly, and does so with the same brand of humor and stylish direction that made Ritchie's first effort a surprise success. With a labyrinthine plot that is ostensibly oriented around a missing diamond, Snatch introduces viewers to three groups of characters intent on retrieving the elusive stone, which has been stolen from an Antwerp jeweler. In the first group are friends and business partners Turkish (Jason Statham, who also supplies the film's voice-over narration) and Tommy (Stephen Graham), who join up with Mickey (Brad Pitt), an Irish gypsy and boxer. Turkish and Tommy make arrangements with Mickey to take a fall in a match engineered by lunatic gang leader Brick Top (Alan Ford). In another corner resides equally loony Russian gangster Boris the Blade (Rade Sherbedgia), who has asked Jewish gangster Franky Four Fingers (Benicio Del Toro) to place a bet on the match for him. Boris is also scheming to have Sol (Lennie James), the owner of a pawn shop, rob the place with a couple of dim associates. Meanwhile, Avi (Dennis Farina), freshly arrived in London from New York, hires Bullet Tooth Tony (Vinnie Jones) to find Franky when he goes missing; it seems that it was none other than Franky who was supposed to be transporting the purloined diamond to New York. -- Rebecca Flint Marx More info... | ||||||
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Something's Gotta Give | 2003 | Nancy Meyers | Romance, Comedy, Romantic Comedy | 123 min. | |
| AMG SYNOPSIS: In keeping with the light and slick tones of her earlier film What Women Want, Nancy Meyers writes and directs the romantic comedy Something's Gotta Give. Jack Nicholson plays Harry Langer, a swinging sixtysomething entertainment executive surrounded by plenty of young girlfriends. His latest romance is young petite sophisticate Marin (Amanda Peet), who takes him to her mother's beach house in the Hamptons for a weekend fling. However, Marin's successful Broadway playwright mother Erica Barry (Diane Keaton) is already vacationing at the house with her sister Zoe (Frances McDormand). Marin and Harry stay anyway, and Harry ends up having a heart attack. He goes to the hospital and is looked after by thirtysomething doctor Julian Mercer (Keanu Reeves). Impressed by her writing, Dr. Mercer finds himself pursuing a romance with Erica. Because of his serious health condition, he orders Harry to stay near the hospital. While Marin returns to Manhattan, Erica agrees to stay on and look after Harry. Of course they are repulsed by each other at first, but they end up falling in love throughout the recovery process. Also starring Jon Favreau as Harry's assistant. -- Andrea LeVasseur More info... | ||||||
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The Star Chamber | 1983 | Peter Hyams | Thriller | 149 min. | |
| Plot Synopsis by Hal Erickson Fed up with watching vicious criminals walk on technicalities and loopholes, judge Michael Douglas accepts his older colleague Hal Holbrook's invitation to join "The Star Chamber." This sub-rosa organization consists of nine like-minded judges who endeavor to take the law into their own hands. Essentially, these are robed vigilantes, but Douglas joins them, determining that the end justifies the means. Before long, however, Douglas finds himself balking at sanctioning the murder of freed criminals -- and as a result becomes the target of the Star Chamber himself. Worth noting in the supporting cast of The Star Chamber are Diana Douglas, Michael Douglas' real-life mother, and Frances Bergen, widow of Edgar Bergen and mother of Candice Bergen. More info... | ||||||
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State and Main | 2000 | David Mamet | Comedy | 106 min. | |
| Plot Synopsis by Rebecca Flint Marx Echoing the themes of Living in Oblivion and Irma Vep, David Mamet's seventh feature centers on the havoc wrought on the inhabitants of a small town by a troubled film production. After its leading man's propensity for teenage girls gets them banished from their New Hampshire location, a film crew relocates to the small town of Waterford, VT, to finish shooting "The Old Mill." As its title suggests, the film depends on the presence of a genuine mill, something the town is reported to possess. Unfortunately, with only days before principal photography begins, it becomes apparent that the mill in fact burned down decades ago. Unfazed, the film's director, Walt Price (William H. Macy), places his faith in the ability of first-time screenwriter Joseph Turner White (Philip Seymour Hoffman) to alter the script; what he doesn't count on is White's apparently bottomless reserve of angst-fueled writer's block. The film's leading lady (Sarah Jessica Parker) refuses to do her contracted nude scene unless she's give an ungodly sum of cash, while a foreign cinematographer offends the locals by messing with an historic firehouse, and the leading man, Bob Barrenger (Alec Baldwin), dallies with Carla (Julia Stiles), a crafty local teen. Everything comes to a head after Barrenger and Carla are injured in a car accident, which leads White to another emotional quandary and into the arms of Ann Black (Rebecca Pidgeon). More info... | ||||||
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Stepmom | 1998 | Chris Columbus | Comedy Drama | 150 min. | |
| Plot Synopsis by Arthur Borman Mrs. Doubtfire director Chris Columbus continues to explore the family turmoil of divorce in the tearjerker Stepmom, a story that pits the birth mother against the new mother. Jackie (Susan Sarandon), a one-time book editor, is now the consummate soccer mom juggling the schedules of her two kids in her New York ranch outside of Manhattan. Her ex-husband Luke (Ed Harris), who gets weekend custody of the kids, is living in the city with a woman half his age named Isabel (Julia Roberts), a high-fashion photographer with a strong stylistic sense of "what's hot." Since Luke is always away at work, the burden of getting the kids ready for school when they are with their father falls on Isabel, and she just isn't the nurturing type. The story heats up, however, when Jackie learns that she has cancer. Facing the horrors of medical tests and chemotherapy, she realizes that, should something happen to her, her kids will be left with this irresponsible Isabel as their mother, especially after Luke proposes marriage to her. What ensues is part parenting lesson, part competitive parenting, but 100 percent family bonding, as Jackie must learn to allow Isabel to be part of her world and her family. More info... | ||||||
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The Strange Love of Martha Ivers | 1946 | Lewis Milestone | Drama, Psychological Drama, Film Noir, Melodrama, Crime Drama | 117 min. | |
| AMG SYNOPSIS: In The Strange Love of Martha Ivers, relationships formed in childhood lead to murder and obsessive love. The wealthy Martha Ivers (Barbara Stanwyck) is the prime mover of the small Pennsylvania town of Iverston. Martha lives in a huge mansion with her DA husband, Walter O'Neil (Kirk Douglas), an alcoholic weakling. No one knows just why Martha and Walter tolerate one another....but Sam Masterson (Van Heflin), an Iverstown boy who returns to town, may just have a clue. At least that's what Martha thinks when Sam asks Walter to intervene in the case of Toni Marachek (Lizabeth Scott), who has been unjustly imprisoned. It seems that, as a young boy, Sam was in the vicinity when Martha's rich aunt (Judith Anderson) met with her untimely demise. What does Sam know? And what dark, horrible secret binds Martha and Walter together? Directed by Lewis Milestone, and based on John Patrick's Oscar-nominated original story, Love Lies Bleeding, The Strange Love of Martha Ivers creates in Martha a unique and interesting, driven, obsessed, and spoiled character, but one not without sympathy. Barbara Stanwyck is outstanding as Martha, with her predatory smile and sharp, manicured nails. Kirk Douglas is surprisingly convincing as a lost, sad, weak man, who loves his wife, but is unable to gain her respect. The Strange Love of Martha Ivers eventually lapsed into public domain and became a ubiquitous presence on cable television. -- Hal Erickson More info... | ||||||
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The Stranger | 1946 | Orson Welles | Thriller, Psychological Thriller, Film Noir | 95 min. | |
| AMG SYNOPSIS: The Stranger is often considered Orson Welles' most "traditional" Hollywood-style directorial effort. Welles plays a college professor named Charles Rankin, who lives in a pastoral Connecticut town with his lovely wife Mary (Loretta Young). One afternoon, an extremely nervous German gentleman named Meineke (Konstantin Shayne) arrives in town. Professor Rankin seems disturbed--but not unduly so--by Meineke's presence. He invites the stranger for a walk in the woods, and as they journey farther and farther away from the center of town, we learn that kindly professor Rankin is actually notorious Nazi war criminal Franz Kindler. Conscience-stricken by his own genocidal wartime activities, Meineke has come to town to beg his ex-superior Kindler to give himself up. The professor responds by brutally murdering his old associate. If Kindler believes himself safe--and he has every reason to do so, since no one in town, especially Mary, has any inkling of his previous life--he will change his mind in a hurry when mild-mannered war crimes commissioner Wilson (Edward G. Robinson) pays a visit, posing as an antiques dealer. -- Hal Erickson More info... | ||||||
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Summer School | 1987 | Carl Reiner | Comedy, Teen Movie, Beach Film | 98 min. | |
| AMG SYNOPSIS: On the eve of his Hawaiian vacation, irresponsible high school teacher Mark Harmon is forced into teaching a summer school class. His students are all malcontents and layabouts with the standard repertoire of teenaged hangups and hostilities (two of the kids, who can't see enough slasher movies to suit them, are hilarious precursors to Beavis and Butt-Head). Harmon would rather spend his time with history teacher Kirstie Alley, but she doesn't think much of his laziness and lack of dedication. Harmon finally begins to take his job seriously when he realizes his students' problems are not all of their own making. -- Hal Erickson More info... | ||||||
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Super Troopers | 2001 | Jay Chandrasekhar | Comedy, Police Comedy, Anarchic Comedy, Farce, Slapstick | 103 min. | |
| AMG SYNOPSIS: A handful of state troopers are put in the uncomfortable position of having to actually enforce the law in this high-spirited comedy. Mac (Steve Lemme), Thorny (Jay Chandrasekhar), Foster (Paul Stoter), and Rabbit (Erik Stolhanske) are four Vermont state troopers whose dedication to duty is not exactly an inspiration to law enforcement officers everywhere. Stationed in a small town near the Canadian border, the troopers don't have much to do, so they while away their hours smoking dope and harassing hapless motorists. Their superior officer, Capt. O'Hagan (Brian Cox), likes the boys and they try to keep their more outrageous antics out of his earshot, but they often run afoul of fellow trooper Farva (Kevin Heffernan), who insists on doing things by the book. When Governor Jessman (Lynda Carter) announces massive budget cuts for Vermont law enforcement personnel, things look bad for the troopers and they must quickly prove their worth or they'll be forced to look for real jobs. Appropriately enough, the troopers stumble upon some information regarding a group of marijuana dealers operating along the border; the guys figure this is just the sort of high-profile bust that could save their careers, but the police department of a nearby town gets wind of the troopers' plans. The Earlville police are no friends of the troopers, and they set out to ruin their moment of glory. Super Troopers was written by the five-man comedy troupe Broken Lizard, who also star as the five troopers; the group's leader, Jay Chandrasekhar, directed. -- Mark Deming More info... | ||||||
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Sweet Home Alabama | 2002 | Andy Tennant | Comedy | 108 min. | |
| Plot Synopsis by Mark Deming After establishing herself as a bankable star with the fish out of water comedy Legally Blonde, Reese Witherspoon returns in what could be described as a "fish back in water" comedy. Melanie Carmichael (Witherspoon) is a successful New York fashion designer who is dating Andrew Hennings (Patrick Dempsey), a wealthy socialite whose mother, Katherine Hennings (Candice Bergen), is the Big Apple's mayor. One day, Andrew pops the big question and asks Melanie to marry him; Melanie is overjoyed, but unknown to Andrew, Melanie has some unfinished business to take care of first. Despite her polished uptown image, Melanie grew up poor in the deep South, and as a teenager she married her high school sweetheart Jake Perry (Josh Lucas). Things went sour and Melanie moved East, reinventing herself along the way, but Jake never bothered to legally end their marriage. Now Melanie has to return to her hometown of Pigeon Creek, AL, to tell her parents (Fred Ward and Mary Kay Place) the news and convince Jake to grant her a divorce; however, the more time she spends with her old flame, the more she feels sparks flying between them again, while she also learns her Eastern affectations don't fly with everyone back home. More info... | ||||||
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Teenage Mutant Ninja Turtles | 1987 | Comedy, Action, Action Comedy | 289 min. | ||
| Every kid's favorite fighting turtles are back, battling the forces of evil and enjoying plenty of pizza. Originally little turtles of the everyday kind, Michaelangelo, Donatello, Raphael, and Leonardo fell into a New York City sewer, where they first encountered Yoshi, a Japanese man who lived there. When the turtles came into contact with a glowing green byproduct, they were transformed into humanoid giant turtles, while Yoshi became Splinter, a giant ninja rat. Splinter taught the boys everything he knew about ninjitsu, so they could go to work fighting the evil Shredder and his master, Krang, from Dimension X; these villains are intent upon taking over the Earth, and the turtles are their main obstacle. The ninjas are sometimes aided in their quest by April O'Neil, a news reporter who is the only human who knows about the mutants. More info... | ||||||
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Teenage Mutant Ninja Turtles | 1987 | Comedy, Action, Action Comedy | 289 min. | ||
| Every kid's favorite fighting turtles are back, battling the forces of evil and enjoying plenty of pizza. Originally little turtles of the everyday kind, Michaelangelo, Donatello, Raphael, and Leonardo fell into a New York City sewer, where they first encountered Yoshi, a Japanese man who lived there. When the turtles came into contact with a glowing green byproduct, they were transformed into humanoid giant turtles, while Yoshi became Splinter, a giant ninja rat. Splinter taught the boys everything he knew about ninjitsu, so they could go to work fighting the evil Shredder and his master, Krang, from Dimension X; these villains are intent upon taking over the Earth, and the turtles are their main obstacle. The ninjas are sometimes aided in their quest by April O'Neil, a news reporter who is the only human who knows about the mutants. More info... | ||||||
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Tequila Sunrise | 1988 | Robert Towne | Crime, Drama, Crime Drama, Romantic Drama | 116 min. | |
| AMG SYNOPSIS: For his first directorial project in six years, Robert Towne selected a timeworn romantic-triangle yarn, injecting the material with subtlety and conviction. Tequila Sunrise stars Mel Gibson and Kurt Russell as two lifelong friends who, in true James Cagney-Pat O'Brien fashion, grow up on the opposite sides of the law. One is a retired drug dealer (at least he says he is), the other a "celebrity" cop. Both fall in love with gorgeous restaurateur Michelle Pfeiffer. Veteran movie buffs will enjoy spotting director Budd Boetticher as a judge, and will welcome the presence in the production credits of cinematographer Conrad Hall, who earned an Oscar nomination for his richly textured color camerawork. -- Hal Erickson More info... | ||||||
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The Terminal | 2004 | Steven Spielberg | Comedy Drama, Comedy of Errors, Romantic Comedy | 128 min. | |
| AMG SYNOPSIS: Shot almost entirely on a two-and-a-half-story recreation of a full-size operating airport terminal, this romantic comedy from director Steven Spielberg revolves around an Eastern European man by the name of Viktor Navorski (Tom Hanks), whose plans of immigrating to New York were hastened by a violent coup in his home country. Unfortunately, Viktor finds himself on the wrong end of a nasty technicality while en route to America: His passport was issued from a country, which, during its upheaval, ceased to exist in an official capacity. Unauthorized to leave Kennedy Airport upon his arrival and unable to return home, Viktor finds himself exiled inside the terminal's international transit lounge. Though airport official Frank Dixon (Stanley Tucci) views Viktor as an annoying bureaucratic glitch, other airport employees -- including a beautiful flight attendant by the name of Amelia (Catherine Zeta-Jones) -- come to see him as a welcome, if unofficial, addition to their numbers. As the days stretch on into months, the terminal transforms from an intimidating atmosphere of forced assimilation into a country within itself, complete with culture, ambition, status, complex diversity, and the need for love. The supporting cast includes Diego Luna, Chi McBride, Kumar Pallana, Zoe Saldana, Eddie Jones, and Jude Ciccolella. -- Tracie Cooper More info... | ||||||
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Terminator 2: Judgment Day | 1991 | James Cameron | Science Fiction, Sci-Fi Action | 139 min. | |
| AMG SYNOPSIS: A sequel to the low-budget sci-fi action thriller that made him and star Arnold Schwarzenegger A-list Hollywood names, writer/director James Cameron upped the ante with this follow-up by employing a more sweeping storyline and cutting-edge special effects. Linda Hamilton returns as Sarah Connor, now a single mother to rebellious teen John Connor (Edward Furlong), during the late nineties. Having been informed by a time-traveling soldier in the first film that John will one day grow up to become humanity's savior from a computer-controlled Armageddon, Sarah has responded by becoming a muscle-bound she-warrior bent on educating John in survival tactics and battle strategies. Her ranting about humankind's future has landed Sarah in an insane asylum and John in the foster care system. The rebellious John has responded to his situation by getting into scrapes with the law. When a new and improved Terminator android called the T-1000 (Robert Patrick) arrives from the future to eliminate John, an older model T-800 (Schwarzenegger) is sent to protect the boy. The T-1000, however, has the ability to morph itself into any shape it desires, allowing it chameleon-like powers and near indestructibility. The T-800 saves John's life and helps break Sarah out of the institution. Staying only one step ahead of the dogged T-1000, Sarah leads her son and the T-800 to the headquarters of Cyberdyne Systems, the company that will invent a robotic intelligence that will eventually take over the world. There, they attempt to convince inventor Miles Dyson (Joe Morton) to help them stop the future from ever occurring by destroying his work. Dyson sacrifices himself in an explosion to save the world, leading to a final showdown between the two Terminators at a steel foundry. Terminator 2: Judgment Day (1991), which won four Oscars in technical categories for its groundbreaking effects, was followed by a short sequel filmed exclusively as an attraction for theme parks, Terminator 2: 3-D Battle Across Time (1996). -- Karl Williams More info... | ||||||
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Three of Hearts | 1993 | Yurek Bogayevicz | Romance | 102 min. | |
| Plot Synopsis by Nick Sambides, Jr. A new '90s expressiveness regarding homosexuality in movies is gently mined for laughs in this 1993 comedy that predates the similar but much more raw Chasing Amy and slightly more humorous Threesome. With her straight greasy hair, semi-paranoid outlook, and leather jacket she wears like a shield, Connie (Kelly Lynch) already seems a bit unhinged. Then her girlfriend, Ellen (Sherilyn Fenn), breaks up their relationship and Connie loses it. In her grief, she hits upon a bizarre plan: Why not hire male prostitute Joe (William Baldwin) to seduce Ellen, then break her heart? Wouldn't that make Ellen rush back into Connie's arms? Of course not. For one thing, Joe's life is complicated by his protective yet sinister pimp (Joe Pantoliano) and a thug who mistakenly believes Joe set him up for a prison sentence. And Joe and Ellen fall in love. Yet an odd, sibling-like friendship develops between Joe and Connie that steers them through the repercussions of Ellen's discovery of their deceit, the thug's attack on Joe, and Joe's desire to give up prostitution. By the story's end, they've lost Ellen, but they have one another, and have learned to step beyond the protective relationships they have lost. Three of Hearts solidified William Baldwin's ascent to leading-man status (along with brothers Stephen and Alec) after 1991's Backdraft. More info... | ||||||
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Tom & Viv | 1994 | Brian Gilbert | Romance | 125 min. | |
| Plot Synopsis by Michael Betzold Willem Dafoe stars as groundbreaking early 20th century American poet T.S. Eliot in this biopic focusing on Eliot's disastrous marriage. Young Tom Eliot meets the flamboyant Vivienne Haigh-Wood (Miranda Richardson) while they are both students at Oxford University in England in 1914. Eliot is studying under the famous writer and philosopher Bertrand Russell (Nickolas Grace). Tom and Viv elope after a very brief courtship, without the consent of her parents and against the advice of Viv's brother Maurice (Tim Dutton). On the honeymoon, Tom learns that Viv suffers from a severe hormonal imbalance which causes frequent menstruation. She is under the care of a doctor who calls her problems emotional and prescribes medications which worsen her condition. Viv is moody, often despondent, and frequently drunk. While Tom works as a bank clerk and tries to establish himself as a writer, Viv serves as his secretary and sometimes his muse, but more and more often she embarrasses them in public with her behavior. Yet her influence prevents Tom, who wants to become thoroughly British and a member of the Church of England, from becoming too staid. Eventually, Tom reluctantly commits his wife to a mental asylum and their troubled marriage continues to plague his life and color his work. More info... | ||||||
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Too Late for Tears | 1949 | Byron Haskin | Crime, Drama, Film Noir, Crime Thriller, Psychological Thriller | 99 min. | |
| AMG SYNOPSIS: When Lizabeth Scott's Jane Greer husband Arthur Kennedy accidentally gets his mitts on $60,000 in stolen money, she insists that he keep the dough rather than turn it over to the authorities. Two-bit private eye Dan Duryea catches on to Scott's subterfuge, and demands that she turn the cash over to him. Scott persuades Duryea to split the money with her--then, determining that Kennedy might be too honest for everyone's own good, she murders her husband. To cover her tracks, Scott reports her husband as missing. This brings in yet another fly in the ointment: Don DeFore, the brother of Scott's first husband, who died under mysterious circumstances. The already knotted webs of intrigue become even more tangled before Scott's ironic comeuppance. Too Late for Tears was scripted by Roy Huggins, who later produced such TV detective series as The Rockford Files. -- Hal Erickson More info... | ||||||
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Tootsie | 1982 | Sydney Pollack | Comedy, Showbiz Comedy, Comedy of Errors, Romantic Comedy | 116 min. | |
| AMG SYNOPSIS: Michael Dorsey (Dustin Hoffman), a brilliant but troublesome New York actor, has managed to alienate every producer on both coasts. Michael's agent George Fields (Sydney Pollack) can't even get his client a commercial since Michael complained that the tomato he was playing wasn't properly motivated. "You were a tomato!" screams George in desperation, adding that Michael is so obnoxious that he will probably never work again. Dorsey thinks otherwise; when he hears of an opening on a popular soap opera, he applies for the job--even though the job is for a woman. Posing as "Miss Dorothy Michaels," Michael wins the part and becomes a widely-known actress. Yet complications ensue when Michael falls for his co-star Julie (Jessica Lange, in an Oscar-winning performance) but, as Dorothy, is courted by Julie's widowed father (Charles Durning). Michael ultimately finds that his disguise as a woman has made him a better man. One of the classic comedies of the 1980s, Tootsie's gender-bending premise boasts a screenplay by Larry Gelbart and Murray Schisgal, and by a host of memorable supporting comic performances from Dabney Coleman, Teri Garr, George Gaynes, and Bill Murray. Future Oscar-winner Geena Davis makes her screen debut as a daytime drama queen, which indeed she had been before Tootsie came along. -- Hal Erickson More info... | ||||||
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Top Gun | 1986 | Tony Scott | Drama, Romantic Drama, Buddy Film | 109 min. | |
| AMG SYNOPSIS: Devil-may-care navy pilot Pete Mitchell (Tom Cruise) is sent to Miramar Naval Air Station for advanced training. Here he vies with Tom Kasansky (Val Kilmer) for the coveted "Top Gun" award. When not so occupied, Mitchell carries on a romance with civilian consultant Charlotte Blackwood (Kelly McGillis). Shaken up by the death of a friend, Mitchell loses the Top Gun honor to Kasansky. Worried that he may have lost his nerve, Mitchell is given a chance to redeem himself during a tense international crisis involving a crippled US vessel and a flock of predatory enemy planes. The story wasn't new in 1986, but Top Gun scored with audiences on the strength of its visuals, especially the vertigo-inducing aerial sequences. The film made more money than any other film in 1986 and even spawned a 1989 takeoff, Hot Shots. An Academy Award went to the Giogio Moroder-Tom Whitlock song "Take My Breath Away." -- Hal Erickson More info... | ||||||
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Traffic | 2000 | Steven Soderbergh | Drama, Crime Drama, Social Problem Film, Police Drama, Addiction Drama | 147 min. | |
| AMG SYNOPSIS: Described by director Steven Soderbergh as "Nashville meets The French Connection," this multi-character drama explores the effects of international drug trafficking on all fronts: from their source, to the U.S. border, to the federal government, to the private lives of users. Based upon a miniseries originally aired on Britain's Channel 4, Traffic divides its time among three main storylines and almost a dozen locales. The first and primary plot thread, set in Ohio and Washington, D.C., concerns freshly-appointed drug czar Robert Wakefield (Michael Douglas), whose enthusiasm for his new prestige position is quickly offset when he realizes his 16-year-old daughter Caroline (Erika Christensen) is graduating from recreational drug use to habitual abuse -- a secret that his wife, Barbara (Amy Irving), has kept from him. South of the border, Mexican cop Javier Rodriguez (Benicio Del Toro) attempts to wage his own war on drugs, heading off a cocaine shipment in the middle of the desert with his less-than-virtuous partner Manolo Sanchez (Jacob Vargas). Surrounded by corruption, Javier approaches the drug war with an attitude of patience and compromise, which opens him up to investigation from General Arturo Salazar (Tomas Milian), the country's dubious drug-enforcement liaison to the U.S. Meanwhile, San Diego drug kingpin Carlos Alaya (Steven Bauer) is caught in a sting operation spearheaded by DEA agents Montel Gordon (Don Cheadle) and Ray Castro (Luis Guzman), leaving behind his very pregnant and very oblivious wife, Helena (Catharine Zeta-Jones). At the behest of Carlos' lawyer and shady confidante, Arnie Metzger (Dennis Quaid), Helena decides to carry on the family business -- with tragic consequences. Adapted by Rules of Engagement scribe Stephen Gaghan, Traffic marked Soderbergh's second major release in 2000 after the critical and box-office success of Erin Brockovich, as well as his second feature as cinematographer (credited under the pseudonym Peter Andrews). A favorite with various guild and critics' awards, Traffic won four Academy Awards in 2001, including statues for Best Supporting Actor (Del Toro) and Best Adapted Screenplay (Gaghan), and surprise wins for Steven Mirrone's editing and Soderbergh's direction. -- Michael Hastings More info... | ||||||
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Tristan & Isolde | 2005 | Kevin Reynolds | Drama, Romance, Period Film, Tragedy, Romantic Drama | 125 min. | |
| AMG SYNOPSIS: One of the great stories of doomed love is given a new screen interpretation in this historical drama. After the collapse of the Roman Empire, King Donnchadh (David O'Hara) of Ireland has become the de facto ruler of England, but one of his underlings, Lord Marke (Rufus Sewell), dreams of uniting British forces with an eye toward self-rule. One of Marke's most valuable allies is Tristan (James Franco), Marke's protégé, who has become a brave warrior since he was rescued by the lord after his parents were murdered by Irish forces during a battle. While Marke and Tristan dream of banishing Ireland's presence in England, Tristan has a secret he's been hiding from Marke -- after suffering serious wounds during a hard-fought battle, he was rescued and nursed back to health by Isolde (Sophia Myles), King Donnchadh's daughter, and the two fell deeply in love. But the couple were separated after Tristan returned to England, and when King Donnchadh attempts to quell the British uprising by staging a tournament among the nation's greatest warriors, Tristan discovers to his horror that Isolde's hand in marriage will be one of the prizes. Marke ends up winning the contest, but is Tristan capable of standing by and watching his friend marry the woman he loves for the good of his country? Tristan & Isolde was directed by Kevin Reynolds, and produced in part by Ridley Scott, who attempted to bring the story to the screen back in the 1970s. -- Mark Deming More info... | ||||||
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True Lies | 1994 | James Cameron | Action, Spy Film, Action Comedy, Action Thriller, Glamorized Spy Film | 141 min. | |
| AMG SYNOPSIS: Borrowing liberally from the French film La Totale, this is an action picture, domestic comedy, and political thriller rolled into a crowd-pleasing ball of entertainment. Producer James Cameron wrote and directed the film. Henry Tasker (Arnold Schwarzenegger) is a workaholic computer salesman neglecting his mousy wife Helen (Jamie Lee Curtis), a legal secretary. Simon (Bill Paxton) seduces Helen with the lie that he is a secret agent; he's really a used car salesman. Harry suspects that Helen is cheating on him, and he sends a few colleagues to kidnap them. Helen then discovers that Harry is a secret agent by night, working for a shadowy group called the Omega Sector. Harry and his partner Gib (Tom Arnold) are trying to find four nuclear warheads that have disappeared from a former Soviet republic. -- Michael Betzold More info... | ||||||
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The Truth About Cats & Dogs | 1996 | Michael Lehmann | Comedy | 97 min. | |
| Plot Synopsis by Mark Deming In this updated and gender-reversed variation on Cyrano de Bergerac, Janeane Garofalo stars as Abby, the host of a radio talk show for people who have problems with pets. One day, she gets a call from Brian (Ben Chaplin) who is having trouble with his Great Dane (who enjoys roller skating). After a few minutes on the phone, Brian is immediately taken with Abby, and she's certainly interested in him. However, while Abby is not unattractive, she's terribly self-conscious about her appearance. When he asks her for a description, instead of telling him she's a diminutive brunette with big brown eyes, she describes her neighbor Noelle (Uma Thurman), a tall, rail-thin, blue eyed blonde. When Ben sets up a date, Abby is frantic and convinces Noelle to take her place. However, while Abby sounds smart, witty and charming over the radio (or the telephone), Noelle speaks like -- well, I think the phrase dumb blonde is called for here. Brian becomes puzzled -- why is it Abby is so great on the phone but so inarticulate in person? And what's the story with her friend, the cute brunette who sounds so smart? Noelle is even more confused; she wants to help her friend, but she's finding herself falling for Brian as well. The Truth About Cats and Dogs gave Ben Chaplin his first role in an American film and Janeane Garofalo's first starring turn after several notable supporting performances. More info... | ||||||
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Two If by Sea | 1996 | Bill Bennett | Crime | 96 min. | |
| Plot Synopsis by Michael Betzold Co-star Denis Leary co-wrote the script for this romantic comedy-drama. Leary plays Frank O'Brien, a no-class, small-time hood who is the boyfriend of Roz (Sandra Bullock), a cashier with a New York Jewish background who dreams of settling down and having kids. Roz wants out of the relationship but is fearful to break up. On a Friday, she accompanies Frank as he steals a painting. He tells her that it's his last job as a thief. Frank plans the delivery for Sunday evening so that they can turn the job into a getaway weekend. They go to a New England town and break into a huge home; the owners are on vacation. A sophisticated neighbor, Evan Marsh (Stephen Dillane), believes that they are friends of the owners' children and invites them to a party. Evan is an upper-class bachelor and is attracted to Roz. Roz goes horseback riding and boating with him, pretending a sophistication she doesn't possess, while Frank fumes at the rich rival. Meanwhile, Frank's crime boss Beano (Wayne Robson) learns that the painting Frank has stolen is a four-million-dollar Matisse and comes to the town with three henchmen. They are pursued by Detective O'Malley (Yaphet Kotto), who is trying to find a mysterious master art thief. More info... | ||||||
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Used Cars | 1980 | Robert Zemeckis | Comedy | 113 min. | |
| Plot Synopsis by Hal Erickson Used Cars is one of Robert Zemeckis' pre-Roger Rabbit and pre-Forrest Gump efforts starring Kurt Russell is a devious car salesman who goes to work for affable but monumentally unsuccessful used car dealer Jack Warden. Warden's principal rival is his more prosperous twin brother, also played by Warden, who schemes to take over the "good" brother's lot. After a series of raunchy vignettes, the film boils down to an every-man-for-himself price war between the two Wardens, which rages on even after we're one Warden short. The supporting cast of Used Cars is populated by such reliables as David L. Lander, Michael McKean, Al Lewis, Dub Taylor, Dick Miller and Betty Thomas. More info... | ||||||
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The Very Thought of You | 1998 | Nick Hamm | Romance | 83 min. | |
| Plot Synopsis by Bhob Stewart Nick Hamm (Talk of Angels) directed this U.K. romantic comedy following a group of British blokes and their encounters with an American woman in London. As Laurence (Joseph Fiennes, brother of Ralph Fiennes) narrates the tale to his neighbor, Dr. Pedersen (Ray Winstone), the scene flashes back to three days earlier: Laurence's friend Daniel (Tom Hollander) is in the Minneapolis airport on a business trip when he spots blonde Martha (Monica Potter of Con Air) buying a "first flight to anywhere." Daniel sits next to her on the plane and makes a London lunch date with her for the following day, but she's a no-show. He expresses his disappointment to Laurence and unemployed actor Frank (Rufus Sewell of Cold Comfort Farm). Frank meets Martha accidentally in a park, realizes who she is, learns she's in love and she intends to fly back to the U.S., and then makes a move on her (without telling her he knows Daniel). He loses track of her at an art gallery. Later, Laurence reveals that when he missed meeting Daniel at the airport, he wound up meeting Martha instead -- a moment of mutual love. At this point, much like the structure of Stanley Kubrick's The Killing (1956), the time is reset and previous events are repeated -- from the POV of another character. The movie is only two-thirds complete when Laurence finishes his recap of the previous three days -- so the story continues from that point. Shown at the 1998 Cannes Film Festival. More info... | ||||||
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Wag the Dog | 1997 | Barry Levinson | Comedy, Political Satire, Media Satire | 97 min. | |
| AMG SYNOPSIS: In a 29-day shoot, Barry Levinson filmed this $15 million political and media satire, adapted by Hilary Henkin and David Mamet from Larry Beinhart's novel, American Hero. Two weeks prior to re-election, the President (Michael Belson) is accused of cornering an underage girl in the Oval Office. To keep the media from learning of this, Presidential adviser Winifred Ames (Anne Heche) brings in political consultant and spin doctor Conrad Brean (Robert De Niro), a specialist in such salvage operations. Brean suggests fabricating denials of non-existent emergencies -- such as denials about the B-3 bomber. The denial, of course, is true, since no B-3 bomber exists. Brean visits the mansion of Hollywood producer Stanley Motss (Dustin Hoffman) and gives him the assignment to create a patriotic campaign centered around a war in Albania. Motss assembles a creative team -- Liz Butsky (Andrea Martin), the trend-setter Fad King (Denis Leary), and songwriter Johnny Green (Willie Nelson). Treated like an ad campaign, the songs and symbols are transmitted directly from a Hollywood soundstage to CNN. The star of their campaign is a "rescued" pilot -- in reality, a psychotic military prisoner (Woody Harrelson), who's a ticking time bomb. The flag-waving song, "The American Dream" was written for the film by Tom Bahler (who co-wrote "We Are the World"). Beinhart's original novel involved a real President (Bush), a real war (the Gulf War), and the premise that George Bush and Saddam Hussein staged it. -- Bhob Stewart More info... | ||||||
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Wall Street | 1987 | Oliver Stone | Drama | 126 min. | |
| Plot Synopsis by Hal Erickson "Greed is Good." This is the credo of the aptly named Gordon Gekko (Michael Douglas), the antihero of Oliver Stone's Wall Street. Gekko, a high-rolling corporate raider, is idolized by young-and-hungry broker Bud Fox (Charlie Sheen). Inveigling himself into Gekko's inner circle, Fox quickly learns to rape, murder and bury his sense of ethics. Only when Gekko's wheeling and dealing causes a near-tragedy on a personal level does Fox "reform"-though his means of destroying Gekko are every bit as underhanded as his previous activities on the trading floor. Director Stone, who cowrote Wall Street with Stanley Weiser, has claimed that the film was prompted by the callous treatment afforded his stockbroker father after 50 years in the business; this may be why the film's most compelling scenes are those between Bud Fox and his airline mechanic father (played by Charlie Sheen's real-life dad Martin). Ironically, Wall Street was released just before the October, 1987 stock market crash. More info... | ||||||
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The Warrior | 2001 | Asif Kapadia | Action, Adventure, Costume Adventure, Adventure Drama | 86 min. | |
| AMG SYNOPSIS: A cold-blooded warrior strives to become a man of peace in this strikingly photographed drama from writer and director Asif Kapadia. Lafcadia (Irfan Khan) is a steel-nerved professional soldier who works as a lawman for the corrupt leader of a local political regime (Anupam Shyam). Lafcadia is valuable to the tyrant for his ability to kill without mercy, but when he's sent with his compatriots to massacre the people of a small village who've been delinquent in paying their taxes, Lafcadia is struck by a vision of a young girl standing on a mountain overlooking the carnage. The vision startles Lafcadia into a change of heart, and he pledges to lay down his weapon and never kill again. However, the tyrant isn't happy with Lafcadia's decision, and retaliates by putting his son (Puru Chhibber) under arrest and burning his home to the ground. Undaunted, Lafcadia sets out on a quest in the Himalayas to find the child from his vision, with the tyrant's ruthless enforcers on his trail. In time, Lafcadia is joined in his search by a fugitive (Noor Mani) on the run from a prison work gang. The Warrior was shot in two versions, one in the Hindi language and one in English. -- Mark Deming More info... | ||||||
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What Dreams May Come | 1998 | Vincent Ward | Fantasy, Romance, Romantic Fantasy | 113 min. | |
| AMG SYNOPSIS: Based on a metaphysical 1978 novel by science fiction and horror author Richard Matheson, this romantic fantasy-drama won an Oscar for its expensive and impressive visual vistas depicting an imaginative afterlife. Robin Williams stars as Chris Nielsen, a doctor who has suffered with his artist wife Annie (Annabella Sciorra) through the devastating loss of their children, Marie and Ian, who were killed in a car accident. Although Annie's all-consuming depression nearly destroyed their marriage, the couple rebuilt their relationship and are now living out a comfortable middle age. Stopping one night to help a motorist in a wreck, Chris is struck by a car and killed. At first confused about where he is, Chris meets Albert (Cuba Gooding Jr.), a spiritual guide who helps him to realize he's passed away and that he must move on to the next world. After trying with only limited success to communicate with the devastated Annie, Chris moves on and discovers an afterlife that can become whatever one envisions, where even his pet dog awaits him. What Chris envisions as paradise are the paintings of his wife, and he happily takes up residence there, awaiting the far-off day when Annie will eventually join him. He also meets his children, although they have chosen different appearances than the ones they had in life. Then tragedy strikes when Annie, inconsolable, commits suicide and goes to Hell. Although it is rarely done, Chris insists on traveling there, risking his eternal soul to save the woman he loves. Accompanied part of the way by Albert and a wizened guide called The Tracker (Max von Sydow), Chris finally reaches Annie in Hell, and must convince her of the truth in order to release her from her dark prison. -- Karl Williams More info... | ||||||
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What Rats Won't Do | 1998 | Alastair Reid | Comedy, Romance | 87 min. | |
| Soon to be married lawyer Kate Beckenham has landed the case of a lifetime. Her courtroom opponent turns out to be the charming Jack Sullivan, who has never lost a single case. More info... | ||||||
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When Harry Met Sally | 1989 | Rob Reiner | Romance, Comedy, Romantic Comedy, Urban Comedy | 96 min. | |
| AMG SYNOPSIS: Rob Reiner's romantic comedy When Harry Met Sally stars Billy Crystal and Meg Ryan as the title pair. The film opens with the two strangers, both newly graduated from the University of Chicago, share a car trip from Chicago to New York, where they are both going to make their way. During the trip, they discuss aspects of their characters and their lives, eventually deciding it is impossible for men and women to be "just friends." They arrive in New York and go their separate ways. They meet a few years later on an airplane and Harry reveals he is married. They meet again at a bookstore a few years after that where Harry reveals he is now divorced. From that point on, the two form a friendship. Eventually their closeness results in their respective best friends (played by Carrie Fisher and Bruno Kirby) meeting and falling in love with each other. At a New Year's Eve party Harry and Sally confront the complex tangle of emotions they feel for each other. Footage of real-life married couples discussing how they met is interspersed throughout the film. The soundtrack consists primarily of Harry Connick Jr. crooning standards like "It Had to Be You." -- Perry Seibert More info... | ||||||
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Where the Heart Is | 2000 | Matt Williams | Comedy Drama | 120 min. | |
| Plot Synopsis by Mark Deming Pregnant 17-year-old Novalee Nation (Natalie Portman) runs away from her Tennessee home toward the bright lights of California, accompanied by her boyfriend, Willy Jack Pickins (Dylan Bruno). But Willy gets cold feet and abandons her at a Wal-Mart in Sequoyah, OK. Novalee's life savings amount to $5.55, so she moves into the Wal-Mart, sleeping there at night and venturing out during the day. With the help of the eccentric Sister Husband (Stockard Channing), and Lexie Coop (Ashley Judd), a nurses' aide, Novalee tries to get her life in order for the sake of her expected child, Americus Nation. Based on a novel by Billie Letts, Where the Heart Is also features Keith David, Joan Cusack, Richard Nance, and Heather Kafka. More info... | ||||||
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White Men Can't Jump | 1992 | Ron Shelton | Comedy | 115 min. | |
| Plot Synopsis by Hal Erickson Ron Shelton (Bull Durham) wrote and directed the basketball-oriented seriocomedy White Men Can't Jump. Woody Harrelson plays Billy Hoyle, a white con artist who hustles basketball games with black players, lulling his victims into the misguided notion that white men can't match up with black hoopsters. One of his victims, African-American Sidney Deane (Wesley Snipes), becomes Hoyle's "agent," arranging his various inner city scams. Deane doesn't feel as though he's selling out his own people; he goes along with Hoyle to provide a better life for his wife, Rhonda (Tyra Ferrell), and son. The film breezes through several zany sequences, including one liberal-baiting satirical moment set at a black/white "solidarity" basketball game arranged by an ambitious politician. Crooked gamblers intrude upon the last scenes of the film, but Hoyle is rescued by his girlfriend, Gloria (Rosie Perez), a Jeopardy freak who realizes a lifelong dream by winning big on the Alex Trebek-hosted game show. More info... | ||||||
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The Wings of the Dove | 1997 | Iain Softley | Drama | 101 min. | |
| Plot Synopsis by Michael Betzold Based on the 1902 Henry James novel of the same name, The Wings of the Dove is set in 1910. After the death of her mother, Kate Croy (Helena Bonham Carter) has become a ward of her wealthy Aunt Maude (Charlotte Rampling), who is paying her dissipated father (Michael Gambon) to stay out of Kate's life. Maude wants Kate not to repeat Kate's mother's mistake and marry someone who is a commoner, and Maude arranges a meeting between Kate and Lord Mark (Alex Jennings), a high-class gentleman who can escort her to the right places. But Kate is more interested in Merton Densher (Linus Roache), a penniless journalist. A beautiful but terminally ill American heiress, Millie Theale (Alison Elliott), arrives on the scene and befriends Kate. Kate notices Millie's obvious affection for the handsome Merton, and she arranges an elaborate scheme to hook up the two of them so that Merton can collect Millie's money after her death. But because of her own jealousy, Kate repeatedly sabotages her own arrangement. More info... | ||||||
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Yes | 2004 | Sally Potter | Drama | 99 min. | |
| Plot Synopsis by Mark Deming Filmmaker Sally Potter directed this artful meditation on the dynamics of the romantic and sexual relationship. She (Joan Allen) is an intelligent and gifted genetic scientist of Irish-American heritage who feels smothered in her marriage to a British politician (Sam Neill). While dining at a friend's house, She meets He (Simon Abkarian), a handsome Lebanese exile who was a respected surgeon in his homeland but now supports himself in London as a cook. He flirts with her, and She is pleased with his advances; weeks later, she contacts him, and an affair begins. However, despite their mutual attraction, He and She find it difficult to set aside their political and national differences for very long, as love and lust wage a quiet war against the conscience and the intellect. Yes also features supporting performances from Shirley Henderson and Sheila Hancock. More info... | ||||||
Total: 225 movies